John Atkinson

As Jim Austin wrote in this space in the December 2024 issue, following a medical procedure that he had in mid-October, he needed to take several weeks' leave to recuperate. He delegated the magazine's production to Managing Editor Mark Henninger, AVTech Editorial Director Paul Miller, and myself. The three of us worked with copy editor Linda Felaco and longtime art director Jeremy Moyler to produce the issue you hold in your hands.

As readers probably know, I was Stereophile's editor for 33 years until my retirement at the end of March 2019. However, they probably don't know that for the 10 years prior to my joining this magazine in 1986, I was first an editorial assistant, then Deputy Editor, then, in 1982, Editor of British magazine Hi-Fi News. (In a twist of fate, Paul Miller is now Hi-Fi News's Editor.)

This decision led to some interesting contests. In Loudspeakers, for example, high-value minimonitors compete with cost-no-object floorstanders. In Analog Products, turntables compete with tonearms, phono cartridges, and phono preamplifiers. And in Amplification, single-box integrated amplifiers go up against separates, and low-power tube designs compete with high-power, solid state behemoths. In Budget Product of the Year and Product of the Year, products from every category competed against each other: Out of all the products that Stereophile reviewed over the whole year, which product offered the best bang for the buck or sounded the best overall?

To me, that made no sense. Far from imposing "unnecessarily prescriptive requirements" on amplifier manufacturers, the Amplifier Rule had long forced manufacturers to clean up their acts.

As I wrote in an article published on the Stereophile website in 2021, in the hi-fi boom that began in the 1960s, the Institute of High Fidelity became alarmed by amplifier manufacturers exaggerating their products' output power. Such mystical numbers as "Peak Power" and "Music Power" were used willy-nilly to produce sales-oriented ratings with little to do with reality.

After 27 years, yesterday was the final day AVTech's webmaster Jon Iverson was responsible for overseeing the company's websites, including this one. Now in his mid-60s, Jon felt it was time for him to retire while he still had the energy to explore his other interests.