LATEST ADDITIONS

Hana has introduced the Umami Black, a new top-of-line moving‑coil phono cartridge above the Umami Red and Blue. US list price is $11,500. First public US demos are scheduled for September 6 at Quintessence Audio (Morton Grove, IL), with customer shipments beginning September 22.

Hegel has introduced the H150, a streaming integrated amplifier that replaces the H120. The company says the H150 uses the same streaming platform and control app found in the H400 and H600, adds a Moving‑Magnet phono stage, and in a first for Hegel, plays music directly from a USB‑A drive. Hegel refers to the H150 by the nickname Prodigy.

"Panel speakers that do bass? Sign me up!" That was my reaction when I first heard a pair of Diptyque Reference loudspeakers, at AXPONA 2023. The Reference is a 6'-tall, French planar magnetic speaker whose designers, Gilles Douziech and Eric Poix, make no secret of their love for Magnepan, the Minnesota company famed for its dipole panels. The French duo has improved on Magnepan's pioneering technology by addressing the number-one shortcoming of such designs: a lack of low-frequency extension.

My oldest aural memory is my mother singing nursery rhymes to send me off to sleep. After that, it's vinyl records. Being the third child, I benefited from a constant stream of audio-related hand-me-downs, starting with a 1960s kiddie phonograph and a pile of well-worn records from my older brothers.

Sonus faber has announced the Amati Supreme, a floorstanding loudspeaker derived from concepts developed for the Suprema. The company positions the model as a compact implementation of its “Voice of Sonus faber” engineering approach.

Super fans who dig deeper into a favorite artist's recording catalog eventually come to the crossroads of performance versus sonics. In the case of Sly Stone, who died this past June at age 82, that question has new relevance with the release on CD and vinyl of a "new" Sly and the Family Stone record, The First Family: Live at Winchester Cathedral 1967.

This past May, I stormed the halls of the international audio orgy High End Munich. My scorched-earth tour covered countless rooms, in pursuit of the holy grail of music playback. Among the finalists, a clear pattern emerged: With a few exceptions, my favorite rooms used horn-loaded speakers.