Pathos InPol Remix MkII integrated amplifier Page 2

The InPoL Remix MkII uses what the company calls "double-InPoL circuitry," in which two InPoL circuits are bridged, their inputs driven 180° out of phase, those aforementioned inductors wound in opposite directions around a single core. Double InPoL dramatically increases output-power potential. While this topology is said to be capable of up to 200W in class-A, the Remix is designed to deliver much less: a maximum of 25Wpc into 8 ohms or 38Wpc into 4 ohms.

While the Remix MkII is said to be pure class-A, the bias is variable. "Fixed bias is always at the max power, but this means a lot of heat," Zanini continued. "The InPoL Remix is quite a small amplifier. For this reason, we decided to provide it with a variable bias, so the amplifier gets less hot, it consumes less [energy], and the components last longer."

123pathos.3

The 180-step volume dial adjusts the output level in 0.5dB increments with the company's digital bias/gain set technology. "When you set the volume level on the InPoL Remix, the volume knob provides the information to the microprocessor," Zanini explained. "The microprocessor commands two PGA2320 Burr-Brown/Texas Instruments chips (one per channel), which regulate the volume. The microprocessor also controls the Stereo 8-bit MCP4902 DAC by Microchip, which goes to a precision op-amp, which regulates the bias" (footnote 2). (Microchip is an American manufacturer of, um, microchips.)

Although four of the five Remix MkII inputs are unbalanced RCA, "The tube circuit is differential," Zanini wrote. "It always amplifies and balances the input signal, so the output is always balanced."

The optional HiDac Mk2 D/A converter mentioned above is produced by Pathos utilizing the ESS Sabre ES9018K2M 32-bit DAC chip.

Setup
Kevin Deal of US importer Upscale Distribution told me that the InPoL Remix MkII requires at least 100 hours of break-in. I powered up the Italian machine and let it do its thing at a low level while I entertained guests, caught up on late-night reading (Hi-Fi Loudspeakers and Enclosures by Abraham Cohen), and enjoyed the change of seasons from hot and boisterous to cool and calm.

Post–break-in, I used strictly digital sources for this review, allowing lots of butt-in-seat time to listen hard to a wide array of music. Using the excellent HoloAudio May DAC augmented with Sonore opticalRendu, Roon Nucleus+, Small Green Computer power supply, and TREND-net switch, I streamed Roon/Tidal/Qobuz from my Apple iPad Mini. Amplifiers I had on-hand for comparison included the Ayre EX-8 2.0, Parasound Hint 6 Halo, and Schiit Ragnarok 2. None are tubed, but they're priced similarly—or not too dissimilarly—to the Pathos. I listened to the Pathos via the DeVore Fidelity O/96, Spendor BC1, and GoldenEar BRX loudspeakers. Or vice versa.

Listening
The Remix easily drove my DeVore Fidelity O/96s (an easy load at 96dB/W/m as specified, 10 ohms nominal), manifesting all its considerable tone, resolution, and drive. It laid bare Frank Zappa's "Camarillo Brillo" from 1973's Over-Nite Sensation (16/44.1, DiscReet/Tidal), portraying the song's gooey guitar, madly panned drums, and freakishly doubled stereo vocals like an adolescent party fueled by Ding Dongs and Twizzlers. High excitement!

The Remix revealed a different face when relaying the lush female harmonies and jazz fusion of New York trio Sonica, the vocals of Thana Alexa and Nicole Zuraitis firing "Change It" (24/96, Outsideinmusic/Qobuz), from their debut album that's named for the band (footnote 3). Made in Alexa's home studio, the recording isn't over-processed or effected (or affected), and the Remix's transparency laid the production truthfully bare.

I sensed that the Remix was growing excited (or was it me?) with the underground, revolutionary sounds of "Zan Bezan" (24/96, Glitterbeat/Qobuz), from Liraz's album Zan. The acclaimed Israeli-Iranian singer composed most of the album in secret, collaborating covertly with other Iranian writers and producers to evade Tehran's mullahs and secret police. The Remix sent all the buzzing, hyperdriven, glossy textures of Liraz's music surging; the DeVores practically kicked up their legs, an Iranian chorus line. Playing Zan, the Remix presented large, focused, well-defined images with charged, bristling outlines. Saxophonist Archie Shepp once titled an album Fire Music. Liraz's Zan, through the Remix, is fire music and more.

