CD Player/Transport Reviews

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Herb Reichert  |  Aug 20, 2024  | 
It's the late 1980s, and I'm soldering tube amplifiers on a plywood bench. I decide on a whim that it's time to break down and buy a CD player to supplement the Dynaco tuner and Dual cassette deck in my workroom music system.

I was a slow starter with digital because of my early take on CD sound: It was emotionally drained with grumbling distortions in the bass and an off-timbre midrange, crowned by a thin, artificial treble, and penetrated by an eerie, unnatural silence whenever the musicians stopped playing. I thought cassettes had higher fidelity and that CDs would be a passing fad, but I kept browsing CDs at Tower Records, and the itch to buy some was getting pretty strong.

One of my friends said, "Maybe it's not the conversion principle that's to blame but something else, like an imperfect CD player?" That interesting thought had not occurred to me, and it obviously occurred to lots of engineers, because they are still trying to improve the quality of CD playback by adjusting the mechanism.

Herb Reichert  |  Nov 28, 2023  | 
The pleasures of reviewing a new CD player reside in its light weight, compact dimensions, and, most of all, its ABC-simple installation: no cartridge to mount, no stylus to break, no step-up trans formers or cartridge-load values to explore. No server, no Ethernet switches, no digital processor or outboard clock, no NOS, OS, filter choices, or upsampling (usually), no DSD or DXD, no specialized cables, and-especially-no garish, billboard-sized LCD menu to trigger anxiety. Just plug the player in, connect it to a preamp, and choose a CD to play first.

Yes, folks, digital audio was once that simple.

I'm pleased to be reviewing a new CD player, the Viking from Hegel Music Systems, in part because Hegel's founder and chief engineer Bent Holter appears to feel the same way I do.

Sasha Matson  |  Jun 09, 2023  | 
In the 1960s, my dad gave me a Panasonic receiver with two cube speakers, just in time for the advent of FM stereo radio in the San Francisco Bay Area. Out of the blue one night, he just walked in with it. The receiver allowed me to plug in a record player, though I only had a few LPs. Later, when I went off to college, my mom took me shopping for a new stereo. I chose a Kenwood integrated amplifier—without a tuner but with the capability to plug in a tape deck, which I did. During my undergrad years, it served me well. Later, I switched to an NAD receiver, which allowed me to listen to the radio again.
Michael Trei  |  May 05, 2023  | 
They say a jack of all trades is the master of none. While this expression is typically used to describe people, it also works for machines that play 5" optical discs.

The Compact Disc was launched in 1982, but the four decades since have seen an alphabet soup of similar-looking shiny discs including major formats like DVD, SACD, DVD-A, and Blu-ray Audio. As each new format arrived, hardware manufacturers scrambled to keep up, developing machines that could play just about any disc you could throw at them (or, rather, insert in them). The result was a bunch of "jack of all trades" disc spinners...

But what if we gave up the notion of universal compatibility and concentrated on building a player dedicated to squeezing the best possible results from the very first, and by far the most common, shiny 5" disc, the good old-fashioned "Red Book" Compact Disc? Would we get better performance?

