As you can see from the logo above, Stereophile has accepted an invitation to be inducted into the European Imaging and Sound Association (EISA), as the exclusive US member of the EISA's Hi-Fi Expert Group. EISA's invitation came too late for Stereophile to take part in the 2017 awards, but we will be a full participant in 2018. Meanwhile, here are the 2017–2018 winners.

I'm a thirty-year-old puppy doing what I'm told And I'm told there's no more coal for the older engines,"—Andy Partridge, "Train Running Low on Soul Coal"

"[We] know the truth of this: We would likely live happily ever after with a system from nearly 60 years ago. An idler-drive turntable, some Marantz electronics, and Quad ESL-57s can be very satisfying. The main improvements to be made are not necessarily in the area of musical enjoyment, but rather boring old reliability."

Featuring Mytek's MQA-equipped Manhattan II D/A preamplifier-headphone amplifier on its cover, our new issue—132 pages of awesome—is jam-packed with good stuff. There are reviews of Ayre's QX-5 Twenty "digital hub," Kii's ground-breaking, DSP-optimized active speaker, amplifiers from Bel Canto and Octave, and preamplifiers from Shindo and Sutherland. Jim Austin interviews Pass Labs' onlie begetter, veteran engineer Nelson Pass. Robert Baird surveys audiophile-quality reissues of horror-film soundtracks. Mikey Fremer visits revitalized SME in the UK. And kicking it all off, Art Dudley condemns CD player manufacturers who neglect their customers in the long term.

The KSL ($1800, $2100 with phono section) is a one-box line controller/preamplifier, just 2.25" high, with a nominal voltage gain of 10dB, or 3x. Despite its moderate price, the KSL is distinguished by having balanced outputs (via industry-standard XLR connectors), as well as two balanced inputs. Conventional single-ended, unbalanced outputs are also available via a pair of gold-plated phono sockets. Two unbalanced inputs are provided, plus a third via the tape monitor switch.