Linear Tube Audio ZOTL40 Mk.II power amplifier Specifications

Sidebar 1: Specifications

Description: Stereo, tubed, push-pull, class-AB amplifier. Tube complement: four KT77, two 12AU7, two 12AX7. Power output: up to 46Wpc into 8 ohms (16.6dBW), up to 51Wpc into 4 ohms (14.1dBW), both at 0.5% THD. Frequency response: 8Hz–50kHz, +0/–0.5dB (8 ohm load). Input impedance: 50k ohms. Output impedance: 1.6 ohms. Sensitivity: 1.2V RMS for 40W output. Voltage gain: 20.8dB.
Dimensions: 9" (230mm) W by 8.5" (220mm) H by 14.5" (370mm) D. Weight: 9.7 lbs (4.4kg).
Finish: Black, silver.
Serial number of unit reviewed: Z40059.
Price: $5800. Approximate number of dealers: Sold direct. Warranty: 1 year, including tubes.
Manufacturer: Linear Tube Audio, Washington, DC. Tel: (301) 448-1534. Web: www.lineartubeaudio.com.

COMPANY INFO
Linear Tube Audio
Washington, DC
(301) 448-1534
ARTICLE CONTENTS

COMMENTS
tonykaz's picture

I'm feeling that I now have to lower my expectations on tube gear reviews, for darn good reasons:

A piece of tube gear is like a Turntable/Arm with it's tubes being a (phono cartridge type) variable.

The Pro Audio guys I know will pull their hair out looking for "Good Sounding Tubes", say'n stuff like that tube "sounds like shit!!!"

My old supplier, Art Ferris of Audible Illusions, carefully selected the tubes in all the Modulus 2 preamps he built and sold. He said it was his secret sauce.

Today our very own Kevin Deal has become the KING of tubes by being a reliable supplier of quality sounding glass. His importing PrimaLuna and Mystere speaks to his mastery along with Schiit owners that I know buying glass from Upscale.

My own Conrad-Johnson MV-45a's performance was from superb tubes.

Willian Z.Johnson would send Audio Research gear to Harry Pierson at TAS, those pieces contained very special glass.

The last headphone Meet I went to probably had 50 headphone amps active, the group of headphone tryers ( including me ) gravitated to a Schiit Valhalla 2 Amp who's owner loaded the darn thing with Russian Glass, it was easily the best sounding Amp at the Meet. Jude Mansilla's Schiit Rag/Yggy was there but sounded flat by comparison ( breaking my personal Yggy bubble, oh well ).

During my Retail days, I sold Solid State electronics for it's consistent performance. I also had the complete lines of Conrad-Johnson & Audible Illusions Pre-amps which didn't quite sell well compared to my Electrocompaniet & PS Audio Sales. Now, I realize that I wasn't focusing on careful Tube Selection. I was focusing on Phono Cartridges and Turntables, our specialties !

Tube guys are West Coast, I think.

UpScale in LA
Bottle head up in Washington
All those Schiit Valhalla & Lyr tube rollers seem to be West Coasters.

But the Garage 1217 folks, the Feliks folks are internet and thus International. These are the most serious Tube Rollers on the Audiophile Planet.

I'm coming to think that a piece of Tube Gear with it's chassis, power supply, circuit board & wiring make up a Textured Canvas with the Tubes themselves being the Amplifier reviewed.

Tony in Michigan

John Atkinson's picture
tonykaz wrote:
A piece of tube gear is like a Turntable/Arm with it's tubes being a (phono cartridge type) variable.

I understand that in The Absolute Sound's review of this amplifier, the reviewer "rolled the tubes" until he ended up with something that he felt sounded better than those supplied. Our strict policy is to review tube gear with the tubes supplied and recommended by the manufacturer, because that is what our readers will be auditioning.

John Atkinson
Editor, Stereophile

tonykaz's picture

Of course, I understand your position.

My position ( and the position of any owner/purchaser ) is the variable nature of the specific glass tube doing the amplification work.

The mechanical stuff making up a Valve piece is the support architecture that enables the tubes to provide their magic.

A Tube Gear Review, therefore, seems to be a good piece of writing to accurately describe how this circuit & chassis design is likely to be useful for Valve Amplification in an audiophile's ( stereophile's ) home music system.

This type of writing is exactly the type that our Mr.Reichert is the Master of and why he is at the very top of the Audio Journalism pyramid... and probably why Stereophile feels lucky to have discovered him.

Glass Tubes are a variable... OK, we all can accept that fact, can't we?

