CD Player/Transport Reviews

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John Atkinson Posted: Jan 02, 2011 Published: Jun 02, 1989 3 comments
Externally, the LHH1000 came as a bit of a surprise to these jaded eyes, over-familiar with plain black or brushed-aluminum boxes. Each enclosure is finished in an almost white, anodized finish, with greenish-gray endcaps (made from zinc alloy, I believe) painted with a nubbly, crackle finish—an attractively utilitarian styling with shades of military-surplus radio equipment, nicely set off by subdued blue fluorescent readouts. Internally, the units are constructed to audiophile standards. The transport uses Philips's top CDM-1 mechanism, which is fabricated from diecast aluminum, compared with the plastic CDM-4 mechanism which appears in less expensive and less well-specified players. The loading tray, too, which is made from metal, has a reassuringly solid feel to it.
J. Gordon Holt Posted: Aug 07, 2005 Published: Feb 07, 1984 0 comments
What, a high-fidelity product from Magnavox? The company that 20 years ago had a reputation for building massive, polished-console boom-boxes and was scornfully referred to in audiophile circles as "Maggotbox"? Some important things have happened to Magnavox since those days. Mainly, it became a subsidiary of the Dutch Philips company, co-developer of the laser video disc and now the audio Compact Disc. The Magnavox CD players are actually made by Philips for US distribution by Magnavox.
John Atkinson Fred Kaplan Posted: Jul 27, 2008 0 comments
There's a retro, Heathkit vibe to the curiously capitalized PrimaLuna ProLogue Eight CD player: a shelf of glowing tubes and a chunky transformer case perched atop a plain black chassis. But on closer inspection, it seems there's much more going on here. The chassis is made of heavy-gauge steel, with (according to the manual) a "five-coat, high-gloss, automotive finish," each coating hand-rubbed and -polished. The tube sockets are ceramic, the output jacks gold-plated. Inside, separate toroidal transformers power each channel. Custom-designed isolation transformers separate the analog and digital devices, to reduce noise. The power supply incorporates 11 separate regulation circuits. The output stage is dual-mono with zero feedback. Audio-handling chips include a Burr-Brown SRC4192 that upsamples "Red Book" data to 24-bit/192kHz, and one 24-bit Burr-Brown PCM1792 DAC per channel. Only the tiny silver control buttons (on the otherwise hefty faceplate of machined aluminum) betray a whiff of chintz.
Brian Damkroger Posted: Jul 22, 2007 0 comments
At $2295, the CD31 is the most expensive integrated CD player from Swedish manufacturer Primare, and an evolution of their D30.2, which I reviewed in the June 2004 Stereophile. I knew that the CD31 wasn't a clean-sheet design, but my first look suggested that it wasn't even much of an evolution—a comparison of its and the D30.2's spec sheets matched almost line for line. When I asked Terry Medalen of Sumiko, Primare's US distributor, about the similarity, and if the CD31 was just a mild tweaking of the D30.2, he said, "Well, yes and no. You really need to listen to it."
Brian Damkroger Posted: Jun 02, 2014 2 comments
Audiophiles spend a lot of time thinking about the law of diminishing returns. We'd all agree that spending $1000 to replace an iPhone and generic earbuds with one of Stephen Mejias's "Entry Level" systems is in the early, steep part of the curve: a huge jump in performance for relatively small investment. We'd also agree, or at least suspect, that after you've spent that $1000, the curve gets a lot flatter. What we don't agree on is the shape of the curve between these points. The ideal situation is to find the knee: the point at which the curve's slope changes dramatically. At the knee, we've gotten most of what we want, and the next increment of performance improvement is disproportionally expensive.
Brian Damkroger Posted: Jun 27, 2004 Published: Jun 01, 2004 0 comments
High-end audio has always been a tricky business, and in recent years it's become more so. Home theater is pulling in one direction, and MP3, iPods, and the Internet are pulling in another. And customer expectations—not just of sound quality, but also of usability and integration into their space and lives—are spiraling upward. The companies that are thriving amid these pressures seem to have adopted one of two strategies: either they focus more narrowly and try to convince the world to accept their vision, or they evolve their products in an attempt to anticipate the market.
Corey Greenberg Posted: Aug 29, 1998 Published: Aug 29, 1992 0 comments
I think I've finally figured out the secret of Stereophile's success. You, cherished reader, don't read this mag because it's chock full o' reviews of tantalizing audio gear (even though it is). And you don't read this mag because JA and RL strive so hard to keep the literary quotient as hi as the fi (even though they do). And I know you don't read this mag cuz trusting yer own sensory input is a mighty scary proposition indeed so you look to Stereophile as to a Holy Bible that eases your Earthly burden by telling you, Ah say Ah say TAILING YEW what to buy (do you?).
Robert Harley Posted: Oct 04, 2011 Published: Feb 01, 1990 1 comments
666proceedcd12.jpgThe Proceed CD player is the first digital product from Madrigal Audio Laboratories, a company known for their Mark Levinson preamplifiers and power amplifiers, including the very highly regarded No.20.5 power amplifiers. Given Madrigal's track record of producing ultra–high-end (and expensive) components, I was surprised and encouraged that the Proceed CD player is so affordably priced.