123pathos.Green-Elson

The Remix MkII also had a way with acoustic music. It did justice to Green, the 2022 album from singer-songwriter (and former supermodel) Karen Elson (24/96, Big Yellow Dog Music/Qobuz). The album includes bittersweet pop/folk beauties such as "My Sparrow," "Look Over My Shoulder," and "Green," which Elson's intimate, resonant voice made comforting and moving. Acoustic guitar textures were opulent and warm, conveying rich emotion.

123pathos.Beyond-the-Missouri-Sky

Charlie Haden's acoustic bass and Pat Metheny's guitar on "Two for the Road" from Beyond the Missouri Sky (16/44.1 Verve/Tidal) were resolved in rich, deep, fat, clear tones with nothing left to the imagination. Music had realistic studio- and room-filling weight, scale, and depth.

The Remix was similarly revealing with Linger Awhile, the debut album of 22-year-old jazz-vocalist Samara Joy (24/96, Verve/Qobuz). The recording's subdued sound was not embellished by the Remix, which was at the ready with plenty of power when Joy's voice crescendoed midsong.

The Remix's treble could sound a little hot with some music—not that you'd notice with most music (so, it must be the recordings, right?). The amp's treble is part of its pleasing, sparkling, high-energy personality, so that was a small tradeoff, perhaps a niggling criticism.

123pathos.Liraz

Hey big Spendor
When I connected my 1970s Spendor BC1 loudspeakers (rated at a sensitivity of 84dB/W/m into 8 ohms), I wondered whether the Remix MkII would have enough power—and whether its juiciness would clash with or complement the British loudspeaker's laidback personality. It proved to be a good match. Bass was chunky, ample, and thick. Electric bass lines on Elson's "My Sparrow" were warm and lush but not as well-defined as through the O/96. Tom Fowler's bass on Zappa's "Camarillo Brillo" was nicely outlined and darkly toned, but it wanted for absolute weight and clarity, due, perhaps, to the speakers' low sensitivity and the Pathos's limited power. Liraz's "Zan Bezan" maintained its energy and drive through the BC1, but low bass synth notes were more Jello-like than rock-hard. Paired with the Remix, the Spendors didn't deliver the weight and soundstage of the DeVore, but it sure was fun.

With the older speakers, music lost some of the detail, resolution, and soundstage generosity that it had with the Pathos/DeVore pairing, but the midrange was expansive, lush, and well textured. Overall, the amplifier's presentation and tone worked beautifully with the BC1's unfussy warmth.

I wondered about pairing the Remix with the GoldenEar BRX standmounts—very different from either the Spendors or the DeVores. Would the GoldenEars' remarkable resolution, paired with the Remix's treble energy, be too much, resulting in fatiguing listening?

On the contrary: The pairing worked to each component's strengths. The bass on Metheny and Haden's "Message to a Friend" from Beyond the Missouri Sky (16/44.1 Tidal/Verve) was ample and spacious, the small boxes and their single, smallish woofers (assisted by two passive radiators) creating a beautiful bass illusion, with a touch of overhang and warmish tone. The Remix focused Haden's bass solo on the upper registers but complemented the BRXs in the attempt (shared by pretty much all smaller speakers) to make up for a dearth of low bass with a bumped-up midbass to keep lows and highs in balance. However, Liraz's "Zan Bezan" lost the room-filling party atmosphere it had with the Spendors; it was more like listening to a pair of Stax SR-L500 MK2 electrostatic earspeakers.

Ayre apparent
Having swapped speakers, now I swapped amplifiers. I began with the Ayre EX-8 2.0 D/A integrated, which costs several thousand dollars more than the Remix, at $8850. The Ayre is the 007 of integrated amplifiers: smooth, svelte, and adaptable to any situation. It also has considerably more power (170Wpc into 4 ohms). It produced a bigger soundstage than the Remix, silkier treble, and deeper, tighter bass. The Remix more than held its own against the Ayre in color, midrange clarity, and treble sparkle.

