Rogier van Bakel

A real drum kit at the Florida expo? Standing in the second-floor hallway, I could've sworn I heard just that. Five seconds later, reality set in when Dave Brubeck's famous piano chords joined Joe Morello's 5/4 jazz groove. It was the recorded sound of Morello's drums on "Take Five" that had emanated from the Embassy Suites' Kennedy Room, where High End by Oz, a Connecticut distributor, was demoing its wares. (I sincerely love it when my brain gets tricked like that.

Last year, on the hunt for high-quality espresso beans, I visited some specialty coffee websites. On one forum, I came across this description of a particular roast: "I tasted mild acidity and bitters with hazelnut, bourbon, and a hint of dark cherry. As it began to cool, there was a hint of black raspberry syrup or cordial. Then a dominant note emerged of nuts with mild distillates, walnut bitters, cacao nib and something between 82% dark chocolate and baker's chocolate. ... Further cooling offered the surprise of dark piecrust and a bitter cherry liqueur. The piecrust then rounded to a slightly sweet dark rye. There was a lingering aftertaste of single malt scotch that eventually faded to baker's chocolate with a hint of ashiness."

I had enough self-awareness to realize that in the hi-fi world we sometimes prattle on about hi-fi in ways that, to outsiders at least, must seem just as fustian and florid.

Although TAD is a Japanese brand, there's something dry, almost German about the name, which stands for Technical Audio Devices. It's comparable, in my book, to T+A, one of Germany's leading high-end companies, whose initials mean Theorie + Anwendung—that's Theory + Application. I like this just-the-facts approach, as long as the products leave room for emotion . . . maybe even a spot of sorcery. On that score, no worries about either brand.

After a years-long absence, TAD is back on the US market, represented by Dave Malekpour of Massachusetts' PAD Hifi Distribution (PAD stands for Professional Audio Design. Were these two made for each other or what?)

While my collection of personal audio is pretty much complete (with high-end entries from HiFiMan, Audeze, Focal, and Sennheiser), I'd consider an addition from Britain's Warwick Acoustics if I were currently in the market for further headphone bliss. Warwick's Aperio Black (above)—a $32,000 combo of a balanced electrostatic amp/energizer plus an accompanying open-back headset—is near the top of Mount Olympus.