Final Delivery: a System Upgraded, a Life Cut Short
Laura tells me she's heard through a mutual friend that I have a high-end music system and write for Stereophile. Her husband, Ted, loved the magazine.
Laura tells me she's heard through a mutual friend that I have a high-end music system and write for Stereophile. Her husband, Ted, loved the magazine.
A friend who sells high-end audio gear once pointed out that people who shop for separate tonearms are very different from those interested in phono cartridges or turntables in general. If you think about it, this makes sense. Almost everyone buying a new turntable needs a cartridge to go with it, and most turntables come equipped with a tonearm. Tonearm shoppers are more avid enthusiasts than general consumers.
It wasn't always that way. In earlier days of high fidelity, 60 or more years ago, people putting together a cutting-edge phono playback system would typically buy what was known as a motor unit: a Thorens TD 124, Garrard 301, or a few years later the Garrard 401 or Technics SP-10. They would match it up with a tonearm from a company like SME or Ortofon.