Solid State Preamp Reviews

Prologue: The context for this review is that back in the 1980s, preamplifiers and integrated amplifiers with remote controls didn't exist. In early 1985 I borrowed a sample of Acoustic Research's Stereo Remote Control, which I believe was designed by Ken Kantor (later to find fame with NHT) and set it up in my bedroom. It drove a pair of powered loudspeakers with auto turn-on, and I very quickly grew to appreciate, not just the sound quality, but the convenience of being able to control the system from the comfort of my bed. So what did JGH think of the SRC?—John Atkinson

VPI Industries Voyager phono preamplifier
Following my auditioning of Channel D's Lino 2C current-mode phono preamplifier, back in the world of voltage amplification, here's another phono preamp from another company based, like Channel D, in New Jersey. Probably not since Dynaco manufactured its electronics in Pennsauken has the Garden State enjoyed such riches of analog electronics!

This review of one of the first solid-state preamplifiers was published in 1968. It includes some of JGH's first thoughts on the ongoing subject of "Accuracy vs. Musicality."

Preview, from July 1968 (Vol.2 No.6): Overall sound extremely good, but phono sounds slightly lacking in deep bass, despite impeccable measurements. Scratch filter judged very highly effective, but tone controls felt to be less than ideal be cause of excessively coarse action and marked tendency to affect midrange output. Spring-return Tape Monitor switch probably will not appeal to serious tapesters. This preamp is slated for a full report in the next issue.

Before starting this review of Rotel's Michi P5, the 60-year-old, Japan-based audio company's recent preamplifier design, I thought it appropriate to consider "What is an audio preamplifier? What should it do?" There are plenty of opinions to be found at stereophile.com:

"What a preamp ought to do, apart from changing volume and switching sources, is as little as possible," wrote Stereophile Editor Jim Austin in his 2017 review of the PS Audio BHK Signature preamplifier.

There are some standing jokes in the audio industry about the qualities a piece of equipment must have in order to be truly "high-end." One definition is that it must be unavailable, unreliable, and dangerous. Another is that it will sound great, break, and its manufacturer go out of business. By meeting at least half of these variables, the Spatial Coherence TVA-1 preamplifier qualifies as a classic audiophile product.

I thought I knew what a preamp could do. But when the Dan D'Agostino Master Audio Systems Momentum HD preamplifier ($40,000) arrived for review, all my expectations flew out the window.

Our first sample of this preamplifier was returned to the manufacturer before we had completed our tests on it, and was replaced with the latest version (ours is serial number 500108). Enough time elapsed between the time we shipped back the first sample and the time we got around to auditioning the second that we are unable to report on any sonic differences between the two.