LATEST ADDITIONS

Studio Confidential Interview Series, Part 2: Sylvia Massy

Producers and engineers are the human engines that drive and shape the sound of the recordings we know and love—as well as the ones we've yet to hear. In Part 2 of our three-part Studio Confidential interview series, Mike Mettler talks with Sylvia Massy, who has worked with Prince, Jason Isbell, Tool, and many, many others, about what elements make a hit record, what album made her want to become a producer, and why Prince was such a, shall we say, tortured genius.

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Studio Confidential Interview Series, Part 1: Chuck Ainlay

If you really want to know how your favorite albums came to be, you can't go wrong talking with the men and women who are in the studio day in and day out with the artists—i.e., the producers and engineers. So we're doing exactly that. In Part 1 of our Studio Confidential interview series—there will be three parts this week, with perhaps more to follow—Mike Mettler talks with Chuck Ainlay, who has worked with Peter Frampton, Mark Knopfler (and Dire Straits), George Strait, and many, many others—about his production philosophy and who inspired him to get behind the board in the first place.

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Burmester 232 Classic Line integrated amplifier

My first response, upon being offered for review the new Burmester 232 Classic Line modular class-AB dual-mono integrated amplifier ($25,000), was apprehension—but not because of the product itself, and certainly not because of the Burmester brand. I had already been won over by the pair of Burmester 218 Top Line stereo power amplifiers ($50,000/each) I reviewed in the October 2024 issue.
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Brilliant Corners #36: A New Listening Space, Jean-Marie Reynaud BLISS Jubilé loudspeaker, Stein Acoustic Discs

It's difficult to put a positive spin on moving. A recent survey ranked it as life's most stressful event, ahead of divorce, losing a job, or becoming a parent. Forty-two percent of respondents said it brought them to tears. Thirteen percent said it was worse than a week in jail.
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Presence: Self-Aware Listening

Recently, my good friend Bryan invited himself over for a "critical listening session" at my place. This was out of character. Typically our listening sessions are not of the "critical" variety. They take place late at night after several cocktails, neat bourbon in hand. Volume knobs are torqued. The choice of recorded material tends toward early Lynyrd Skynyrd (Pronounced 'Lĕh-'nérd 'Skin-'nérd), that one Hank Williams Jr. album that doesn't suck (The Almeria Club Recordings), and one of two Def Leppard albums (Pyromania or (Hysteria).
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