Jason Victor Serinus

Jason Victor Serinus  |  Nov 26, 2020  |  7 comments
"Oh goody!" thought self, to self: "Another Gryphon component to review." As eloquent and revelatory as that statement may be, there's an even more illuminating backstory.

I had been aware of Denmark-based Gryphon Audio since the advent of the Gryphon Exorcist, a now-discontinued demagnetizer that cost far more than your average break-in CD, but I only began to encounter Gryphon electronics at audio shows a few years ago. While at first they seemed available for review only as a complete package, Jim Austin was able to arrange for me to review the Gryphon Ethos CD player–D/A processor ($39,000).

Kurt Gottschalk, Sasha Matson, Jason Victor Serinus  |  Oct 30, 2020  |  9 comments
Eric Whitacre: The Sacred Veil, Beethoven: 9 Symphonies, Beethoven: The Piano Concertos, Shostakovich: Symphonies 5, 1, Gyda Valtysdottir: Epicycle II and Augustin Hadelich: Bohemian Tales.
Jason Victor Serinus  |  Oct 23, 2020  |  33 comments
"As long as you're happy."

That's the line long uttered by the most dreaded members of my family, and their friends, whenever they tried to pry into my personal affairs. Often the last word, "happy," was uttered with a downward cadence and accompanied by a shrug.

Then came the kicker. "You are happy, aren't you?" said with eyes boring into my soul. "Well, as long as you're happy."

Jason Victor Serinus  |  Oct 13, 2020  |  5 comments
What's Next Vivaldi?
Antonio Vivaldi and others
Patricia Kopatchinskaja, violin; Il Giardino Armonico, Giovanni Antonini, cond. and flute.
Alpha 624 (Auditioned as 24/192 WAV). 2020. Jean-Daniel Noir, prod., edit., master.
Performance *****
Sonics ****

Forget almost everything you know about Vivaldi performance practice, authentic and otherwise, and shush all "shoulds." Banish from your mind any thoughts that all Vivaldi sounds the same. Prepare your ears to hear Vivaldi as you've never heard him before.

Jason Victor Serinus  |  Oct 09, 2020  |  15 comments
Once upon a time, reviews of Musical Fidelity components frequently filled pages in Stereophile. But in all my years covering audio shows, I can't recall blogging about any of the company's products, not even once. So, when my editor offered a review of the new M8xi ($6490), a hefty 101lb dual-mono integrated amplifier that includes a DAC, I seized the opportunity to fill a black hole in my consciousness. (Kindly cast aside thoughts that it would take more than a hunk of audio equipment to fill the black hole in my brain.) As long as I didn't break my back lifting the M8xi, solo, to the top shelf of my rack—for this I humbly beg assistance from spouses, neighbors, and friends—new vistas were in store.
Jason Victor Serinus  |  Aug 27, 2020  |  128 comments
Yamaha: The name evokes memories of my youth when those much-coveted receivers were out of financial reach, leading me to rely upon entry-level Kenwoods and Pioneers and others that sounded worse. Everyone who ever had a cheap receiver blow up—that's what caused me to move from Kenwood to Pioneer—or heard an old Akai that made LPs sound like 128kbps MP3s, please raise your hands.
Jason Victor Serinus  |  Jul 31, 2020  |  47 comments
I felt like I'd just been offered a choice of 31 flavors of Baskin-Robbins ice cream topped with up to 57 varieties of Heinz ketchup, 57 condiments, and 47 brands of coddled cream. My head began to spin, my stomach churned, and my mouth grew very dry as I read that Gold Note's DS-10 ($2995) was a "chameleon DAC" with 192 setup options that enable it to "completely blend in with different music genres, giving the listener the opportunity to adapt the behavior of the unit to the music playing, to one's stereo system and, most of all, to the listener's taste."
Jason Victor Serinus  |  Jul 29, 2020  |  3 comments
For two months, I'd been planning to attend Terry Riley's appearance at Seattle's 536-seat Illsley Ball Nordstrom Recital Hall. For two weeks, I'd been planning to watch a presidential-candidate debate on television. Only one problem: As it turned out, the two events were scheduled for the same night. Even after a decade of trying to master the muddle known as multitasking, it was impossible to do both.
Jason Victor Serinus  |  Jun 26, 2020  |  37 comments
During the four years that I've reviewed for Stereophile, I've had the privilege of evaluating products from some of the world's best-known audiophile companies: Audio Research, Bel Canto, CH Precision, dCS, D'Agostino, Dynaudio, EMM Labs, Jadis, Krell, Nordost, and Wilson, among others. But one long-standing manufacturer whose exhibits at audio shows invariably inspire ecstatic reports, Germany's MBL, has remained outside my purview.
Jason Victor Serinus  |  May 19, 2020  |  111 comments
Finally—a way to get a handle on the sound of Aavik Acoustics electronics. I'd heard the Danish-made components many times at shows, but always in the context of Ansuz Acoustics cables and Børresen Acoustics loudspeakers. As much as the threesome was inevitable—all three companies are owned by Michael Børresen, Lars Kristensen, and a third shareholder—there was no way to determine the unique sound of each component in the mix.

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