Next up: the $1799 Schiit Ragnarok 2 integrated amplifier, a rakish party animal and audacious performer with impressive dynamics and textures. It, too, has higher maximum output power than the Remix: 100Wpc into 4 ohms. The Schiit played with more force than the Remix but less color, finesse, and sweetness.

Conclusion
Like a slice of Neapolitan cake, the Remix plays music in vivid color, with fleshy textures and realistic tones. It's immersive and detailed. Its strongest trait is its clear, open, communicative midrange. Compared, especially, to most solid state amplifiers, its low end is a touch soft, a characteristic that some people may enjoy.

123pathos.4

But the Remix doesn't draw attention to what it lacks; rather, its lighthearted, sparkling mien makes all formats and styles of music satisfying and fun. It is immediate, resolving, and spacious, dependably delivering a big soundstage with an emphasis on that clean, full-bodied midrange, and its treble.

The Remix MkII is accurately named: It's an interesting mix of tube and solid state traits. Its class-A, feedback-free output stage puts out modest power, with a specified impedance that's high for a solid state amplifier (which, strictly speaking, it is not, so it probably works best with speakers of reasonably high sensitivity). Recommended for music lovers.


Footnote 2: As previously mentioned, Pathos offers an add-on D/A converter, but this is not that: This DAC is used just to control the bias. Microchip, Inc., is a US company based in Arizona, with manufacturing facilities in Thailand and the Philippines.

Footnote 3: I couldn't bring myself to write "eponymous" one more time.

COMPANY INFO
Pathos Acoustics s.r.l.
US distributor: Upscale Distribution
2058 Wright Ave.
La Verne, CA 91750
randy@upscaledistribution.com
(909) 931-0219
ARTICLE CONTENTS

COMMENTS
georgehifi's picture

"Bass was chunky"
"bass lines"My Sparrow" were warm"
"bass on Zappa's wanted for absolute weight"
"low bass synth notes were more Jello-like"

Sounds like the bass into very easy to drive speakers was a disaster for an amp worth $5.4Kusd? Why make such an amp??

"Its strongest trait is its clear, open, communicative midrange."
That usually happens when the bass is MIA

Cheers George

Jack L's picture

...... for an amp worth $5.4Kusd" qtd georgehifi

How do you know "DeVore Fidelity O/96, Spendor BC1, and GoldenEar BRX loudspeakers" are "very easy to drive loudspeakers" ??

Have you already auditioned them ALL before this review to have made such comment ????

Listening is believing

Jack L

ChrisS's picture

...believing, Jack L.

Read this and other reviews by Ken thoroughly.

He owns these speakers.

Jack L's picture

Hi

First off, I asked georgehifi, not Ken, if he already auditioned ALL those speakers which georgehifi labls them as "very easy to drive speakers" before he made such a comment.

I would not make such comment as I never auditioned them irrespecitve whoever else already reported its audition review. Again, one's meat is another man's poison ! Sonics is soooo subjective !

So georgehifi's comment will carry weight & be worthy to take reference vs Ken's review if George himself already audtioned them ! Otherwise, his comment above would be some speculation or basing on hearsay !

My question to YOU: how do you know georgehif already owned all those mentioned loudspeakers & has already auditioned them ALL ??

Wait up, kid.

Jack L

MatthewT's picture

Specifications are not. It's really not that hard.

ChrisS's picture

...a difference to the review?

Or just to you, Jack L?

Jack L's picture

Hi George

Don't you realize your above comment is some pretty harsh allegation against this Pathos InPol Remix MkII integrated amplifier without your own full bench test report plus your in-depth audition of the same.

Hearsay or speculation can go nowhere !

Yours truy like you - a technical guy, I would NOT comment on sonic aspect without personal audition. You can read my posts always on technical aspects only, like design concept & topology, technical improvement suggestion. I do not touch any sonics at all without prior audition. This is the decent way to go technically, right

Listening is believing

Jack L

MatthewT's picture

"I know I might have overdone it by offending whoever unconciously. A rough diamond I might be ?!!

I hereby offer my sincere apology to whoever I have offended !"

The Jack we know and love is back already.

georgehifi's picture

Yep, he'll explode in a couple more posts RIP!

