Mike Mettler talks with Burton Cummings and Randy Bachman about The Guess Who's new reunion tour, why they were early proponents of releasing stereo singles, which one of them loves vinyl and which one prefers CD and digital, and how the eternal hit that is "American Woman" was born out of an improvised riff during a live show.
If not for the skill level of the producers and engineers who ensure recordings are able to get to the finish line, we may never have heard some of the best music of the past century-plus sound as good as it does. In Part 3 of our three-part Studio Confidential interview series, Mike Mettler talks with Elliot Scheiner, who has worked with Eagles, Steely Dan, Van Morrison, and many, many others, about what made him want to become a producer, his favorite album of those he’s worked on (it'll probably surprise you), and how he views surround-sound mixing.
Producers and engineers are the human engines that drive and shape the sound of the recordings we know and love—as well as the ones we've yet to hear. In Part 2 of our three-part Studio Confidential interview series, Mike Mettler talks with Sylvia Massy, who has worked with Prince, Jason Isbell, Tool, and many, many others, about what elements make a hit record, what album made her want to become a producer, and why Prince was such a, shall we say, tortured genius.
If you really want to know how your favorite albums came to be, you can't go wrong talking with the men and women who are in the studio day in and day out with the artists—i.e., the producers and engineers. So we're doing exactly that. In Part 1 of our Studio Confidential interview series—there will be three parts this week, with perhaps more to follow—Mike Mettler talks with Chuck Ainlay, who has worked with Peter Frampton, Mark Knopfler (and Dire Straits), George Strait, and many, many others—about his production philosophy and who inspired him to get behind the board in the first place.
