Sonic Frontiers Anthem Integrated 1 integrated amplifier Measurements

Sidebar 3: Measurements

As you might expect from an amplifier with 12 tubes, the Integrated 1 ran very hot. The line input impedance measured 49k ohms, the phono impedance 30k ohms. Along with its lowish gain of 44dB, this mandates using a moving-magnet cartridge. Maximum voltage gain from the line input was a very high 33dB. Phono overload at 1kHz was high at 100mV. The Integrated 1's line stage and power-amplifer stage invert polarity; the phono stage does not. That means the Integrated 1 is inverting through the phono and line inputs when used as an integrated amplifier or preamplifier, noninverting when used as a power amplifier.

The line input's unweighted S/N ratio measured a low 61dB in the left channel and 63dB in the right. Using an A-weighted filter, the S/N increased to 80dB in each channel This large increase in A-weighted S/N ratio indicates that the Integrated 1's noise is primarily low in frequency. (An A-weighted filter has a 20dB rolloff at 100Hz and a 50dB rolloff at 20Hz. This will attenuate power-supply noise in the audio circuits. Weighting filters are designed to approximate the audibility of the noise by mimicking the ear's reduced sensitivity at high and low frequencies.) The phono stage's S/N ratio measured 56dB (left channel) and 64dB (right), improving to 71dB (left) and 73dB (right) when A-weighted.

As expected from the tubed design and from the softish bass heard in the auditioning, the Integrated 1 had a rather high output impedance. Measured at the 8-ohm tap, the amplifier had a source impedance of 0.6 ohms up to 1kHz, rising to 1.5 ohms at 20kHz. From the 4 ohm tap, the output impedance was 0.86 ohms up to 1kHz, rising only slightly to 1.1 ohms at 20kHz. This high output impedance will create interactions with the load and affect the amplifier's frequency response.

Fig.1 is the Integrated 1's frequency response at 1W into 8 ohms, 2W into 4 ohms, and 2W into a simulated loudspeaker load. The 8 ohm measurements were made from the 8 ohm tap, and the 4 and 2 ohm measurements from the 4 ohm transformer tap (in fig.1 and all subsequent measurements unless specified otherwise). We can see the effect of the Integrated 1's high output impedance on its frequency response, particularly with the simulated load: The treble is shelved-down, the midrange elevated. This may have contributed to my impression that the Integrated 1 was a little forward in the mids and smooth in the treble.

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Fig.1 Sonic Frontiers Anthem Integrated One, frequency response at (from top to bottom at 1kHz): 1W into 8 ohms from 8 ohm tap, 2W into 4 ohms from 4 ohm tap, and from 4 ohm tap into simulated speaker load (right channel dashed, 0.5dB/vertical div.).

The Anthem's reproduction of a 10kHz squarewave (fig.2) shows the rounded leading edges due to the ultrasonic bandwidth but is free from signs of instability..

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Fig.2 Sonic Frontiers Anthem Integrated One, small-signal 10kHz squarewave into 8 ohms.

The Anthem's phono-stage RIAA accuracy (fig.3) was good, but with steep rolloffs at the edges of the audioband. The bass rolloff will protect your system from low-frequency record warp and some turntable noise.

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Fig.3 Sonic Frontiers Anthem Integrated One, phono input RIAA error (right channel dashed, 0.5dB/vertical div.).

Fig.4 shows the Integrated 1's channel separation. The crosstalk is reasonably low in both directions, but we can see a fair amount of 120Hz power-supply noise in the audio output—a phenomenon suggested earlier in the noise measurements with and without a weighting filter.

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Fig.4 Sonic Frontiers Anthem Integrated One, crosstalk (from top to bottom at 10kHz): L–R, R–L (10dB/vertical div.).

Fig.5 is the Integrated 1's THD+N vs frequency plots at 1W into 8 ohms, 2W into 4 ohms, and 4W into 2 ohms. The overall distortion is fairly high at low frequencies when driving 2 ohms, but is less than 0.1% through most of the band into 8 ohms or 4 ohms. Most users won't choose a loudspeaker with impedance dips to 2 ohms for the Integrated 1.

