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Turntable Reviews
Thorens TD 124 DD Record Player
Ken Micallef  |  Jul 28, 2021  |  0 comments
In 1957, Switzerland-based Thorens introduced the TD 124 turntable, a record player destined to become a classic. (TD is an initialism for tourne disque, French for turntable.)

A Thorens brochure from that same year itemized the TD 124's "11 main elements that result in 41 advantages." It noted the turntable's "strongly ribbed, solid chassis, crafted in cast aluminum," and its two-part platter including a "flywheel [subplatter], crafted in stabilized cast iron, [which] possesses excellent characteristics for the magnetic shielding of the drive system, as well as great inertia." Continuing, it lauded the TD 124's "main bearing, fitted with a 14mm spindle made of hardened, mirror-polished steel," its braking system, leveling dials, surface-mounted spirit level, and four "mushroom-shaped, rubber dampers [that] guarantee smooth suspension in a built-in frame as well as decoupling from the base."

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My Back Pages
Alive at the Cafe Au Go Go
Jeff Weiner  |  Jul 27, 2021  |  2 comments
I grew up in a household that didn't have a record player and was pretty much devoid of music. In high school, I got a little stereo and began collecting records. By the time I entered Brooklyn College, in 1963, my "main man" was Trini Lopez; I also had a couple of Jack Jones albums. In New York, I discovered the Cafe Au Go Go.
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Budget Component ReviewsSubwoofer Reviews
SVS 3000 Micro subwoofer
Herb Reichert  |  Jul 23, 2021  |  33 comments
My incommodious room favors small standmount and panel speakers that some audiophiles would say require a subwoofer.

But I was never inspired to try one until a new category of subwoofer appeared: the "micro" (aka soccer-ball) subwoofer. The minute I saw the little KEF KC62, a 10" cube, I imagined it could do 0–100Hz and back to zero in record time. I reported on the KEF microsub last month, in Gramophone Dreams #49.

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Recording of the Month
Recording of August 2021: Irene of Boston
Thomas Conrad  |  Jul 22, 2021  |  3 comments
Francesco Cafiso: Irene of Boston
Cafiso, alto saxophone; London Symphony Orchestra; four others
EFLAT EF0003 (CD, available as download, LP). 2020. EFLAT, prod.; Riccardo Piparo, Mat Bartram, Francesco Lupi, Roberto Romano, engs.
Performance *****
Sonics ****

The first time I heard Francesco Cafiso, I thought I was hallucinating. It was 2005. I had flown to Australia from Seattle to cover the Melbourne Jazz Festival. Cafiso appeared the first night. He was 15. He played the most outrageous bebop I had ever heard outside of Charlie Parker records. I thought I was delusional from jet lag.

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Digital Processor Reviews
Verity Audio Montsalvat DAC/PRE D/A processor
John Atkinson  |  Jul 21, 2021  |  28 comments
I was aware that Canadian company Verity Audio, founded in 1995, made loudspeakers, like the Sarastro II that Fred Kaplan reviewed in May 2009. But when Jason Victor Serinus and I attended the 2018 Rocky Mountain Audio Fest, we were both impressed by the sound of an all-Verity system that featured Verity's Monsalvat AMP-60 power amplifier. Jason Victor Serinus favorably reviewed the AMP-60 in May 2019; I didn't have to be asked twice, therefore, if I wanted to review Verity's Montsalvat DAC/PRE (see later).
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Analog CornerPhono Accessory Reviews
Analog Corner #312: WallyTools & the WallyReference
Michael Fremer  |  Jul 20, 2021  |  12 comments
Held every November in normal times, the annual Warsaw Audio Video Show is among the world's largest. I first attended a decade ago, in 2011, and was amazed by both the number of attendees—more than 10,000 people—and demographics that skewed young and included many families. That show was bigger and better-attended than any I've been to in America.
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As We See It
500 Issues!
John Atkinson  |  Jul 16, 2021  |  12 comments
In October 1962, the first issue of what was then called The Stereophile was published and edited by J. Gordon Holt out of Wallingford, Pennsylvania. The issue you hold in your hands, published by AVTech Media out of New York, New York, and edited by Jim Austin, is #500. Jim is the magazine's third editor, having occupied that seat since the July 2019 issue. Gordon Holt put together the first 82 issues, through the June 1986 issue; I was the editor from issue #83, cover-dated August 1986, through issue #473, June 2019.
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Features
500 Issues And Counting: a Publishing Milestone
Jonathan Scull  |  Jul 15, 2021  |  14 comments
We're all involved with the world we live in. Friends from 20 years ago? Hey, nice to see ya, put on a little weight I see. Generally, you hang with your crew, although you might miss the bigger picture that way.

I wrote for Stereophile from 1993 through 2002, and I remember my experiences fondly, including the pure pleasure of listening to music on all that wonderful audio equipment. But I hung with my tribe and never fully appreciated the crucible in which Stereophile was formed. It's a genuine saga; cue Ennio Morricone's soundtrack to Once Upon a Time in the West.

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Floor Loudspeaker Reviews
Dynaudio Confidence 30 loudspeaker
Kalman Rubinson  |  Jul 14, 2021  |  15 comments
Over a lifetime of audio shows, I've consistently enjoyed Dynaudio speaker demonstrations. Each time, I've told Dynaudio North America's Michael Manousselis that I'd love to review the speaker on display that year. But I never followed through. So, when Jim Austin suggested I review a Dynaudio speaker "because they haven't gotten much press," it resonated with my deep-seated guilt. A little research revealed that the last Dynaudio speaker Stereophile reviewed was the 40 Special in November 2018. The last floorstander was the Dynaudio Sapphire in 2009!
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Re-Tales
Re-Tales #11: Business as Unusual
Julie Mullins  |  Jul 13, 2021  |  0 comments
As the pandemic abates and reopening progresses, times are still uncertain. Industries worldwide continue to be obstructed. Parts and materials costs have risen sharply. Shipping rates, and shipping demand, have spiked. The recent Suez Canal blockage didn't help. All this has led to widespread supply-chain difficulties.

The audio business is not immune. Disruption and delays have troubled manufacturers, distributors, dealers, and customers for several months.

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