Cheers George

Jack L's picture

We should pay some respect to whoever reviewers who spent effort & time to give us their subjective sonic comments. Their efforts should not be taken for granted.

Listening is believing

Jack L

PS: sorry to say you just "exploded" yr contempt for the maker the Pathos InPol Remix MkII amp: "Why made such an amp?".

rt66indierock's picture

Do you consider this amplifier high fidelity?

georgehifi's picture

Who's being anything else to them. It's Ken in this review that basically says, the bass is "meh" in so many words.
What are you?? the Stereophile minder or something, stop crawling up their *****, get a life, and stop bucking for a Stereophile job because that's what it looks like doing, in readers eyes.

Looks like Indydan was right about you in his 1st post.

rt66indierock's picture

Some of us have been less than charitable to many high-end audio writers. And vice versa. My friend Andy Quint of The Absolute Sound asked me if I wanted to tear down every authority structure in high end audio. I told him it wasn’t a question.

David Harper's picture

You might have told him"there is no high-end authority structure" in high end audio. That's the whole point isn't it?

Jack L's picture

Hi

Please don't put your "Meh" in Ken's mouth ! You said its bass is "meh", not Ken! "Basically" it's your imagination !

Just to quote what Ken said about this amps performance with Spendor BC1:
"Bass was chunky, ample, and thick."

His review conclusion: " Recommended for music lovers."

Apparently you were not a "music lover"!

You even challenged the amp manufacturer: "Why make such an amp?" because apparently you take BASS is a live-&-death isse for any audio !

Be nice ! Pay some respect to the reviewer who's job is to report his subjective impression on the audio under review. Even the reviewer condemned the bass quality of an audio, so what? This not the end of gthe world ! Maybe you still like the bass when you get the chance to audition it. Ons's meat is another man's poison.

So why jump the gun ? Also stop "bucking" this amp's manufacturer again because YOU personally were not happy with its bass.

Jack L

georgehifi's picture

Your deluded Jack L if these quotes from his/Kens mouth don't = "meh" bass

Quote Ken:
"Bass was chunky"
"bass lines"My Sparrow" were warm"
"bass on Zappa's wanted for absolute weight"
"low bass synth notes were more Jello-like"

Then JA's quote usually applies to bass:
"But the amplifier's inability to drive low impedances without what I feel to be excessive levels of harmonic distortion is a matter for concern".—John Atkinson

Get over your self!! Jack L REALY!!

Jack L's picture

Hi

Sorry, I don't want to nickel-&-dime with your nit-picking on who says what !

Instead of criticizing the bass of the hybrid amp under review, why don't you suggest a better design topology in bettering its bass to the amp manufacturer ??? Just like I do sooo frequently in Stereophile ??

Creative recommendation is always over & above mere critiicism, right ?

I used to be an active poster in an audio technical platform focussing on audio electronic design & DIYing experience. Yet the editors always like hiding behind the platform, doing only moderation & deletion. Never be involved to share with the posters.
So cooooold & so clinical !

Unlike Stereophile where the editors are involved positively to share with their posters. This is what they have earned my respect for their humanity insight, namely John Atkinson & Jim Austin. One poster: Glotz I want to mention again for his kindness & generosity in forgiving me for abusing him verbally.

Jack L

Glotz's picture

I think both of you have something to offer and to be honest, I agree with Jack L on this one. George is kinda coming off like this amp maker is a charlatan. No offense meant, George.

I think the argument went off the rails for both posters, and it happens with perceived insults and passionate minds. NBD.

If this component isn't 'utterly high-end", why must we assume that it was the designer's intention. Maybe they wanted this amp to sound that way- for music lovers. I can imagine those that would love this amp for what it is. Accuracy is not the goal of every audiophile.

We all have opinions and they are all valid. George has cool points to add, but perhaps do it in a way that doesn't insult the designer or impugn the reviewer. Rather offer your expertise, as both of you have a good degree of expertise!

Many have accused me of bucking for a Stereophile writing position, and I wouldn't ask for that job even if I could write as well as the editors here. Accusing anyone of the same thing is just off the mark.

