Gold Note DS-10 D/A processor Specifications

Sidebar 1: Specifications

Description (DS-10): Streaming digital-to-analog converter with headphone amplifier, volume control, and optional outboard PSU-10 EVO power supply. Supported sample rates: PCM up to 24 bits/192kHz, MQA, and DSD64; higher rates are downsampled. Formats: AIFF, ALAC, WAV, FLAC, MPE, Apple Lossless, DSD (DSF, DFF), OGG, Monkey's. Digital inputs: 1 Ethernet LAN & Wi-Fi (accepts up to PCM 24/192 and DSD64); 1 AES/EBU (XLR), 1 S/ PDIF (RCA), and 2 optical (TosLink) (all three accept PCM asynchronous up to 24/192); 1 USB-B (accepts up to PCM 32/384 and DSD512); 1 USB-A host (for flash drives, FAT32/NTFS, accepts up to PCM 24/192 and DSD64). Maximum analog output: 2V (XLR balanced); 1V (RCA single-ended); 6.3mm headphone jack with low/high settings. Streamer: Roon Ready, MQA, AirPlay, vTuner, Tidal, Qobuz, Deezer, Spotify via LAN, Wi-Fi, Bluetooth 5.0. THD: 0.001% max. S/N ratio: 125dB. Dynamic range: 120dB. Power consumption: 30W.
Description: (PSU-10 Evo): Dual-choke hybrid design with four transformers, 3 for the power supply and 1 for the inductive dual choke filter, with 8-pole DIN connector.
Dimensions: (each unit) 7.87" (200mm) W x 3.15" (80mm) H x 10.24" (260mm). Weight (each unit): 8.8lb (4kg).
Finish: (both units) Brushed aluminum in black, silver, or gold.
Serial number of units reviewed: DS-10, 65204; PSU-10 EVO, 65490. Made in Italy.
Price: DS-10, $2995; PSU-10 EVO, $1299. Approximate number of US dealers: 25. Warranty: 3 years parts and labor.
Manufacturer: Gold Note Italy, Via Virginio, 156 - 50025 Montespertoli (Fi), Italy. Tel: +39 0571 675005. US distributor: Gold Note USA via Rutherford Audio Inc., G108, 14 Inverness Dr. East, Englewood, CO 80112. Tel: (888) 279-6755. Web: goldnoteusa.com.

COMPANY INFO
Gold Note Italy
US distributor: Gold Note USA via Rutherford Audio Inc.
G108, 14 Inverness Dr. East
Englewood, CO 80112
(888) 279-6755
ARTICLE CONTENTS

COMMENTS
Anton's picture

A wonderful read!

Golden Note is one of those companies that really seem to have it going on right now.

Mike Fremer positively reviewed their midrange phono cartridge, and now this great digital product review.

Now that is some fine versatility!

Thank you again for that great review.

Bogolu Haranath's picture

Recognizing the fact that JVS is the greatest reviewer ever, Stereophile is already paying JVS twice as much as any other reviewer for the Stereophile magazine :-) .......

Jim Austin's picture

... that Stereophile reviewers are very competitive and crave adulation--so now you've made the rest of them angry, and now they're all gunning for JVS!

(Kidding.)

Jim Austin, Editor
Stereophile

rt66indierock's picture

I am looking forward to meeting you and a couple of the reviewers I haven't met yet and seeing this competitiveness.

I'm laying low until it is safe to get around New York City stay safe.

Jim Austin's picture

is one of the safest places to be right now.

Yeah, we Stereophile reviewers have been known to get into fistfights over tubes-vs-solid-state or analog-vs-digital. ;-)

In all seriousness--while we're not really competitive, we are very serious. Not much cynicism around these parts, a fact I'm very happy about.

Jim Austin, Editor
Stereophile

rt66indierock's picture

Jim, I'm not taking a taxi, using a car service, the subway, an airplane because I don't feel safe right now. I have two modes of travel where I feel safe. Walking in uncrowded areas and my own car.

As for your "fistfights" audio equipment is either properly designed or it isn't. And music is either recorded well or it isn't. Whether a poorer quality recording reaches you emotionally is place for a serious discussion.

Bogolu Haranath's picture

Stereophile reviewers get into 'first-fights', only when the products of the year award winners are selected ........ Just kidding ..... Just kidding :-) ......

Jim Austin's picture

I've still got bruises from 2019.

Jim Austin, Editor
Stereophile

Jason Victor Serinus's picture

on that score.

Bogolu Haranath's picture

Did MF do it? :-) ......

