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The Cure: Songs of a Lost World; Michael Kiwanuka: Small Changes; Father John Misty: Mahashmashana.

"That's pretty odious," Andy Summers says to me. "An odious comparison." His blueish eyes darken. roughly an hour into our 90-minute face-to-face interview, I'd asked if it bothers him that in terms of reach and staying power, his solo oeuvre will never match his work with The Police.

To me, the observation seemed factual and uncontroversial, like saying that the sun rises in the east. The Police sold more than 75 million records and played some of the largest venues in the world. The night before our interview, I'd watched Summers perform a show in a 400-seat theater in rural Waldoboro, Maine.

In my enthusiastic 2022 review of the Stromtank S-1000 ($16,900), I described the Stromtank as a computer-controlled lithium iron phosphate (LiFePO₄) battery array that, coupled with its AC inverters and all the trimmings, supplies clean, constant, stable off-grid AC power to hi-fi components. By softly depressing a single button on the front panel, Stromtank owners can easily switch from wall-connected mode (when the Stromtank's dimmable front-panel meter is blue) to a disconnected, battery-only state (when the meter is green). At the end of a listening session, users can return to blue mode to recharge the battery array.

What if there was a character in Stanley Kubrick's classic movie 2001: A Space Odyssey who was an audiophile? Aboard the Discovery One interplanetary space ship, what would his system look like? He'd probably have a pair of ultramodern speakers that could pluck sound out of the ether. He'd control the system with something like a present-day smartphone or tablet, commanding the HAL 9000 computer to play his favorite songs. The speakers would stand unobtrusively in a white room with 1970s modern-minimalist furniture, no rack of components to drive them, no wires connecting them, no shelves of physical media to play. And they would fill the room with music.

I am sitting earthbound in my living room almost a quarter-century beyond the year 2001, living a similar scenario with the Focal Diva Utopia streaming amplified wireless speaker system. My living room is not at all reminiscent of the Discovery One with its rotating central interior (footnote 1). But with the Diva Utopia system, I feel more in a sci-fi future young me might have imagined than with any hi-fi component I've reviewed so far. About the only thing the Diva Utopia has in common with the stereo systems I grew up with—and with my current reference system—is two floorstanding cabinets and diaphragms that move air to make sound.