Jason Victor Serinus

Jason Victor Serinus  |  May 19, 2019  |  41 comments
Pretty eye-catching, eh? Such was the class act from Göbel High End, who even brought their own room treatment panels to the show.
Jason Victor Serinus  |  May 19, 2019  |  1 comments
When Dynaudio’s Mike Manousselis told me that the new Dynaudio Confidence 30 ($20,000/pair) has a new Esotar3 tweeter, I thought of John Atkinson, who praised this company’s tweeters in a review some years back. The new tweeter includes a Hexis inner dome to help dissipate back wave energy and, as with all the other new drivers in the speaker, uses new “ultra-powerful” neodymium magnets.
Jason Victor Serinus  |  May 19, 2019  |  1 comments
I was never able to take a photo of Octave’s full system, because so many people were walking up to the equipment rack and Focal Scala speakers to ogle Octave’s new Jubilee 300B amplifier (54,000 Euros). (That’s what happens when you display in one of the big glass-entranced spaces surrounding three sides of the first floor Atriums in the MOC.) You’ll have to settle for this photo, taken of a static display on the other side of the room divider from the active system.
Jason Victor Serinus  |  May 14, 2019  |  1 comments
Verity Audio's system paired their Lohengrin IIS Reference loudspeaker system (110,000 Euros/pair) with the following electronics: A new preamplifier with active crossover, the Monsalvat Pro-4 (64,000 Euros) is designed to work with the loudspeakers; two Verity Audio Monsalvat Amp-60 Reference power amplifiers ($58,000 each), which I reviewed in the June 2019 issue; a Melco N1ZS/2A music server (9,975 euros); a TW-Acustic Raven Black Night turntable (29,500 Euros) with Raven 12 tonearm (5000 Euros) and RPS 10 phonostage (6,000 euros), and a Dynavector XV-1 S MC cartridge (4500 Euros).
Jason Victor Serinus  |  May 14, 2019  |  0 comments
Just released and seen in passive display, the single-ended only Pass Int-25 ($7250) combines an XA-25 with a simplified Int-60 front end. The Int-25 has three inputs, all single-ended.
Jason Victor Serinus  |  May 14, 2019  |  1 comments
The characteristic—perhaps I should say inimitable—Vandersteen midrange was in evidence in a system that paired a Brinkmann Audio front end and amplification (detailed below) with Vandersteen ($63,999/pair). The top was quite lively, which made for an extremely exciting listen to an LP of Jeff Beck's extraordinary "Brush with the Blues." Highs were also haunting on the vinyl version of Lou Reed's hilarious (to me) 2003 recording "Vanishing Act." I didn't write down which digital tracks were played, but a return to vinyl with Vanessa Fernandez's "I Want You" revealed that the system also had excellent slam.
Jason Victor Serinus  |  May 13, 2019  |  5 comments
Excellent bass, a somewhat toned-down presentation and somewhat dry midrange, and excellent imaging—the speakers completely disappeared—were the hallmarks of Zellaton Reference Mk II Loudspeakers (2018) (€147,950/pair). As with all our show reports, how much of what I heard was due to electronics previously unknown to me, and whose sound I cannot begin to describe until I hear them in a familiar context, I cannot ascertain.
Jason Victor Serinus  |  May 13, 2019  |  0 comments
Given the background noise, it was a little difficult to focus on the music from Yello and Roger Waters of Pink Floyd in the system from Vienna Acoustics and Vincent, but this little system's ability throw a large, ear-catching ambient soundstage was its strong point. Speakers were the Vienna Acoustics Mozart (€1800/pair). Vincent electronics included (I think) the new DAC-7, which handles up to 32/384 and DSD256 and has a tube output stage, along with the SA-T7 preamp (€2499), SP-T700 mono hybrid amplifier (€1999/each), CD-S7 hybrid CD player (€2199), and PHO-701 phono stage (€649). Cables were from Vincent and Pangea.
Jason Victor Serinus  |  May 13, 2019  |  0 comments
Raidho Acoustics' new TD1.2 speaker ($24,000/pair), whose unveiling I missed at AXPONA, resurfaced in Munich. Hearing a track from the Ray Brown Trio's Soular Energy led me to write, in my notebook, "Pretty amazing how well these small speakers create such a big soundstage." Transparency around solo instruments and percussion was quite exceptional. Save for a touch of dryness, which could have been room-related, this system sounded excellent.
Jason Victor Serinus  |  May 13, 2019  |  4 comments
Thanks to Michael Fremer, whom I ran into at the MOC while we both waited for the show to open on Day 3, I ended up at a private listening session in the PMC room. There, after Michael pulled out his video camera and engaged in a thorough, only-Michael-would-know-enough-to-ask-such-questions Q&A with PMC's Maurice Patist—it will appear at AnalogPlanet.com—we listened to two revivified tracks from Miles Davis's iconic Kind of Blue that have been given the full Dolby Atmos surround treatment.

Pages

X