Often in these pages (and in Industry Update), we have reported ways various brands have experimented with the traditional hi-fi–retail formula. An example: the single-company dealership, adopted most recently by the Vervent Audio Group, parent company to Focal and Naim.

The latest to set up a single-brand dealership is Gryphon Audio Designs, which is preparing to open a "mono-brand" showroom in Los Angeles. Gryphon's implementation, though, is a radical departure from previous experiments in one respect: It's in the Pacific Design Center (PDC), a large (1.6 million square feet) multiuse facility that caters to the design community, including professionals in interior design, architecture, and the arts, as well as design enthusiasts. The idea is to give Gryphon products more exposure to architects, designers, and design enthusiasts. The PDC is not accessible to the broader public. Assuming all goes well, the Gryphon store will be open by the time this issue hits newsstands.

South Korea's Silbatone delivered sound with startling intensity and scale. In a show known for polished, high end presentations, its Munich demo was an all out sonic spectacle—part sensory onslaught, part performance art. This was music as a full contact experience.

T.H.E. Show in Costa Mesa wasn't large, but there were a few debuts including several in the six rooms presented by Common Wave HiFi. In room 327, the Accuphase C‑57 phono stage ($13,975) was part of a demo setup that also included an Accuphase E‑3000 integrated amplifier ($8950), which was shown on static display at AXPONA but was in use here for the first time in the US. When I was in the room, the class-A Accuphase E‑700 stereo integrated amplifier was in use, driving a pair of DeVore Fidelity Orangutan O/93 speakers ($8950/pair, more for custom finishes available).

Ryan Truesdell: Shades of Sound: Gil Evans Project Live at Jazz Standard Vol.2
Truesdell, conductor; 23-piece orchestra
Outside in Music 2014/2025 (reviewed as CD). 2025. Truesdell, Dave Rivello, prods.; James Farber, Tyler McDiarmid, Geoff Countryman, engs.
Performance ****½
Sonics ****½

Ryan Truesdell launched his Gil Evans Project in 2012 with Centennial. It contained 10 Evans arrangements, including two original Evans compositions, that had never been recorded. The project was made possible by the fact that Truesdell had been granted access to the Evans family archives. Evans was a towering figure who had been responsible for some of the greatest recordings in the history of jazz, like his own Out of the Cool and Miles Davis's Sketches of Spain. Evans died in 1988, and Centennial was something the jazz world never expected to have again: a brand-new Gil Evans record. Truesdell assembled a large orchestra containing many of the best jazz musicians in New York and used an eminent engineer, James Farber.

Although most of the products shown at T.H.E. Show in Costa Mesa lean toward the higher end and specialty markets, some affordable products from next-gen designers were mixed in, too—Chesky Audio's LC1 bookshelf monitor, for one, which has been receiving plenty of buzz. Another noteworthy example of a different sort—an active speaker—is the all-in-one Brane Audio Brane X portable speaker ($499) with a built-in true subwoofer.

Friday, August 1–Sunday August 3: Audio Advice Live 2025 will take place at the Sheraton Raleigh Hotel. It is located at 421 South Salisbury Street Raleigh, NC. For more information about the show or to get tickets, follow this link.

Métronome unveiled its very first music server, the small but mighty Métronome x Audirvāna DSAS ($6950, due in September), in an all‑French system. This “Digital Sharing Audio Server” (DSAS) uses Audirvāna Studio to manage both local and streaming music. It includes 2TB of storage (expandable to 4TB) and comes with a free three‑year subscription to Audirvāna.

Italy’s Riviera Audio Laboratories, represented by CEO Silvio Delfino and designer Luca Chiomenti, introduced the new AFM‑70 monoblock power amplifier (price TBA). The launch follows the release of recent Riviera models such as the APL‑1 line‑stage preamplifier and the AFS‑32 stereo power amplifier, both priced at $28,000.

A chance encounter with Daniela Manger, CEO and engineer of Manger Audio led me to the exhibit with the company's latest offering: the striking red, p2 floorstander ($15,000/satin matt lacquer - $17,900/Ultra high gloss), whose optimized driver has a stronger motor for faster response and more transient information. The specified frequency range is 30Hz–45kHz.