Fred Kaplan

Fred Kaplan  |  Apr 28, 2022  |  6 comments
Do we need yet another unearthed recording of the Bill Evans trio? I count 22 albums or boxed sets—a total of 49 polycarbonate or vinyl discs—of posthumously released sessions, many of them in just the last few years. But this latest discovery, recorded in Buenos Aires in September 1979, is a stunner. So, to answer the question above: Yes, we do need this recording.
Fred Kaplan  |  Mar 31, 2022  |  1 comments
John Coltrane spent his final years with Impulse! Records, from 1961 until his death, in 1967, at the age of 40. Those years were his most adventurous, as he sorted through every sound he could create in his spiritual quest, as he put it, to "get the one essential." His range of recordings in those years spanned from "Greensleeves" to A Love Supreme, from ballads with pop singer Johnny Hartman to multiphonic fireworks with alto saxophonist Eric Dolphy.
Fred Kaplan  |  Mar 24, 2022  |  5 comments
Cécile Mclorin Salvant: Ghost Song
McLorin Salvant, vocals; Sullivan Fortner, piano, Fender Rhodes; Aaron Diehl, piano, pipe organ; Paul Sikivie, Burniss Travis, bass; Alexa Tarantino, flute; Marvin Sewell, guitar; James Chirillo, banjo; Keita Ogawa, percussion; Kyle Poole, drums; Daniel Swenberg, lute, theorbo; Brooklyn Youth Chorus.
Nonesuch (LP, CD). McLorin Salvant, prod.; Todd Whitelock, Patrick Dillet, Chris Muth, engs.
Performance *****
Sonics *****

Starting with her out-of-nowhere triumph at the 2010 Thelonious Monk Jazz Competition and continuing with the release of four albums including three Grammy winners, Cécile McLorin Salvant, still just 32, has been raising eyebrows and neck hairs for a dozen years. She reigns as the supreme jazz singer of our time, ranking among the best of all time. More remarkable, she keeps getting better, and, rarer still, she keeps evolving, expanding her repertoire of styles—which was vast from the start—without losing a wisp of her deep blues, swing, precision, wit, operatic range, or storytelling drama.

Thomas Conrad, Fred Kaplan  |  Mar 11, 2022  |  2 comments
Isaiah J. Thompson: Composed in Color, Oscar Peterson: A Time for Love: The Oscar Peterson Quartet—Live in Helsinki, 1987, John Zorn: New Masada Quartet and Andrew Cyrille, William Parker, And Enrico Rava: 2 Blues for Cecil.
Fred Kaplan  |  Mar 01, 2022  |  2 comments
Round Trip: Ornette Coleman on Blue Note is the first boxed set on the label's Tone Poet imprint, and it's a bold move. Audiophiles are not known to be keen on avant-garde music, but Don Was, Blue Note's president, and Joe Harley, the Tone Poet producer, are huge Ornette fans. They've lately been reissuing some other adventurous titles from the catalog—so good on them! Fellow fans should dive into this one, and the hesitant should give it a try, with some caveats.
Thomas Conrad, Fred Kaplan  |  Feb 11, 2022  |  2 comments
Edward Simon: Solo Live, The Wonderful World Of Louis Armstrong All Stars: A Gift to Pops and Fred Hersch: Breath by Breath.
Fred Kaplan  |  Feb 03, 2022  |  2 comments
In the annals of jazz, Charles Mingus—bassist, pianist, composer, bandleader, unique, headstrong, and deeply influential in every category—occupies the transit point between Duke Ellington and the post-'60s avant-garde, a station he carved out deliberately.
Thomas Conrad, Fred Kaplan  |  Jan 07, 2022  |  2 comments
Joe Farnsworth: City of Sounds, Julian Lage: Squint and Enrico Rava: Edizione Speciale.
Thomas Conrad, Fred Kaplan  |  Dec 10, 2021  |  2 comments
The Cookers: Look Out!, David Sanford Big Band: A Prayer for Lester Bowie, Orrin Evans: The Magic of Now and Marcin Wasilewski Trio: En Attendant.
Phil Brett, Anne E. Johnson, Fred Kaplan  |  Dec 10, 2021  |  3 comments
Steely Dan Live: Northeast Corridor, Saint Etienne: I've Been Trying to Tell You and Adia Victoria: A Southern Gothic.

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