John Atkinson  |  Feb 13, 2023  | 
Stereophile's March 2023 issue includes two follow-up reviews of high-performance digital playback products: the Benchmark DAC3 B D/A processor; and the Rotel Diamond Series DT-6000 DAC Transport (a CD player with digital inputs).
John Atkinson  |  Apr 11, 2022  | 
Michael Fremer wrote about the Paradox phono preamplifier in the March 2022 Analog Corner, Jim Austin reviewed the CH Precision D1.5 CD/SACD player/transport in March 2022, and Herb Reichert included the EJ Jordan Marlow standmount speaker in his April 2022 Gramophone Dreams column. All three products get further coverage in Stereophile's May 2022 issue.
Ken Micallef  |  Apr 08, 2022  | 
In the 1990s, I was a globetrotter, interviewing musicians in diverse locales for several publications. My habit when arriving in London was to hit the duty-free shops for Cuban Montecristo cigars, move on to the newsagent for the latest issues of Hi-Fi News and Hi-Fi Choice, then take a leisurely romp through Oranges & Lemons, Richer Sounds, and Sevenoaks Sound & Vision—three major London audio stores.
Jim Austin  |  Feb 16, 2022  | 
There's a school of thought that maintains that among all hi-fi components, the D/A converter is easiest to perfect or come close to perfecting. Just make sure that every sample is converted accurately, that there's little rolloff in the audioband, that aliased images are suppressed almost completely, and that background noise is extremely low, and you have a top-quality D/A processor. Use of a high-quality DAC chip is assumed.
John Atkinson  |  Nov 16, 2020  |  First Published: Dec 01, 2020  | 
Three products are the subjects of lengthy followup reviews in the December issue of Stereophile: MBL's Noble Line N31 CD player-D/A processor, the GoldenEar BRX loudspeaker, and Alta Audio's Alyssa loudspeaker.
Herb Reichert  |  Mar 06, 2020  | 
The Quad Electroacoustics Ltd. Artera Solus is a multifunction audio component that was designed to look smart on top of a bureau in a living room or office. It comes with a thick, removable smoked-glass top that complements its compact dimensions. It weighs 25lb, and, in addition to being attractive, feels genuinely solid and well-made. Like its Artera-series stablemates, the Artera Solus strikes an intriguing engineering and aesthetic balance between decorator-friendly lifestyle product and serious audiophile product worthy of the Quad name.
Jason Victor Serinus  |  Feb 21, 2020  | 
In an era when polar opposites compete as absolutes, it can be a challenge to acknowledge the different and equally valid ways in which audiophiles approach musical truth. But the reality is that our perceptions of how reproduced music should sound are determined, to a large extent, by how we approach the live experience.
Jason Victor Serinus  |  Dec 19, 2019  | 
What kind of creature is this? Gryphon Audio Designs' new Ethos ($39,000)—pronounced EE-toss by its Danish manufacturers—is marketed as a CD player and digital-to-analog converter. It's decidedly au courant in that it includes two 32-bit/768kHz ES9038PRO Sabre DAC chips—one for each channel—with each holding eight individual DAC chips; offers optional upsampling to either 24/384 PCM or DSD128; and decodes up to 32/384 PCM and quadruple DSD (DSD512) via its USB input, or up to 24/192 (and no DSD) via AES/EBU or S/PDIF.
John Atkinson  |  Apr 23, 2019  | 
The good-sounding products that pass through a reviewer's system fall into three categories: those he liked but felt little sense of loss about when they were sent back to the manufacturer or distributor; those he loved and could afford to purchase; and those he loved but that were financially out of reach. The Rossini Player from British company dCS, which I reviewed along with the Rossini Clock in our December 2016 issue, was an example of this last category: the Player costs $28,499, the Clock $7499.
Ken Micallef  |  Dec 06, 2018  | 
In the early 1990s, the Compact Disc was all the rage, and vinyl records were being executed en masse. Thirty years later, and oh, how our tables have turned. Mint first pressings of tenor saxophonist Hank Mobley's 1957 album Hank Mobley (Blue Note BLP 1568), which once could be had for $40, now bring upward of $8000. Each. Vinyl continues to enjoy a global resurgence of popularity, while CD sales have plummeted to all-time lows.

What happened? Apparently, yesterday's pops and ticks are today's "warmth," Record Store Day exclusives, and skyrocketing vinyl values. All things old . . .

Art Dudley  |  Aug 16, 2018  | 
Some of my reviewer colleagues would have you believe that negative reviews are the most difficult of all to write, and that positive reviews fairly write themselves. What nonsense!

As I write this, my copy deadline is three days away, yet I've succeeded at crafting little more than my heading (easy enough: it's just the product's name, followed by my name) and my Associated Equipment sidebar (also easy), leaving a great expanse of nothing in between. That's mostly because the Kalista DreamPlay One, a two-box CD player whose $43,000 price might once have kept me from even considering it as a real-world product, has stunned me into a sort of paralysis: I feel that anything I write will be inadequate to the task.

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