LATEST ADDITIONS

Michael Fremer  |  May 24, 2018  |  4 comments
Viginti is Latin for twenty. It's also the name of a new loudspeaker from EgglestonWorks, to be produced in a limited edition of 250 pairs in celebration of the launch, 20 years ago, of the company's original Andra, on which the Viginti is based. The Viginti is a shapely and eye-pleasing 4' 2" tall, and weighs 255 lb—kind of heavy for its size.
Jason Victor Serinus  |  May 24, 2018  |  17 comments
At the 2018 Consumer Electronics Show, when John Atkinson and I entered the room shared by Lamm Industries, Aqua Acoustic Quality, and Kharma room, we were looking for two things: good sound, and digital products for me to review. When we spied AAQ's Formula xHD digital-to-analog converter, the possibility of evaluating a potentially excellent DAC made by someone other than the usual suspects felt like a golden opportunity.
Fred Kaplan  |  May 23, 2018  |  2 comments
At age 62, pianist Fred Hersch is playing as rousingly and rivetingly as ever. His latest disc, Live in Europe (on the Palmetto label), may be his best trio album to date.
Kalman Rubinson  |  May 23, 2018  |  13 comments
The Kii Three speaker on top of its BXT woofer module.

For years, I have had the Munich High-End Show on my bucket list and, this year was the time to cross it off. Past reports have been enticing not only from the detailed reports of a wealth of familiar, not-so-familiar and some downright unknown audio companies but, even more, because it is said to be the best show in terms of venue, focus and community spirit.

Art Dudley  |  May 22, 2018  |  3 comments
In the early 1960s, young people who were anxious see the Beatles on The Ed Sullivan Show had to first sit through a seeming eternity of bad comedians, bad puppet shows, and acrobats spinning dinner plates to the tune of Khachaturian's Sabre Dance. So it is here: Before I can get to the Miyajima Saboten L phono cartridge, I have to report on something I left out of my April 2018 column, which was devoted to Zu Audio's modification of the classic Denon DL-103 cartridge. And since this is information I've been holding on to for almost a year, I suppose I also left it out of my August 2017 column, which was devoted to the MusiKraft Audio's own modification of the Denon DL-103.
Larry Greenhill  |  May 22, 2018  |  2 comments
Each equipment report in Stereophile focuses on a single audio component. When listening to a component for review, I leave unchanged all other components in my audio system. Other Stereophile reviewers experiment with different interconnects, speaker cables, power cords, or stands. As I found while reviewing Bryston's BP-173 (Cubed) preamplifier, being flexible has its rewards.

Description
My first lesson in flexibility was learning what Bryston means by "Cubed" (footnote 1). Jim Tanner, Bryston's VP of sales and marketing, explained that all their Cubed models employ an array of 12 active devices for the first 6dB of gain. Developed by the late Dr. Ioan Alexandru Salomie, this array acts as "a super-linear" input buffer to filter out audio- and radio-frequency noise, particularly anomalies that originate in the power line, reducing the overall noise and distortion to less than 0.001%.

Stereophile Staff  |  May 21, 2018  |  0 comments
Thursday May 24, Soundings Fine Audio Video (8101 E. Belleview Avenue Suite X-1, Denver, CO 80237) and Lavish Hi-Fi (1044 4th Street, Santa Rosa, CA 95404) are holding special events.
Art Dudley  |  May 21, 2018  |  27 comments
Six weeks ago, Jana Dagdagan and I visited the Peekskill, New York factory of Soundsmith—her first time there, my second. Although I didn't mention this to the company's President and Chief Engineer, Peter Ledermann, the thing that most impressed me during my second visit was how little had changed since my first, in April of 2015. In particular, all but two of the employees I saw at Soundsmith this year had been there during my first visit; that suggests an experienced workforce—no small advantage in the manufacturing of phono cartridges, where the requisite skills are specialized, to say the least—a setting where people feel sufficiently challenged and appreciated that they stick around for years rather than mere months.
Jason Victor Serinus  |  May 20, 2018  |  8 comments
Less than a minute into this rare realization of the Leçons de Ténèbres des Mercredi, Jeudi et Vendredi saints by Michel Lambert (ca 1610–1696), I knew I had to review it. Recorded for Harmonia Mundi in 24/88.2 hi-rez by Alban Moraud, who did a wonderful job capturing the resonant acoustic of La Courroie, Entraigues-sur-la-Sorgue, the 2-CD/51-track set showcases the extraordinarily agile, virtually vibrato-less and intentionally nasal bari-tenor of Marc Mauillon.
Robert Schryer  |  May 18, 2018  |  24 comments
"No one thing turned more people into audiophiles than the '60s counterculture," said Bruno, arm flung over his cash register. "It opened up the doors of sonic perception. Even the great audio designers of the day were countercultural mavericks!"

Bruno is the lanky, braided-beard, thirtysomething owner of a small, well-stocked record shop in Montreal, and we stood facing each other on either side of a glass case filled with vinyl paraphernalia. Bruno has made the most of his limited space. Every foot of each wall supports a shelf crammed with music-related merchandise: rock and jazz memorabilia, album covers, refurbished turntables. There's even a rack in the back for music and audio magazines, including Stereophile.

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