LATEST ADDITIONS

John Atkinson  |  Apr 18, 2019  |  8 comments
When we launched Stereophile's website at the end of 1997, we decided that we would not reprint the magazine's most popular features, including the biannual "Recommended Components" listings and Michael Fremer's monthly "Analog Corner" column. We were concerned that doing so would cannibalize magazine sales. As it turned out, we were wrong—and so the latest "Recommended Components" is available on our free-access website day-and-date with the publication of the April and October issues in which it appears. And starting with Mikey's very first "Analog Corner," from July 1995, I have been posting his column on our AnalogPlanet.com website.
Thomas Conrad  |  Apr 18, 2019  |  1 comments
Francesco Diodati Yellow Squeeds: Never the Same
Francesco Diodati, electric & acoustic guitar, gongs; Francesco Lento, trumpet; Glauco Benedetti, tuba, valve trombone, flute; Enrico Zanisi, piano, Fender Rhodes, synths; Enrico Morello, drums, gongs
Auand AU9080 (CD). 2019. Francesco Diodati, Marco Valente, prods.; Stefano Del Vecchio, Roberto Lioli, engs. DDD. TT: 44:24
Performance ****½
Sonics ****

Guitarist Francesco Diodati is one of the freshest voices to enter jazz in the new millennium. If this news comes as a surprise, you probably live in the US. A disproportionate amount of the innovation and energy within America's only indigenous art form now comes out of Europe. Most of the American jazz community has not gotten the memo.

Jim Austin  |  Apr 18, 2019  |  2 comments
AXPONA 2019 was a good show—I'm tempted to say an important show. It's just an intuition, but I sense renewed vitality.
Jim Austin  |  Apr 17, 2019  |  6 comments
Both the name of the company and the look of their products belie what I found to be the company's spirit. "CAD"—short, in this case, for Computer Audio Design, but more commonly denoting computer-aided design, evokes highly technical, inhuman stuff. The main CAD products on active display in this room at AXPONA—the CAD Audio Transport, the 1543 Mk II DAC, and various "Ground Control" boxes—are squared off and minimalist in design, resembling space objects from 2001: A Space Odyssey. The components' green logos evoked, for me, nothing so much as the eyes of aliens come to abduct us.
Jim Austin  |  Apr 17, 2019  |  1 comments
The racks produced by Butcher Block Acoustics, which were on display in the EXPO at AXPONA 2019, are about what you'd expect from a company with that name: They look like butcher blocks made into shelves, with lots and lots of maple. If you want a softer, warmer wood, you can get walnut instead. Or, you can get walnut shelves with maple legs, or maple shelves with walnut legs. However it's configured, it's a modern, minimalist look--almost Scandinavian.
Herb Reichert  |  Apr 17, 2019  |  15 comments
By the time I knew they were handing out cots, it was too late: They had already run out. The person at the Help Desk at Chicago's O'Hare International Airport said he'd never seen so many people camping out there. (Thanks to Mike Trei for the above photo.)
John Atkinson  |  Apr 17, 2019  |  3 comments
The last room I visited at the 2019 AXPONA was the best-sounding: the big room shared by Kyomi Audio and MBL on the Renaissance Hotel's 15th floor. The system comprised MBL's Noble Line N31 CD player/DAC ($15,400) that I reviewed in February 2018, the N11 preamplifier ($14,600), four N15 monoblock amplifiers ($35,600/pair) and the omnidirectional 101E Mk.2 loudspeakers ($70,500/pair), all hooked up with WireWorld Eclipse Series 8 cables.
John Atkinson  |  Apr 17, 2019  |  0 comments
Florida-based Bending Wave USA were showing the ginormous Divin Noblesse loudspeakers ($220,000/pair) making their US debut—I wrote "ginormous" but these are actually just the second largest speakers in the German company Goebel's line—driven by the Swiss CH Precision phono preamp, preamplifier, and power amplifiers.
John Atkinson  |  Apr 17, 2019  |  4 comments
MartinLogan co-founder Gayle Sanders emerged from retirement at the 2018 AXPONA with a new loudspeaker brand, Eikon. But Eikon is not just a loudspeaker but a complete system ($25,000 in standard finish or $30,000 in the carbon-fiber finish shown in my photo), with DAC, preamplifier, and digital signal processor incorporated into the Eikontrol unit, which has both analog inputs and digital (USB and S/PDIF but PCM only) inputs, and each of the speaker's drive-units has its own amplifier.
John Atkinson  |  Apr 17, 2019  |  5 comments
I sat down in the Playback Designs room to listen to a system featuring Playback's MPS-8 SACD player/DAC ($25,000 plus $2400 for the Stream_X option) and Stream-IF streaming interface ($3300), both from the company's Dream series, with an Playback IPS-3 integrated amplifier ($14,000), these all sitting on an English Lateral Systems 4-shelf rack ($4100), driving Verity Parsifal Anniversary loudspeakers ($25,000/pair) and wired with Kubala-Sosna Emotion interconnects and Fascination AC cord and speaker cables. Playing was the DSD256 file of "Let There Be Love," copied from an analog Ampex 468 ¼" tape running at 30ips that had been recorded in parallel with Lyn Stanley's new direct-to disc album London With a Twist: Live at Bernie's.

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