Gramophone Dreams

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Gramophone Dreams #112: Audio Note IO II phono cartridge & Audio Note AN-S4L SUT

When I began writing for Stereophile in 2014, I decided not to mention Audio Note. I decided this because during the best part of the 1990s, I enthusiastically represented both Audio Note UK and Audio Note Japan (Kondo). I did not want my new readers thinking my Stereophile review stories were biased by my previous affiliations.

Gramophone Dreams #110: LAiV Harmony µDAC, Etsuro Urushi Cobalt Blue, Bob's Devices Sky 20-S

In my studio, I have a hand-sized wood box. It is the soundbox of an African musical instrument with a small internal volume, a pencil-sized sound hole, a bent steel bridge, and an array of eight steel wires with flattened ends—a keyboard. It is called a mbira . . . you can buy a spiffy varnished mbira at Walmart, where it is called a "Kalimba."

Gramophone Dreams #109: Stax SR-009D, Grado Signature HP100 SE, HiFiMan Susvara Unveiled headphones

Last year, I reported on Stax's glamorous new SR-007S electrostatic earspeakers ($2390) in conjunction with the Stax SRM-700S driver amplifier. This report was extra fun because I was just finishing up a long romantic affair with a loaner pair of vintage Stax SR-Omegas about which, in his 1995 Stereophile review, Tom Norton declared: "If you want the truth, however—at least as honestly as I've heard it in any headphones—you want the Stax SR-Omegas."

Gramophone Dreams #108: AER & Brian Charney Horns, the Voxativ Hagen2

There was no limo, just a walk filled with Christmas-in-Chinatown sights from the F train east down East Broadway, past 169 Bar, under the Manhattan Bridge, to the Dim Sum Palace. I was having a dinner meetup with an artist-writer friend named Joe who invited me to hear the wide-range AER drivers that he has bolted onto clear acrylic AER baffles with big, round, clear horns on the front.
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