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So there I was, in the parking lot of the Rockville Hilton, cigar smoke curling into the crisp autumn air, grilling Gary Gill about his brainchild, Capital Audio Fest (CAF). This East Coast audio extravaganza has grown into a monster, bursting at the seams of its Rockville venue.

Grado Labs has introduced its latest flagship headphones, the Signature HP100 SE. This new model pays tribute to the pioneering HP1 headphones released by founder Joseph Grado in the early 1990s—a product some consider the genesis of the high-end headphone market.

A new Polish turntable brand, BennyAudio, is poised to enter the United States via the Supreme Acoustic Systems distributorship. Given what I heard in BennyAudio's room at Audio Video Show 2024, aka The Warsaw Show, my audiophile buddy Scott might have gone to heaven and back if he’d been able to join me.

The cynical amongst us might say that I began my coverage of Warsaw’s Audio Video 2024 with Polish audio company Ferrum because they were also taking me (and a huge bevy of other press people) out to dinner. While I won’t deny that one of many ways to an audio critic’s heart is through their stomach, my gut reaction to Ferrum has far more to do with its “amazing for the price” sound than its perks.

Bluebird Music, a distributor of high-performance audio products, has announced the release of the Weiss DAC501 MK2 and DAC502 MK2 for the U.S. and Canadian markets. Both models are built by Weiss Engineering and represent the latest in the company’s nearly four-decade pursuit of high-fidelity sound reproduction.

The Focal Diva Utopia loudspeaker made its US debut in New York City this past week, showcasing the combined expertise of French and English partners Focal and Naim in their first fully active, wireless, and connected loudspeaker.

Focal and Naim Audio CEO Cedrick Boutonet and group marketing manager Réjean Bedel were on hand to introduce the Diva Utopia at Manhattan’s Par Excellence store located in NYC’s fashionable East Village and the Bowery, where the city’s derelict community once held sway, now replaced by hip cafés and bars.

At the end of 2020, the Federal Trade Commission proposed eliminating what had come to be known as the "Amplifier Rule," which had been in effect since 1974. Then-FTC commissioner Christine S. Wilson wrote, "Freeing businesses from unnecessarily prescriptive requirements benefits consumers."

To me, that made no sense. Far from imposing "unnecessarily prescriptive requirements" on amplifier manufacturers, the Amplifier Rule had long forced manufacturers to clean up their acts.

As I wrote in an article published on the Stereophile website in 2021, in the hi-fi boom that began in the 1960s, the Institute of High Fidelity became alarmed by amplifier manufacturers exaggerating their products' output power. Such mystical numbers as "Peak Power" and "Music Power" were used willy-nilly to produce sales-oriented ratings with little to do with reality.