Many of us seem to realize that when a Tube piece of gear is "on Song" it's darn near impossible for any Solid State piece of gear to sound anywhere near as good...

but, a superb design of Solid State gear, such as: a D'agostino , a Levison, an Electrocompaniet, a Pass and probably a good few more including my little Schiit Asgard 2 are consistantly satisfying and therefore well worth owning.

I contend that today's Stereophile readership are aware of Vacuum Tubes possibilities and therefore expect the reviewers to provide insight into how to make a reviewed piece of gear sing like Pavarotti.

In a great many ways, Stereophile has raised the bar.

It's time to take Tube Gear Reviews to the next level.

Betcha Kevin Deal is ready to help.

Tony in Michigan

ps. tubes ( themselves ) are cheap $, probably the cheapest upgrade anyone could make.

Birdstone's picture

you say your reviewrs only use the tubes supplied by the manufacturer but AD used upgraded tubes on the prima luna progue review. this is what he said .. "And then, when I replaced the Premium's stock, PrimaLuna-branded EL34 tubes with the Russian-made Tung-Sol KT120s sent to me, for trial, by PrimaLuna distributor Kevin Deal, I was even more impressed with those—an $80 option at time of purchase. I also preferred to use the KT120s in Triode mode." Kevin Deal was allowed to upgrade the tube to make his amp up to snuf. that Kevin gets away with murder.

John Atkinson's picture
Birdstone wrote:
you say your reviewers only use the tubes supplied by the manufacturer but AD used upgraded tubes on the prima luna prologue review.

Correct. And as you correctly quote Art as saying, the Russian-made Tung-Sol KT120s were supplied by the PrimaLuna distributor and are an $80 option at time of purchase.

John Atkinson
Editor, Stereophile

woodford's picture

it would be interesting to know *which* KT77s were in use. i recently replaced the GL KT88s in my amp with GL KT77s, and it sounds like a completely different amp.

Linear Tube Audio's picture

Current production Genalex Gold Lion KT77s were used. We've been considering a return to EL34 as the stock power tube, especially for efficient speakers. When we made the change to KT77s for the Mk.II version, the primary listening systems had speakers less efficient than any of those used in this review.

If anyone is headed to RMAF, you can role-play as Herb and Mr. O in front of the ZOTL40 and the Orangutans, as we'll have that pairing along with a Fern & Roby turntable and phono stage as a source.

mrkaic's picture

I am sure I speak for many when I ask -- what happened to Bill Brier?

Herb Reichert's picture

joined the navy became a radar tech rolled a Chevy V8-powered MGA got out of navy quick became an electronic engineer at HP and a major local drag racer -- lost track of him years ago

mrkaic's picture

What a great guy!

Anton's picture

Heck, I can't believe we didn't get 2500 words on power cord rolling!

I like reviews where, to steal an auto racing phrase, ya run what they brung.

Fine review, Herb!

tonykaz's picture

Now, I ask you, would you consider spending $6,000 for this little amp that doesn't seem to perform up to it's price class?

Geez, we're going up against one of Blackie's Stereo 70's, a $2,000 PrimaLuna, a $600 Fisher 500C from eBay, those new Schiit Amps for $600 each or even a Mint Krell KSA 100 used for $1,500.

For $6,000 Grand I'd be expecting Kevin Deal's better tubes and the ability to play Quad ESL 57s, wouldn't you?

Run what ya brung:

I'd presume that you'd first get your auto "tuned-up" nicely, enough air in the tires, ball joints adjusted, brakes not pulling or rubbing, low restriction air cleaner, slippery synthetic Oil, low rolling resistance tires, the entire chassis stripped out of weight and the best darn Sunoco 260 plus the Nitro bottle hidden under the front seat. ( if you could )

The Manufacturer's comments:
...in the Print Edition mentions their pursuit of Clarity, Neutrality with Uncolored Detail. Mr.Schneider also suggests that this Amp seems to be a Polarizing product.

My contention:

If we're gonna give this little Amp ( a possible prickly performer ) made by one of our favorite Electronics Builders, a fair chance of a successful debut, we should at least get our Glass selected properly. The manufacturer isn't building confidence so it's pretty much up to the reviewer who accepted this challenge, isn't it?

I have to accept that all Tube Gear is Tube selection dependent, I'd like the reviewers to go the extra mile to present the possible range of performance a reviewed piece presents. Isn't that what reviewing tube gear is all about? Solid State is fixed, tube gear is variable. Review Loudspeakers with a few differing amps, try a range of phono cartridges with a Turntable/Arm review, have a closer look at all the variables.

Reviewing Tube Gear is hard work that can be well done, I hope that our better reviewers step up to it's challenges and excel.

Tony in Michigan

Herb Reichert's picture

spent a lot of time in the pits 'runnin' what we brung' at Union Grove dragstrip in Wisconsin

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