As I prepared this review of the Marten Mingus Septet Statement Edition loudspeaker ($199,000/pair), I asked the Marten people to tell me something about the company and its values.
I was born and raised in Argentina. Ever since I was a kid, I've been fascinated by machines. My mother used to call me "Botones" (Spanish for "Buttons") because I pressed every button and turned every knob I encountered. I was particularly interested in machines that played music, especially my dad's Grundig console, which sounded like a warm breeze in a beautiful sunset.
A mono pair of CH Precision M10s ($210,000/pair as reviewed) declares its presence in capital letters. Each channel consists of two large units, each almost 2' high, linked by a total of four umbilical cords. While the "lighter" amplifier unit weighs almost 117lb, the toroidal transformer–based power supply unit tops out at nearly 172lb. That's a lot of metal.
If I have a bias toward Magico, it's because I've never heard a Magico speaker I didn't like. Even so, when I listened to the company's M6 towers ($185,000/pair) in a large demo room at AXPONA 2022, my brain broke.
There's something inherently suspicious about most all-in-one solutions. The audiophile brain, trained over decades of mix-and-match rituals, recoils instinctively. Where's the fun in a speaker that arrives with amplification baked in? Where's the journey of pairing, the thrill of synergy discovered at 2am after your sixth cable swap?
My first response, upon being offered for review the new Burmester 232 Classic Line modular class-AB dual-mono integrated amplifier ($25,000), was apprehension—but not because of the product itself, and certainly not because of the Burmester brand. I had already been won over by the pair of Burmester 218 Top Line stereo power amplifiers ($50,000/each) I reviewed in the October 2024 issue.
Nick Doshi is cautiously reserved when he talks about his amplifiers, preferring to let the products speak for themselves. At every show I've heard them at, from Chicago to DC to Munich, they have done exactly that: Every system I've heard featuring a Doshi amp has delivered great sound. When I pressed him as to why, he just smiled.
Big loudspeakers are where diligent hi-fi reviewers really earn their pay. Not only are they heavy and difficult to move, but they also require attention and patience to set up so that they sound their best in our listening spaces. They take time to understand and study. And they all sound quite different from each other.
Stereophile strives to distribute the wealth equally. Did that get your attention? What the statement refers to, in terminology devoid of dollar signs, is that Stereophile attempts to review products from different companies rather than repeatedly focus on products from a single company.
Wilson Audio of Provo, Utah, is executing a multiyear revision of their product line, resulting mostly in a series of "remastered" redesigns that carry in their names the designation "V." The latest V model is the Sabrina V, which replaces the prior SabrinaX. "V" refers to Wilson's proprietary V-Material first used in the Chronosonic XVX.