LATEST ADDITIONS

David Fisher  |  Dec 10, 2024
This article is not about Seattle band The Head and the Heart (above). But read on . . .

Movie characters pondering momentous decisions are sometimes subjected to a raging debate between an imaginary angel on one shoulder and an imaginary devil on the other. Think of Larry "Pinto" Kroger deciding whether to take advantage of his passed-out-drunk date during the infamous Animal House toga party.

Audiophiles, too, are often pulled in opposite directions. But instead of angel's wings or devil's horns, our imaginary duelists are decked out in T-shirts, one with a logo that says "digital," the other with a logo that says "analog." Or tubes and transistors. Or that old favorite, Everything Matters vs Expensive Cables are Snake Oil.

I won't presume to adjudicate these perpetual rhubarbs, but I will confess to facing a battle of my own, waged between the Head and the Heart.

Sasha Matson  |  Dec 08, 2024
On Thursday, December 5, 2024, Miles Davis came back to New York City. Miles was escorted by Acoustic Sounds' Chad Kassem. This "from beyond the grave" appearance was one of the most memorable listening sessions I have ever experienced. Kassem previewed for us his Analogue Productions' issue Miles Davis—Birth of the Blue (Sony/Columbia APJ 172, 2024). The release date is set for December 13th. on 180-gram vinyl and SACD.
Stereophile Staff  |  Dec 07, 2024

Register to win a pair of Chesky Audio LC1 Bookshelf Monitor speakers (MSRP $996) Stereophile is giving away.

Introducing the LC1 Bookshelf Monitor – Bringing Hi-End Audio to New Audiences. The Ultimate Hi-Fi Bookshelf Speaker, crafted to set a new standard in sound quality. Using a high density polymer cabinet, the LC1 embodies the sound of a speaker 10 times its size. Amaze yourself with this ultimate listening experience.

Alex Halberstadt  |  Dec 05, 2024
I have a day job at a museum. One of my favorite things about working there is taking the elevator from my office down to one of the floors open to the public; I walk into the galleries through a discreet panel in the wall. This makes me feel like I'm in one of those horror-movie manors with a tunnel concealed behind a bookshelf. Sometimes I startle people, which I kind of enjoy.

Mostly I like spending time looking at art, especially in the early mornings when the galleries are empty. Lately, I've been watching art handlers hanging a roughly 100'-long tapestry depicting some manner of planetary jetsam—or maybe they are aquatic plants—by Nigerian artist Otobong Nkanga. And I make regular trips to a small theater to watch mesmerizing footage of Orchard Street in working-class lower Manhattan, shot in 1955 by veteran filmmaker Ken Jacobs. Captured on warm, saturated 16mm film, the long-gone people on the screen appear as vividly alive as the museumgoers around me.

My favorite-ever thing at the museum, though, is a life-sized kitchen. Austrian architect Grete Lihotzky designed it for a Frankfurt housing complex in 1927.

Herb Reichert  |  Dec 05, 2024
In Gramophone Dreams #88, I described the sound of TEAC's VRDS-701T CD transport as "dense and precise in a way I had never previously heard from digital." I went on to explain, "by 'dense,' I mean there was a tangible corporeality effected by seemingly infinite quantities of small, tightly packed molecules of musical information."

What I noticed most during the review period was the extraordinary volume of data the 701T was vacuuming off those pits and lands and turning into music. As I have gotten to know it better, what I've noticed most is how the 701T sorts and delivers all that data in a manner that makes every DAC I pair it with sound more corporal and dynamic.

As I wrote that review, I wondered how the 701T would perform partnered with its matching UD-701N converter/streamer/preamplifier and how the TEAC flagship DAC's sound character would compare to flagship DACs from HoloAudio, Denafrips, and dCS.

Ken Micallef  |  Dec 05, 2024
Mat and Harry Weisfeld presented two dedicated rock ‘em, sock ‘em systems at last month's CAF2024 show. The first room marked the debut of the new VPI Forever Series Model One turntable, which is currently in house at Chez Micallef under review.

Ken Micallef  |  Dec 04, 2024
Closing his review of the AirTight ATM-1S amplifier in the November 2014 Stereophile, Art Dudley wrote, "The AirTight ATM-1S is right up there with the best I've heard: the artisanal, the small, the artistically sensitive, the colorful and characterful, the smart. The AirTight is as serious an EL34 amplifier as I've heard, offering texture, color, poise, musical drive, and rightness, all in good proportion to one another. It also looks nice and represents at least decent if not outrageously good value for the money."

Art's ATM-1S was a step in a long succession of tube amplifiers produced by AirTight since its 1986 founding. First came the original ATM-1; AirTight has also produced the ATM-2 (which used KT88 tubes), the ATM-4 (6L6GCs), the 1S that Art reviewed (EL34s; the S stood for "special"), the ATM-2 Plus, and now the ATM-1 2024 Edition ($14,975).

Ken Micallef  |  Dec 04, 2024
Mark Sossa, the best-dressed and best-mannered exhibitor at CAF 2024, under the banner of Well Pleased AV, had new gear to play for me and I was all ears.
Ken Micallef  |  Dec 04, 2024
Even if audio isn’t your thing, I always advise everyone within earshot to visit Jeffrey Catalano’s hi-fi rooms, the world over. ‘Cause more than a smart-witted audiophile, Jeffrey is a seasoned musician and experienced listener, his vinyl collection spreading to the many thousands. This man has serious taste in music, an influencer, you might say, of the highest degree.
Michael Trei  |  Dec 04, 2024  |  First Published: Dec 03, 2024
I think of Audio-Technica as the maker of some of the best high-value cartridges out there. From the ubiquitous AT3600L, which can be had for a little more than a Big Mac meal at McDonald's, to the popular OC9 moving coil series, A-T's cartridges have long been easy-to-recommend options that deliver great sound mounted on just about any turntable.

But occasionally, Audio-Technica likes to show off its technological chops by launching a cartridge that breaks new ground. Last year, they celebrated their 60th anniversary by stunning everyone with the AT-MC2022, which uses an outrageous integrated stylus and cantilever fashioned from a single piece of lab-grown diamond. In 2016, they flexed their capabilities with the AT-ART1000, which completely reconfigured how the elements of a moving coil cartridge are arranged, with spectacular results.

Now, eight years after the AT-ART1000 was launched, A-T has introduced the AT-ART1000x, which incorporates several small but important improvements.

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