The Proceed was a long time in development, reflecting Madrigal's care and thoroughness before releasing a new product. Many technical innovations have been incorporated into the Proceed, and the machine's unusual appearance exemplifies the "start from scratch" attitude behind its development. With its nearly square proportions, grey cabinet, and sparse front-panel controls, the Proceed may set a new trend in audio component styling.

Robert Harley Posted: Dec 08, 2015 Published: Oct 01, 1993 0 comments
It's easy for reviewers to become jaded by the high prices of some audio products. We get the products in our listening rooms—albeit temporarily—without having to part with our own money. Consequently, we get enthusiastic about products that offer real breakthroughs without, perhaps, fully considering their cost.
Wes Phillips Posted: Jan 22, 2006 0 comments
You can't always get what you want, but sometimes you get what you need—and Quad, bless its cockamamie heart, is the company that gave it to me.
Sam Tellig Various Posted: Jun 30, 1995 Published: Jun 30, 1994 0 comments
"You are not going to believe this."
Art Dudley Posted: Jun 26, 2006 0 comments
You've heard it said that the early bird catches the worm, which is all well and good if you like worms. If you're more interested in music, you might want to follow the lead of Roy Gandy instead: He's the managing director of Rega Research, a 331/3-year-old audio company that was the very last of its kind to enter the CD market. Rega's first CD player, the Planet of 1996, was a success in virtually every way.
Sam Tellig Posted: Jun 04, 1997 0 comments
At last—a CD player from a company that doesn't like CD.
Jon Iverson Posted: Nov 10, 2011 3 comments
The dual subwoofers were bumping and our pant legs were flapping. Only moments before, we'd been treated to a polite viola da gamba. Not now. Resolution Audio's designer, Jeff Kalt, had brought only two discs with him to ensure that his company's Cantata Music Center was functioning properly in my system: Jordi Savall and Hespérion XXI's Altre Follie, 1500–1750 (CD, Alia Vox 9844), and Tool's 10,000 Days (CD, Tool Dissectional/Volcano 81991). After changing a few things around with the chamber music, we'd advanced to the hard rock of Tool.
Corey Greenberg Posted: Apr 17, 2014 Published: Mar 01, 1992 1 comments
On the mantel sat a stuffed Culo snake from Nuevo Laredo, with a red rubber tongue in freeze-frame flick. Above the bookcase hung the mounted head of a wild poi dog, killed in self-defense in Sri Lanka with only a Phillips-head screwdriver. A table-lamp made from a shellac'd, puffed-up frog wearing a sombrero and playing the contrabassoon bathed the room in a soft cream glow.

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