Records To Die For

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Records To Die For
Records 2 Live 4 2025
Stereophile Staff  |  Jan 17, 2025  | 
It was October 1990 and Richard Lehnert, at that time Stereophile's music editor, buttonholed me in our office parking lot. He had an idea for a new feature in which, instead of recommending audio components, which we had been doing since the first edition of Recommended Components in 1963, we should do the same for music. "Rather than a selection of all-time (or year's) best recorded performances—which are common enough—or a list of audiophile reference recordings—common enough in the audiophile press, at any rate," he said, "this would be a list of stereo recordings that are both musically and sonically impeccable. In other words, the best, the tops, to die for."

It took me less than a New York minute to sign off on Richard's idea. We asked the magazine's audio and music writers each to name two of their favorite albums of all time—albums that were, to them, "to die for."

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Records To Die For
Records 2 Live 4 2024
Stereophile Staff  |  Jan 19, 2024  | 
As I was preparing our annual Records to Die For feature for 2021, in the midst of the COVID-19 pandemic, it occurred to me that at such a moment, "Records to Die For" didn't evoke the same feelings it once did. That name—for what has become Stereophile's most popular feature—had started out light-hearted, derived from a 1980s pop-culture idiom, which eventually found expression in several book and movie titles as well as at least one Death-Metal band. In late 1990, as the 1991 feature was being prepared, it didn't seem so light-hearted at a time of so much death and suffering. At such times, music is a salve, a source of encouragement, perhaps even a means for survival. Records to Die For officially became Records to Live For.

Today—knock on wood—the worst of COVID well behind us, the new designation seems exactly right. This feature is all about music that inspires, that makes life rich—that gives us a reason to live, in times troubled and joyous. These are records that, if you knew you didn't have that much time left, you'd be eager to hear one last time. At least.

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Records To Die For
Records 2 Live 4 2023
Stereophile Staff  |  Jan 20, 2023  | 
Once each year, since 1991, we've asked our writers, both hi-fi and music, to name two of their favorite albums of all time—albums that are, to them, "to die for." It has long been one of our most popular features.

Originally a light-hearted conceit based on a phrase that was popular at the time, there never was a real implication that anyone would give up their life for this music. Yet, for many of us, it has always carried that baggage. So, while this has long been my favorite Stereophile feature, I've never cared for the name.

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Music and Recording FeaturesRecords To Die For
R2D4 2022: Death-Defying Tunes
Stereophile Staff  |  Jan 18, 2022  | 
So, what's this all about? Most of you already know—after all, we've been doing it since 1991, and it's one of our most popular features. But if you're new to Stereophile, here it is: Originally, the light-hearted conceit was, these are the records you'd be willing to lay down your life for. (This foie gras is to die for!) But, let's be real: That ain't gonna happen, or so I hope.
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Records To Die For
Records to Die For 2021
Stereophile Staff  |  Jan 12, 2021  | 
Records To Live For! In an ordinary year, the name of this annual feature, published every February since 1991, is a harmless, even amusing joke. In last year's opening essay, I evoked a heavily armed intruder perusing your record collection late at night and holding your favorite record in his hands: Would you risk your life by confronting him? That's hardly the first time that an author of the R2D4 lead essay made a joke about possibly dying.
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Records To Die For
Records to Die For 2020
Stereophile Staff  |  Jan 15, 2020  | 
It's 3am. You're lying in bed. Something woke you up—you don't know what it was. You pull back the covers, get up, and tiptoe out to your listening room.

There, standing by your record rack, thumbing through your prized LPs, is a man in black (no, not Johnny Cash—a different man in black). You see a bulge in his pocket; it could be a gun. Something shiny catches your eye—there's a switchblade knife between his teeth! At his feet, leaning against your record shelf, is a cudgel. Oh, and it looks like he might have some infectious disease. You, of course, are in your PJs.

You notice, at the top of the stack of records that he holds under his arm, that one record, the one you love the most, the one you can't live without.

