LATEST ADDITIONS

Walking through any big art museum, even at a brisk pace, it's impossible not to notice how boldly each object wears the unique stamp of its time and place of manufacture. It doesn't matter whether the artist worked in Paris or Polynesia, in the 15th or 20th century. The force of the creator's persona, united with the constraints of the cultural system that supported the making of that type of art, determines the vibe the object emits. That vibe is what I'm hoping to grasp.

Although I have very much appreciated how the best floorstanding loudspeakers have performed in my various listening rooms over the decades, I have always been most comfortable with relatively small two-way standmounts. Back in the early 1980s, I got musically moving sound from a pair of Rogers LS3/5a's, which I still own . . .

If you go to Tokyo, there's a good chance you'll develop a new appreciation for shopping malls. The Japanese know malls. They know just what to do with them. Inside a Tokyo mall, you can peruse the usual handbags and shoes in their unending variety. But you can also stare at Fuji apples as large as a baby's head swaddled in tissue paper, flip through the world's most exquisite stationery, stock up on fabric from the 1920s, and taste things that will haunt you well into retirement.