LATEST ADDITIONS

Julie Mullins  |  May 20, 2022  |  5 comments
Great hi-fi can give you goosebumps. And it relates to another source of horripilation: live music, and its recordings. I've also always been a live music junkie—ever since I was a kid.

I was fortunate to have grown up attending the Cincinnati Symphony Orchestra and Cincinnati Pops Orchestra's "LolliPops" children's concerts. I'd seen some tepid live acts as a kid (ie, Donny and Marie). But nothing prepared me for my first rock concert. It, um, rocked my world.

Julie Mullins  |  May 19, 2022  |  12 comments
Unless you live under a rock, you've followed Russia's invasion of Ukraine. You know something about sanctions against Russia and Russia's responses to those sanctions. If, in addition to not living under a rock, you're a tube-audio aficionado or electric guitar nut, you may have thought about a likely consequence of that war that's far less momentous than the destruction and carnage we see on TV: Will I be able to get new tubes for my amplifier? Especially those lovely Russia-made tubes.
Rogier van Bakel  |  May 18, 2022  |  9 comments
National pride is the damnedest thing. When I was growing up in the Netherlands, schoolchildren were taught that the inventor of the printing press was a Dutchman named Laurens Janszoon Coster. Germany's Johannes Gutenberg was waved away as an also-ran, if he was mentioned at all.
Jim Austin  |  May 17, 2022  |  11 comments
I wrote about the music industry's impressive recovery in the February 2022 AWSI. Robust LP sales were a headline item of that report, but they're a sideshow: Paid-subscription streaming is what is bringing the industry back.

When I wrote that, 2021 wasn't quite over, so year-end financials weren't available. They're available now.

Kurt Gottschalk, Sasha Matson, Jason Victor Serinus, Stephen Francis Vasta  |  May 13, 2022  |  1 comments
Eric Nathan: Missing Words, Carolyn Sampson: Trennung: Songs of Separation, Brahms: Piano Trios Nos.2 & 3, Brahms: String Sextets, Mahler: Symphony No.4 and Hans Abrahamsen: Schnee.
Thomas Conrad  |  May 13, 2022  |  1 comments
Bill Evans: Inner Spirit and Sebastian Noelle: System One.
Phil Brett, Anne E. Johnson, Tony Scherman  |  May 13, 2022  |  1 comments
Son House: Forever On My Mind, Superchunk: Wild Loneliness and Yard Act: The Overload.
J. Gordon Holt  |  May 12, 2022  |  First Published: Feb 01, 1968  |  4 comments
The idea of a loudspeaker system whose frequency response could be tailored to suit room acoustics and/or personal taste is one that has always appealed to the high-fidelity perfectionist. Ideally, such a loudspeaker would allow you to raise or lower the level of any part of the audio spectrum to correct for, say, a sharp 370Hz room resonance or a mild absorptive condition that weakens, say, the 800Hz–3kHz range. Obviously, though, this kind of flexibility would require an infinite number of bandpass networks, each with its own volume control—which is an obvious impracticality.
J. Gordon Holt  |  May 11, 2022  |  First Published: Jun 01, 1970  |  2 comments
Superb tracking ability, very good imaging and extremely smooth frequency response, plus unusual freedom from mounting problems make this one of the best pickups available and, quite possibly, the best all-around performer we have encountered.
Michael Fremer  |  May 10, 2022  |  First Published: Jan 01, 2018  |  63 comments
It was great fun having our editorial coordinator, Jana Dagdagan, shoot a video profile of me in my listening room. As I write this, it's had more than 88,000 views. While the ratio of thumbs up to thumbs down has remained consistently around 10:1, some of the negative comments, particularly about our industry and about this magazine, do enrage me.

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