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Fig.5 Sonic Frontiers Anthem Integrated One, THD+noise (%) vs frequency at (from top to bottom at 1kHz): 4W into 2 ohms from 4 ohm tap, 2W into 4 ohms from 4 ohm tap, and 1W into 8 ohms from 8 ohm tap (right channel dashed).

The nature of that distortion is predominantly third-harmonic, as shown by fig.6 (lower trace), though this is obscured by the noise in this plot. The Integrated 1's output spectrum when amplifying a 50Hz sinewave at 17W into 4 ohms is shown in fig.7. The second and third harmonics are the highest in level (reaching the –60dB horizontal division), as is typical for a tubed amplifier. When reproducing a combination of 19kHz and 20kHz at 17W into 4 ohms, the Integrated 1 produced the intermodulation distortion spectrum of fig.8. This is a rather high number of artifacts compared with the Linn and Rotel amplifiers that I review elsewhere in this issue.

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Fig.6 Sonic Frontiers Anthem Integrated One, 4 ohm tap, 1kHz waveform at 2W into 4 ohms (top); distortion and noise waveform with fundamental notched out (bottom, not to scale).

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Fig.7 Sonic Frontiers Anthem Integrated One, 4 ohm tap, spectrum of 50Hz sinewave, DC–1kHz, at 17W into 4 ohms (linear frequency scale). Note the presence of power supply components and that the second harmonic at 100Hz is the highest in level, at –58dB (just over 0.1%).

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Fig.8 Sonic Frontiers Anthem Integrated One, 4 ohm tap, HF intermodulation spectrum, DC–22kHz, 19+20kHz at 17W into 4 ohms (linear frequency scale).

Fig.9 shows how the Integrated 1's THD+Noise varies with output power into 8 ohms, 4 ohms, and 2 ohms at 1kHz with one channel driven. The clipping points, shown in the table, are greater than 40W into 8 ohms and 4 ohms, suggesting that the Integrated 1's 25Wpc rating is conservative.—Robert Harley

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Fig.9 Sonic Frontiers Anthem Integrated One, 8 ohm tap, distortion (%) vs output power into (from bottom to top at 1W): 8 ohms, 8 ohm tap; 4 ohms, 4 ohm tap; and 2 ohms, 4 ohm tap.

Table: Clipping: 1% THD+N at 1kHz

Both channels driven (dBW) One channel driven
Load Left Right
8 ohms 43W (16.3dBW) 42W (16.2dBW) 43W (16.3dBW)
4 ohms 39W (12.9dBW) 39W (12.9dBW) 42W (13.2dBW)
2 ohms 30W (8.8dBW)

AC Line voltage: 119V

COMPANY INFO
Anthem Electronics
205 Annagem Boulevard
Mississauga, Ontario
L5T 2V1, Canada
(905) 696-2868
ARTICLE CONTENTS

COMMENTS
Chick Korean's picture

Pretty basic looking compared to Anthem's usual rather high spec cosmetics.

Jack L's picture

...... three-dimensional presentation infused with air and bloom. " qtd Robert Harley.

Is this WHAT we would enjoy in a live concert: spacious, 3-D presentation....??? For lousy $1,500, should we still demand for more ??

Anything else, e.g.bass/mid/treble hi or low is personal subjective choice & is therefore of less priority.

OnLY ALL-tubed amps can deliver such closer-to-live music enjoyment at home for genuine music lovers, like your truly.

Of course, there are still room to improve the sonic performane of this $1,500 intergrated all-tube amp if I were to upgrade its exisiting design for MY own musical enjoyment. I'd done so with my vintage Dynaco ST-70 power amp with flying colours.

But this is a commercial product. The manufacturer got to make sure it is sellable in the marketplace.

Jack L

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