Jason Victor Serinus's picture

It always feels good when the first comment is positive, and doesn't rip you to shreds.

Bogolu Haranath's picture

The headphone output of Weiss DAC502, which JVS has for follow-up review, should work better with the Audeze LCD-X :-) ......

Anton's picture

Anyway, Golden Note seems to be rising as a company that really 'gets it.'

Mike Fremer recently had a positive impression of their mid-range cartridge, as well!

They are running the gamut from A to D....analog to digital.

Also, thanks for doing the review on your system, giving it the best change to really "explain itself," sonically.

Glotz's picture

Every review you do is excellent, Jason.

The bar is so high in this magazine, how do any of you 2nd guess yourselves??

Jason Victor Serinus's picture

I sweat a lot. I also learn from my mistakes. I'm afraid I stumbled a bit in an upcoming review. But I just "got" the opening for my current review while riding my fixed up racing bike back from downtown Port Townsend. Had to stop to allow two young deer to cross the road. Life is good. And now for the most important thing I do: the afternoon dog walk.

Glotz's picture

Enjoy every minute and may the fruit of your labor be sweet!

Bogolu Haranath's picture

Weight lifting 100 lb audio components can produce lot of sweat :-) .......

Bogolu Haranath's picture

The DS-10 headphone output impedance of 10 Ohms is somewhat high, for the low impedance headphones like the Audeze LCD-X ....... That headphone output would work better for headphones with impedance of 100 Ohms or more :-) .......

SteveG's picture

The AK4493 does not limit output to 192k. AKM says this: “The AK4493EQ accepts up to 768kHz PCM data and 22.4MHz DSD data“

Ortofan's picture

... the difference between "coddled cream" and clotted cream?

Jason Victor Serinus's picture

A good proofreader.

rt66indierock's picture

I'd love to play around with one and measure it myself. See how it measures up to the king of the hill the Okto dac8 stereo DAC. And of course hear how it plays my reference albums and recordings.

And of course I like MQA firmware issues.

Bogolu Haranath's picture

Stereophile is gonna be reviewing the Okto dac8 Stereo in a future issue ......

What built-in digital filter(s) do you normally use with your dac8 Stereo? ...... Just curious :-) .......

Anton's picture

That might be a killer!

Bogolu Haranath's picture

It is not worthy of placing on the 'Monza' equipment rack ...... It costs less than $2k ...... Just kidding :-) ........

Bogolu Haranath's picture

JVS could compare it with the Brooklyn DAC+, which costs $2,085 :-) ......

rt66indierock's picture

I generally use linear filters, sometimes intermediate and occasionally a minimum phase.

And I don't own a dac8 Stereo, I was able to borrow one, measure it and play my reference albums and recordings. It should be interesting to see if a Stereophile review matches what I measured and heard.

Bogolu Haranath's picture

Gold Note DS-10 uses minimum phase filter ....... See, Fig.1 and Fig.2 in measurements ....... Seems like that is the only filter available in DS-10 :-) .......

rt66indierock's picture

I'd like to measure a Gold Note DS-10 and listen to my reference albums and recordings. Maybe do a shoot out with say a Pacific Microsonics Model One.

Bogolu Haranath's picture

Do you make your own recordings? ...... If so, at what resolution do you make your recordings? ..... Can you tell us some details about your recording technique? :-) .......

Bogolu Haranath's picture

Also, what resolution(s) your reference albums are? :-) .....

cpdk's picture

31+57+57+47=192!

low2midhifi's picture

It might be a trivial observation, but what I like about this Gold Note DAC is its beefy 3-prong power cord jack.

I own a much less expensive DAC with a similar 3-prong power cord jack, and another with the flimsier one-pin 6V outlet jack. Just as higher quality 3-prong power cord connectors have worked their way down to lower-priced (sub $1000) DACs, so have one-pin 6V to 15V outlet jacks managed to show up in products costing over $1000.00, sometimes much more than $1,000.00.

I have found that one-pin 9V DAC power cord connectors to be more susceptible to the vagueries of the electrical systems in my housing situation (multi-story, multi-unit) than a solid 3-prong connector.

We all want a DAC for the playback options and higher sound quality that they offer. From my experience, a high-quality 3-prong power cord connector is a better assurance that high sound quality does not suffer the electrical offs-and-ons and clicking noises that one-pin cnnectors seem to be at greater risk of producing.