We're all eager to offer insights. All of them are valid if done with respect. There are many times I feel for John, Jim, Herb and Ken for putting up with our opinions, passions and misunderstandings. Apologies for my past transgressions, no matter how well intended.

michelesurdi's picture

lots of lipstick on this pig.still as w.c. fields used to say there's a sucker...

cognoscente's picture

I haven't read the above comments and just want to say this: this is one of the best audio designs ever, if not the best. In terms of "the look"! Weldone. Really, no sarcasm, as a designer myself I think "the eye also wants something". In terms of sound, if I understand the review correctly, this amp is more for people who want relaxed easy-going sound, what I always call the warm seventies analog pre-digital sound, instead of over-analytical sound with the last word of detail and tightness. A matter of preference, like everything else. Anyway, a beautiful (dac/) amplifier.

Jack L's picture

Hi

YES, I can't agree more !

We are talking about music enjoyment. So be a music lover rather than a measurement data observer.

Listening is believing

Jack L

PS: "Like everything else" ? How about high fashion... my weakness.

mememe's picture

"Recommended for music lovers". This says nothing meaningful. It's become a worn out catch phrase. So general in meaning - thus lending it to many contradictory interpretations. Reading and looking at the measurements ( not that impressive these days ) plus JA's last comment would keep me away from this product.

georgehifi's picture
Jack L's picture

Hi

So what & how "meaningful" you want ? Please qualify it? Maybe some technical/musical guru somewhere can help out what you want from Ken's review conclusion.

JA's last comment: "But the last amp's inability to drive low impedance without what I feel to be excessive levels of harmonic distortion is a matter of concern."

JA measured3.5W/8ohm 0,1% THD+N & 7W/4ohm 1% THD+N - left channel of this hybrid amp.

Why you get so panic about such "excessive levels of harmonic distortion" ? This is only a bench test report, not realworld situration.

Apparently you don't know the impedance of any realworld loudspeakers NEVER stays at one particualar impedance like a bench test using a resistor, say 8 ohm or 4 ohm. In fact, the impednace swings constantly up & down like a roller-coaster. At certain frequencies due to the box desigh interreacting with the speaker drivers, it can be low low down to 4-5 ohm in micro-seconds but in most audio spectrum it swings up to max 15-20 ohm & the like.

So the loudspeaker impedance for any amp can be summed up as per loudspeaker's NOMINAL impedance: 8-ohm!! So you can relax now !

Even if an amp, particularly all-tube topology, bench measured up to THD 5% but it can still SOUND much much better than a solid state amp measured THD 0.005% (per Daniel Cheever's audio engineering master degree thesis) because our auditory perception works totally different way vs bench tests !!!!

So why panic because of "excessive levels of harmonic distortion" as per JA's bench test report ??

Relax !

Listening with own ears is believing

Jack L

psyborg06's picture

Can sound better? Because a random graduate thesis says so, based on an extremely dubious test methodology that amounts to, "I controlled it because I said so"? Why must we pay $5000 for excessive distortion? Why do you jump to the defense of a product you have not heard on the basis it maybe could possibly sound better, and that objectively is horribly performing to anyone capable of understanding entry level electronics? It makes no logical sense unless you are incapable of following logic yourself, or being paid to promote products.

georgehifi's picture

Wow!!
Look who's sprouting measurements out of where the sun don't shine all of a sudden. https://ibb.co/qWVpY0Q

Jack L you really need to change mags to Absolute Sounds, before you blow your brains out, they are just what you preach, just "poetic license" that it, without measurements.

Jack L's picture

Hi

You brain so so full of measurement data so YOU are well qualified to get your "data license". Start recuiting your "data licencees" !

Surprised YOU have not gone to persuade J.A. to change Stereophile.com to "Stereodataphile.com" to show off yr obsessed loyalty to J.A. bench measurement work.

Apparently you don't even know subjective reviewing is the policy of Stereophile since day one 60+ years back, with bench measurement as a supplement to the reviews.

You brain is so swollen with measurement obsession that you fancy Stereophile bench measurement can supersede its subjective reviews.

Make up, man!

