AXPONA 2023

At AXPONA 2023, I saw teenage besties cruising rooms together. I saw fashion-conscious 20-somethings listening in sweet spots, and young parents with younger children. Yeah, there were a few gray boomers like me, but only a couple were wearing Hawaiian shirts. AXPONA 2023 vibed like a tribal conference at a sacred pilgrimage site, and I've never enjoyed an audio show this much before.

Mick Survance of Quintessence Audio in Morton Grove, IL knows his brands well. Wilson Audio, Dan D'Agostino Master Audio Systems, Clearaudio, DS Audio, dCS, Transparent, Bassocontinuo, Sonus faber, Boulder, Critical Mass Systems, Hana, and Kubala-Sosna: these are among the major, time-honored brands that fill the homes of many audiophiles with means.

Each of these rooms had several elements in common: premium equipment, meticulous set-up, and heavy black draping that, while necessary to reduce multiple issues in narrower air-walled spaces (which were nonetheless larger than my music room), also reduced three-dimensionality and air. It was thus a wonder that individually as well as collectively, Quintessence's showcases produced some of the best sound I encountered at the show.

Just as I dashed into the Expo Hall to check out Coherence Systems' ADD-POWR SorcerX4 ($4399.95) and smaller Apprentice ($3299.95) harmonic conditioning devices, Bill Stierhout (above) was packing up. We just had enough time to snap this photo before his booth became a booth no more.

Some believe that Dolby Atmos, Apple's spatial audio variant, and other immersive technologies are the wave of the future. While the best way to determine what the future will bring is to live long enough to render the future the present, Jim Austin and I independently dipped into Focal Naim's impressive self-contained 7.2.4. Dolby Atmos Theva exhibit, staged within their larger exhibit space, to get a taste of what's available right now.

Credo Audio Switzerland's Cinema LTM loudspeakers ($199,995/pair) may have towered above all else, but the gear from EMM Labs and their lower priced Meitner Audio line, van den Hul, VPI Industries, and DS Audio displayed in another "give it all you've got" large room was nothing to scoff at. Though I've grown tired of the overblown sound on Gary Karr's LP, Adagio di Albinoni, I was awed by the midrange beauty of Sara Barreilles's voice on a 24/88.2 file of "Goodbye Yellow Brick Road." The recorded sound of this live performance seemed uncannily real, and the soundstage was awesome.

I'm not one for abusing punctuation, as in ending every sentence of a press release with an exclamation point. (It happens more frequently than you may wish to know.) But when MBL named its top-of-the-line loudspeakers X-treme ($398,000/pair), they weren't kidding. These speakers are as huge as they are imposing.

The room was noisy, and the switching between selections a classic case of trackus interruptus. Nonetheless, the ability of Atohm's GT1 bookshelf speakers ($4499/pair) to convey bass far more powerful than one might reasonably expect from speakers of their size left me smiling. I was smiling as well because the first demo track chosen to display this wonder was one I occasionally reference for color, texture, and speed: Yosi Horikawa's "Bubbles" (16/44.1Tidal/First World Records).