From my purchase history, just as assessing the music reproduction capabilies of a DAC is critical, so is looking at the power cord interface. The Streophile staff tests many more products than I can. I'd be interested to hear their opinion on this matter.

Ortofan's picture

... "beefy 3-prong power cord jack" is vital for a device that draws all of 30W.

Archimago's picture

Could be 30 super duper fat watts that need thick wires :-)

Kal Rubinson's picture

I cannot think of any logical reason to compare the connector for a 120VAC cable to the connector for a 6-5VDC cable. It is as silly as comparing the AC wall outlet with the lamp socket in the fixture.

low2midhifi's picture

Stereophile editors and writers: Perhaps my inquiry was uninspired and ignorant. Instead of using your expertise to illuminate the readers of this publication, you chose again to use your platform to insult and denigrate your readers.

This is the third time (this time it's on the forum) that I have to call out the negative and unhelpful (aka trolling) replies with which Stereophile writers use their platform to insult their readers.

This "national publication," according to Wikipedia, has a circulation that is 1/2 that of the town newspaper of the community where I grew up. Put that in perspective the next time you take the low road with a commenter on this site. I'll mention for good measure the troubling reliance of this publication on decades-old product reviews to keep its pages filled.

I have asked you webmaster to deactivate my account. You may elect to have my remarks expunged.

Audio industry leaders lament the declining membership in this hobby. Perhaps the attitude that experts take towards those who have lesser knowledge is a reason why people lose interest in this pursuit.

I hope you are proud of your remarks. You just lost a reader of this publication for good. I was a subscriber to the print edition, in addition to my engagement on the digital version.

Kal Rubinson's picture

I had been waiting for a response but I did not anticipate this one. What I expected was a come-back about the universal value of better quality connection devices and materials.

We are all equals here. Please reconsider your departure.

dc_bruce's picture

Whew! Strike me dead for the stereotype, but as I was reading of your tribulations, I couldn't help but think of another wonderful Italian product-- an Alfa Romeo.
Kudos to you for working through all this and "telling us how it sounds" and, as part of that effort, telling us how 2 other DACs sound playing the same content through your system.

Jason Victor Serinus's picture

Much appreciated.

Bogolu Haranath's picture

Hi JVS, what digital filter(s) you commonly used with Mytek Brooklyn DAC+? ....... Did you use the MQA filter in the Brooklyn DAC+? ....... Did you like the sound of that MQA filter? :-) .......

Jason Victor Serinus's picture

I always use MQA's filter with MQA, because it is the filter designed for it. Do I sit in judgment over that filter, and reject it for particular DACs? No. As for the other PCM filters, I didn't put my focus there. The DAC Plus is not often in my system, so I used whatever filter I had grown to like when I spent a lot of time with the Brooklyn DAC Plus on a previous occasion.

Bogolu Haranath's picture

Archimago would get a heart attack if he uses that MQA filter in the Brooklyn DAC+ :-) .......

Archimago's picture

No heart attack, or panic attack for that matter, BH...

If it's MQA, by all means use recommended proper filter. Better just skip MQA to avoid paying any taxes on a bad product IMO ;-).

Knights11's picture

Hi jason. thank you for such an insightful review. Did you use the Audioquest Niagara 5000 with the PSU-10 EVO? Or when you were reviewing the impact of the PSU-10 EVO did you use this without the 5000? I ask because I currently have a DS-10 and also a Niagara 3000, and I was wondering what impact (if any) the PSU-10 EVO would have. Thanks!

Jason Victor Serinus's picture

To answer your question in reverse order, the Niagara is a power conditioner, and the PSU-10 EVO is a power supply. The Niagara can be used with or without the PSU-10 EVO, since it cleans the power going to any power supply in any component. The PSU-10 EVO, by distinction, replaces the DAC's internal power supply and greatly improves upon it.

I use the Niagara 5000 with everything in my system, including the DACs I review, unless a manufacturer absolutely opposes same. (I ask them, of course.). Because I have Nordost cabling, all front end devices are plugged into a Nordost QB8, which has a star ground and a resistor on its Earth Ground outlet which is intended for the preamp (or, in this case, DAC/preamp). The QB8 is, in turn, plugged into bank 3 of the Niagara - banks 3-6 are identical, but bank 3 is the most conveniently located in my set-up.

My amps are plugged into bank 2 of the Niagara 5000's high current outlets. Bank 2 bypasses a switch, and does not limit current. I've never used the 3000, and can offer absolutely no advice on set-up. I also don't know how it does with extremely powerful high current monoblocks such as mine.

Hope that clarifies.

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