Listening with own ears is believing

Jack L

georgehifi's picture

You really have no idea do you, some say "you are from the inside" here, because anything negative said here in the forums that is proved with the reviewers statements and back by JA's measurements, you freak out about. I'm starting to think "you are from the inside" too, or your bucking for a moderator job here, if you are you're going the wrong way to go about it, as they need to be non biased.

Jack L's picture

Hi

Noooo!

YOU & Mememmeme both "freaked out" without knowing the impedance of any loudspeaker being constantly fluctuating as per the music frequencies. Never staying at 8 or 4 ohms which is used for bench tests only!! As I already told mememememe, take the NOMINAL impedance as quoted by the loudspeaker manufacturers.

Learn some loudspeaker ABC !!!

J.A always does the right thing which I never challenge. It is a matter of interpretation ! His measurement was based on 8/4 ohm which is the standard bench test methodology.

Jack L

mememe's picture

The best thing to do for this site and for the rest of us would be to stop reacting to any future posts by Jack. Let's just turn Jack off.

Jack L's picture

.

mememe's picture

The best thing to do for this site and for the rest of us would be to stop reacting to any future posts by Jack. Let's just turn Jack off.

georgehifi's picture

Wouldn't that be nice to have a make member invisible button for him, like SNA Audio forums have.

Cheers George

Jack L's picture

.

hemingway's picture

such a good read

teched58's picture

I see the worst of Jack L's infectious posts have been removed in this thread and in others previously.

However, one wonders why Jack L is never called out and told not to repeat his juvenile and nasty anti-gay slurs.

One further cannot help but wonder if it has something to do with the fact that if Jack L gets mad and leaves there will be few comments anywhere on SP anymore.

Jason Victor Serinus's picture

I appreciate your support and concern. Thank you.

Stereophile will fare just fine without homophobes. You'll see. And maybe more people will begin to comment on all the fine music we review.

jason

jason

teched58's picture

As I pointed out to Jack in a reply on a previous article, we all, whether we are aware of it or not, have a member(s) of the LGBT community within our extended families. This is a statistical reality.

Perhaps this thought is of help to people who may have a hard time understanding that all people are human beings and should be treated with respect.

ChrisS's picture

...privately, though sometimes the warning is public when there are more than a few participants.

teched58's picture

...to make SP an upwardly moving, vital, online site may or may not have passed, but there is clearly no interest among current management in doing even the most minimal online best practices, which could result in a growing the audience.

(How one grows the number of leads for products which require both a large discretionary income and a credulous approach to electronics is a separate, and much more difficult question, and probably explains why there is no focus on attempted audience growth.)

I guess SP will remain aimed at the same demographuc which the late Roger Ailes once described as his network's target: 55 to dead.

As for Jack, he will not be warned. Indeed, by dint of his being the most prolific commenter on this site, he is the online face of the SP readership.

ChrisS's picture

...the "heated" discussions on this site.

You may not be able to tell the amount of moderation that has gone on.

But they all pass.

ChrisS's picture

...pass on too.

Jason Victor Serinus's picture

I'm currently reviewing monoblocks that cost over $100,000/pair. When I asked the distributor/dealer about his customers, he said that the youngest to buy amps in this price range was in his thirties. In the age of tech, a helluva lot of young people make six figure salaries and spend a lot of time at home.

Readers in the U.S. need to remember that the world, and the customer base for high-end products, is far bigger than the U.S. The notion that all audiophiles are older white men is belied by the reality that, in the Bay Area, some of the biggest and most successful audio stores are owned by Black, Puerto Rican, and Asian men.

rschryer's picture

...demographic which the late Roger Ailes once described as his network's target: 55 to dead."

All I could think of when I read that, besides it being funny, was, so what? After all these years, I think it's evident that our hobby is as unstompable as a roach infestation and that there will always be youngsters getting into something as fundamental as sound reproduction.

But even if that weren't the case—even if the concept of good sound was reserved for only those 50 years+—so what? 50+ isn't old. A lot of us will live 30+ years beyond that. That's three decades more, and an amassed amount of experience that is priceless in terms of audio knowledge.

Does audio keep us more vibrant, happier, dancier, and more focused? Of course. Regardless of age.

