Art Dudley

Art Dudley  |  Jan 02, 2020  |  14 comments
During my first attempt at college, I lived in a dormitory where my next- door neighbors had an informal trade in pharmaceuticals; their most ardent customers were my neighbors across the hall. One of the latter was a fellow named Pete, a good-natured guy (if a bit sanctimonious in his disdain for music he considered insufficiently bluesy) whose heavy rotation list was, at the time, topped by John Fahey's The Voice of the Turtle. I merely disliked the record the first time I heard it, but in the days ahead I came to loathe it. I found it repetitive, masturbatory, technically inept, and dead boring. Pete hated my music, too.
Art Dudley  |  Dec 17, 2019  |  6 comments
Think of the greatest commercial LPs made during the past 72 years: the Solti-Culshaw recording of Wagner's Der Ring des Nibelungen, Magda Tagliaferro's D'ombre et de lumiere, Ornette Coleman's The Shape of Jazz to Come, John Lennon's John Lennon/Plastic Ono Band, and a thousand or so others.
Art Dudley  |  Nov 20, 2019  |  22 comments
Some loss of innocence is expected with both age and experience. Because I tick both boxes, and in spite of my best efforts to the contrary, I'm often a bit blasé in the face of new review samples. I wasn't with this one.

A brief recap: At the 2018 High End show in Munich, UK-based SME announced that they had taken steps to reintroduce the classic Garrard 301, a transcription turntable that's been out of production for more than half a century. At the time of its introduction—production began in 1953—success for the British-built 301 was instant. It was also enduring; it stayed in production through 1965.

Art Dudley  |  Nov 15, 2019  |  38 comments
The first vote I ever cast was in 1964, when I was 10 years old. Our fifth-grade teacher, a psychotic harpy who fined students 25 cents if they dropped a pencil, directed us to elect a Class President and a Class Treasurer: positions of indeterminate powers, although it was generally understood that they did not include the ability to wage war or annex adjoining classrooms.

And the winners are . . .

Art Dudley  |  Nov 13, 2019  |  22 comments
The Beatles: Abbey Road (3-LP Anniversary Edition)
Apple Corps/Universal Music Group 0602508007466 (3 LPs). 1969/2019. George Martin, orig. prod., Geoff Emerick, Phil McDonald, orig. engs.; Giles Martin, reissue prod., Sam Okell, reissue eng.
Performance ****½
Sonics *****

Here are seven things you need to know about the three-LP, newly remixed—by Giles Martin and Sam Okell—and remastered version of Abbey Road, all of said re-ing done in honor of the album's 50th anniversary...

Art Dudley  |  Oct 22, 2019  |  51 comments
"Let's get real, real gone for a change."—Elvis

I.
As Plato mentioned in The Sophist and thousands of art historians have noted in the years since, Greek sculptors distorted the human figure by enlarging the head and shoulders. They did it on purpose. If they didn't, when viewed from below, it would look wrong. Poets—real ones, I mean—distort smaller truths in order to create larger ones.

Art Dudley  |  Oct 02, 2019  |  34 comments
Godzilla and I are precisely the same age: We were both born in 1954, Godzilla as an expression of the postwar fears of a nation uniquely aware of the horrors of nuclear armaments, I as an expression of the postwar comfort felt by an American veteran fresh from foreign wars. We both dislike being awakened from our slumber, and we're both unusually handsome.
Art Dudley  |  Aug 20, 2019  |  23 comments
This is a story about a $1375 commercial turntable accessory and a free tweak—the latter discovered while installing the former, although the two things exist quite independently of one another.

Here's how it all went down: Earlier this year, I was sent a review sample of a perfectionist-quality platter bearing called the Buddha Bearing, intended for Garrard 301 and 401 turntables. I was happy to receive such an interesting product but slow in trying it, partly because my record player sounded so good at the time that I didn't want to go tearing it all apart, and partly because there were other review samples in line ahead of the Buddha Bearing.

Art Dudley  |  Aug 13, 2019  |  107 comments
This almost happened 13 years ago. Thinking the time was right for a Klipschorn review—2006 was the 60th anniversary of its design—I got in touch with a Klipsch representative, who requested photos of my room and details of its size and construction style. My reply was followed by a three-day lag in correspondence, after which came the disappointing news: "We're sorry: It won't work." The problem: There were baseboard radiators too near the corners of the room where the speakers would be installed; consequently, the Klipschorns couldn't be snugged all the way against those corner walls—an iron-clad requirement for their use.
Art Dudley  |  Aug 01, 2019  |  6 comments
Money, that unreliable buyer of happiness, has at times proven effective at delivering good sound. It can buy other things, as well: Audiophiles can swap cash for products that function as objets d'art, as status symbols, or even as canny investments.

But—do you think money can buy peace of mind for the audio enthusiast who frets over binding voice-coils, leaking capacitors, drifting resistor values, oxidizing connectors, aging or incorrectly biased tubes, and that most pernicious worry of all, distortion and premature record wear from incorrectly aligned phono cartridges? Sadly, most of those neuroses, some quite reasonable, remain unaddressed by cash almighty.

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