Does anyone use the term "record man" these days? In an earlier era, it would have been used in the same way the term "ad man" was used, as a particularly American job description. People who spend their careers in and around the music business. Some of these record men are known by the publicsome of it anywaywhereas others may be familiar only to colleagues.
I met Steve Berkowitz under the best of circumstances: sitting in a basement listening room hearing beautiful recordings made in 1958 that I'd never heard before, by the Miles Davis Quintet. It was the recently issued Miles DavisBirth of the Blue (Analogue Productions APJ 172). The album was, the credits state, "Supervised by Steve Berkowitz." The name rang a bell, though prior to this meeting, I didn't have a face to go with the name.
John Atkinson reviewed the Canton Reference 7K in September 2021, and Ken Micallef followed up. The 7K ended up in Class A, Restricted Extreme LF, of Stereophile's Recommended Components list. Now that Canton has significantly revised its Reference Series, it's time to take another look and listen.
When I set out to assemble something musical, I don't think in terms of songs, tracks, or playlistsI'm trying to put together an album. Even more old-school: I'm thinking in terms of an album that has two sides, two parts to the program, like an LP. Figuring out what that program should be takes a long time.
In the case of Fillmore Street/Little Woodstar, I decided on a two-piece set consisting of one old composition and one new one. These two works live in two different musical ballparks. Fillmore Street, on side 1 of the LP, is scored for a jazz orchestra. It tells musical stories about three locations in California. The older work on the album, Little Woodstar, which I composed while in grad school, leans classical.
The Gryphon Diablo 333, a solid state, stereo integrated amplifier ($24,900 without optional DAC and phono stage modules), replaces the Gryphon Diablo 300, which was in production since 2016.