LATEST ADDITIONS

Way back in my ignorant youth I thought that Pablo Records, the label of jazz producer/promoter legend Norman Granz, was where jazz artists went to fade away, where they were put out to pasture. I thought the black discs inside Pablo's black-and-white jackets, which depicted jazz greats tracking sessions in their twilight years, couldn't compete with the music of younger jazz guns.

At 1am on September 17, 2025, Adam Wexler’s phone broke through his snores. He silenced the call and rolled over. Four hours later, the insistent ring jolted him awake. “When Ray, an amazing man who oversees the pier and runs everything around here, called me at 1am, I ignored it,” Wexler recalled, “though fire did cross my mind, because this space is entirely timber. Then my employee Robert Kapszewicz called, and I went to the warehouse at 5:30am.”

On the first page of the Radiant Acoustics Clarity 4.2 Welcome Guide, Radiant Acoustics founder Peter Lyngdorf states, "The first thing you'll notice when listening to these speakers is the absence of distortion."

This month's Re-Tales takes us to Toronto again—though it's quite a different story than the one we told last month, in a different part of Toronto.

John Michael Osbourne was obsessed with the Beatles. Better known by the sobriquet "Ozzy," the cofounding lead singer of Black Sabbath who later turned uber-successful solo artist and still later became a reality TV star was deeply in love with the Fab Four. Osbourne passed away on July 22, 2025, at age 76.

The UK Hi‑Fi Show Live is back at Ascot Racecourse’s Grandstand on September 27–28, 2025. Doors open 9:30am–5:30pm Saturday and 9:30am–5:00pm Sunday. The show website bills it as the UK’s longest‑running high‑end audio event.

My local audio dealer told me that neither of the two stereo mags would be reporting from the Costa Mesa audio show, which I attended in June, which is formally called T.H.E. (Total HiFi Experience) Show SoCal, so I thought I would step in and give it a quick-and-dirty review from the perspective of regular Joe Audiophile rather than that of the polished, professional reporters Stereophile usually sends.