NeilS's picture

I believe the homophobic slurs were up for days without deletion, and surely warrant public denunciation, not just eventual deletion by JA2.

It does not appear to me to be the first time such slurs have been posted by the individual.

I do think it should be the last.

Jason Victor Serinus's picture

Thank you.

georgehifi's picture

teched58: "One further cannot help but wonder if it has something to do with the fact that if Jack L gets mad and leaves there will be few comments anywhere on SP anymore."

At least then the thread would be informative and constructive, instead of destructive with him on it.

Cheers George

Indydan's picture

The site will be much better without Jack L.

georgehifi's picture

He's much better suited to Absolute Sounds way of reviewing just with "poetic license" and no measurements, instead of using both and complimenting each other, like done here.
Cheers George

ChrisS's picture

...be tolerated anywhere, no matter what the format.

georgehifi's picture

...be tolerated anywhere.

As important measurements, go hand in hand with the reviewers subjective remarks.
And sometimes if an on the ball reviewer picks something out, the measurements can in many times draw parallels with what he heard.

Cheers George

ChrisS's picture

...equivalent.

ChrisS's picture

...compromised, having different ears, different sources, different systems and rooms make most "suspicious" measurements meaningless.

At best, the piece of equipment under review may be incompatible or not "synergistic" with any one or more of the above.

georgehifi's picture

Are you going to tell JA some of his measurements don't matter a flying ****
That's again is a voodooistic statement.

As any "worthwhile designer" sweats over getting good measurements, to get a good hearing result. And if you find one that doesn't care about what his measurements are, RUN AWAY FROM THAT PRODUCT VERY FAST.

Cheers George

ChrisS's picture

...any of that.

JHL's picture

...is a loaded term not reflective of either the high end public or of these technical devices. It's a projection that measurement dogma is the de facto, a priori standard and any deviation from faith in it is a pertinent, essential fault ... and should not be tolerated.

In other words, you're projecting and providing extremism as enforcement.

For your formulation that measurements speak for sound to hold you'll have to correlate all sound to measurements. You cannot do this and it's never been done.

On the other hand you use conditionals like sometimes and many times, which is reasonable. You'd be correct that measured things can percolate into sound, of course they can. But that conflicts with your attack on these intolerable, to-be-censored anti-measurement voodoo reprobates you're on about.

So pick one. Meanwhile Chris is obviously right. This stuff is complicated.

georgehifi's picture

JHL: "You'd be correct that measured things can percolate into sound, of course they can."

Yes I do and jump on those that "dismiss them", because they probably have no idea how to interpret them into finding answers to why something has a particular sound.
And if you can't understand that, then maybe you are in that same boat with them, and should also move to Absolute Sounds where "poetic license" rules and measurements have no place.

JHL's picture

-

georgehifi's picture

There is always someone that will find any capable tech measured measurement, meaningful.

Cheers George

ChrisS's picture

...that a piece of equipment is competently made.

georgehifi's picture

leap to conclude that my purported misunderstanding of *your* fallacy makes me like them and that I should,

You need to learn to read sunshine, as I said "IF" YOU are like them".

JHL's picture

...reading. Well, let's recap.

To your irresponsible remarks at January 18, 2023 - 3:38pm I offered a rebuttal at January 20, 2023 - 10:29am which went factually unaddressed. To your remark at January 20, 2023 - 11:00am I asked specific, directly-related questions that were roundly ignored at January 20, 2023 - 11:55am. You assured me that the salient take-away was my illiteracy, sunshine, presumably because it must be visibly baked in.

In this postmodern abuse of meaning of yours might you detect a shred of irrationality?

It's clear you want to argue vagaries online but heaven forbid your drive by's conceal comprehensive technical depth. Maybe you're really just a whiz only hiding behind a facade of ignorance.

By all means let me help you draw that out. What a tragedy to audio if not.

georgehifi's picture

JHL:"Maybe you're really just a whiz only hiding behind a facade of ignorance."

That'll be you not me, ignorance or stupidity what ever shoe fits you sunshine, your as bad as your mate Jack L, two peas in a pod. That both can't draw the many parallels between what's measured and heard. Absolute Sounds is your cup of tea, (no measurements there, both of you will be happy)

X