Spotify began rolling out lossless audio to Premium subscribers September 10, delivering streams up to 24-bit/44.1 kHz FLAC format. The feature arrives in select markets first, with broader availability expected through October. The streaming service will notify Premium subscribers when lossless becomes available in their region.

Five decades later, even dedicated fans of former Procol Harum guitarist Robin Trower have had to admit that they appreciate his solo albums for more than just his guitar gluttony. To be sure, For Earth Below's title track and his other blues-rock jams, obviously influenced by both the tone and approach of Jimi Hendrix, are foundational for today's stoner-rock subgenre.

As much as I love my stereo system and listening to music through two speakers, some recordings just can't be bound by the limits of stereophony. For instance, Carl Orff's epic cantata Carmina Burana. Sure, I've heard successful stereo versions, but listen to the four-channel Quadraphonic mix of the classic 1974 recording by the Cleveland Orchestra, Chorus and Boys Choir, conducted by Michael Tilson Thomas, then decide whether stereo still does it for you.

In high-end audio, Italian designs play by different rules. They tend to favor beauty over austerity, boldness over caution, and emotion over restraint. Rather than just hearing the music, you're meant to be swept away by it. That spirit animates gear from Unison Research, a tube-focused company located just north of Venice.

Outside of Vincent Van Gogh, Brian Wilson had the most infamous—and ultimately the most valuable—left ear in the world. Wilson—the chief architect of countless Beach Boys pop classics, who passed away at age 82 on June 11, 2025—lost the hearing in his right ear at an early age. One could reasonably argue that he only ever heard all the sonic masterpieces he constructed, for that quintessential California band he cofounded, in mono.

"Art is the only political power," the artist Joseph Beuys once said. If only it were true. Often, when power is wielded against an entire people with enough brutality and efficiency, it reduces the culture to a sickening silence, leaving room only for state-sponsored propaganda. Think of the Soviet Union under Stalin, or Germany during the Third Reich. But in other, rarer cases, repression is met with an efflorescence of great art, like a charred field welling up into a riot of wildflowers.

As a music teacher, I can think of no better learning experience than what trumpeter Donald Byrd did in the early 1970s for a group of his music students. To quote the band's current website, "Byrd envisioned taking active students at Howard University in Washington, DC, on a real-world field trip which would expose them to ins and outs of the music business."