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Records To Die For
Records to Die For 2019
Stereophile Staff  |  Jan 17, 2019  | 
When we premiered this feature in 1991, we felt that, rather than a selection of all-time (or year's) best recorded performances or a list of audiophile reference albums, we should choose recordings that were, in then music editor Richard Lehnert's words, "both musically and sonically impeccable—in other words, the best, the tops, to die for." As RL went on, "such a list also makes for some strange procrustean bedfellows—obscure recordings that would never make the proverbial 'desert island' list snuggling up next to towering classics of the concert hall and control room."
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Records To Die For
Records to Die For 2018
Stereophile Staff  |  Jan 25, 2018  | 
What's your favorite record? It's a simple enough question, but one that dedicated music consumers never tire of asking each other. And so, every year, we ask the distinguished writing staff of this magazine to choose a pair of favorites and tell us a little of what seems so compelling about them. Music in any recorded format is fair game, the only restriction being that it must still be available, if only in the deep, dark recesses of the Internet. Of course, favorites come and go in minds and hearts—speaking of dark recesses—but these are Stereophile's takes on the essential music of the moment.
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Music and Recording FeaturesRecords To Die For
Records to Die For 2017
Stereophile Staff  |  Jan 26, 2017  | 
Never in the history of our venerable "Records To Die For" feature has the word Die come to mean as much as it has in the past year. Merle Haggard, Phife Dawg, Rudy Van Gelder, Maurice White, Glenn Frey, Otis Clay, Blowfly, Bob Cranshaw, George Martin, Steve Young, Chips Moman, Lonnie Mack, Prince, Leonard Cohen, Sharon Jones, Leon Russell, Ralph Stanley, David Bowie—all died in the past year. So to drive away any evil spirits that may be hovering over this year's R2D4 extravaganza, we may need to think of this 2017 installment more as "Records to Live For."
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Records To Die For
2016 Records To Die For
Stereophile Staff  |  Feb 18, 2016  | 
What's your favorite record? It's a simple enough question, but one that dedicated music consumers never tire of asking each other. And so, every year, we ask the distinguished writing staff of this magazine to choose a pair of favorites and tell us a little of what seems so compelling about them. Oddly enough, most writers never choose the same record twice—though one did choose the soundtrack album for Casper three years running! Music in any recorded format is fair game, the only restriction being that it must still be available, if only in the deep, dark recesses of the Internet. Of course, favorites come and go in minds and hearts—speaking of dark recesses—but these are Stereophile's takes on the essential music of the moment. Enjoy!—Robert Baird
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Records To Die For
2015 Records to Die For
Stereophile Staff  |  Feb 05, 2015  | 
Are you trying to decide between high-resolution downloads and LP reissues? In the market for a hi-rez portable audio player? A zealot bravely fighting back in the Loudness Wars? Change is inevitable, and in the audiophile world it's the spice that keeps things interesting—there's always a new remastering or idea product just around the corner. Minds and tastes, too, can change. In answer to the eternal question "What are you listening to now?," we present the 2015 edition of "Records to Die For," our annual album of snapshots of the minds and ears of Stereophile's staff.
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Records To Die For
2014 Records To Die For
Stereophile Staff  |  Feb 06, 2014  | 
Much as we audiophiles love a good format war—nothing like a dustup over the tactility of vinyl vs the convenience of downloads—not to mention all the ever-evolving gear, the base of this pursuit is still the music. Which is why February is the month least cruel, and time again for our annual "Records To Die For."
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Records To Die For
2013 Records To Die For
Stereophile Staff  |  Feb 15, 2013  |  First Published: Feb 01, 2013  | 
It has been another year of great torment and turmoil in the world of recorded music. The loudness wars grow ever . . . well, louder. The confusion and profusion of formats continue to roil buyers of tracks and albums. And streaming services like Pandora and Spotify continue to bleed off purchasers of downloads and physical media. Yet at the same time, the LP, once derided as dead and gone, is back with a vengeance. In short, everyone has had to find their own way—the mix of online and physical that works for them. Fortunately, all this diversity and change have not kept fans from listening, or stopped the truly devoted from still needing their music. And happily, the old adage about audiophilism is still true: If you're willing to invest in quality gear, you probably own considerably more than five records.
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Records To Die For
2012 Records To Die For
Stereophile Staff  |  Jan 26, 2013  |  First Published: Feb 01, 2012  | 
At a time in history when the music business seems less interested in making anything of lasting value than in churning out disposable music—hits intended to be consumed for a few days via iPod, then left behind—the notion of cherishing the masterpieces, the records to die for, seems a lost art. Yet it's exactly that state of being—as when Lady Gaga's latest outfit commands a bigger spotlight than the recent Pink Floyd reissues—that makes our annual "Records To Die For" feature that much more essential.
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Records To Die For
2011 Records To Die For
Stereophile Staff  |  Feb 01, 2012  |  First Published: Feb 01, 2011  | 
Each year when I sit down to write this introduction, I get stuck on the whole dying-for-music thing. I get visions of the Lincoln assassination conspirators, swinging from ropes with sacks over their heads. Like '80s hair bands do ya? Pull the trap door! Or Mary Queen of Scots kneeling before the block: A fan of smooth jazz? Let the blade fall! Yes, it's silly on some level, but what exactly is the feeling that would make one martyr oneself for music?
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