Vivid Audio Introduces Giya Cu Loudspeakers
KEF Debuts New Finishes for Blade One Meta and Blade Two Meta
Sennheiser Drops HDB 630 Wireless Headphones
Sponsored: Radiant Acoustics Clarity 6.2 | Technology Introduction
PSB BP7 Subwoofer Unveiled
Apple AirPods Pro 3: First Impressions
Sponsored: Pulsar 121
Sonus faber Announces Amati Supreme Speaker
Sponsored: Symphonia
CH Precision and Audiovector with TechDAS at High End Munich 2025
Sponsored: Symphonia Colors

LATEST ADDITIONS

T.H.E. Show SoCal 2025

Aaudio Imports

Julie Mullins
I hadn't come across the distributor Aaudio Imports for a time—I learned they had moved from Colorado, to California—so it was interesting to see what was new in their world. In a rather large room, Laguna 1, the speakers were striking, even unusual looking. They are from AudioNec, a French brand that Aaudio recently began importing.
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As We See It

Audiophiles Behaving Badly

Jim Austin
By my estimation, this year's High End hi-fi show—the last in Munich before the world's largest audio show moves to Vienna—was a major success, perhaps the first I've attended since the pandemic that managed to completely escape that shadow. Every day but Sunday it was very busy—sometimes too busy; on the busiest days, the hallways at the MOC convention center reminded me of NYC's Fifth Avenue on Black Friday, an experience I've had once and hope to never have again. Most important: I heard a lot of really good sound.
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My Back Pages

Final Delivery: a System Upgraded, a Life Cut Short

Rogier van Bakel
It's a spring day, midweek, and I'm behind the desk of the small-town library where I work part-time. A woman comes in, late 60s, maybe 70. There is a quietness about her, as if time has asked her to shrink a little. She's local, but we've never met. "Laura," she offers. Her handshake is firm.

Laura tells me she's heard through a mutual friend that I have a high-end music system and write for Stereophile. Her husband, Ted, loved the magazine.

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My Back Pages

It's On Tape

Fred Thal
Why should we worry about the conservation and preservation of old analog master tapes when they've long ago been transferred to digital? It's a reasonable question—especially since AI-powered digital signal processing is on the horizon, promising perfect repair of bad-sounding digital audio files. Musicians and many audiophiles are skeptical that DSP could ever perform authentic correction on natively analog domain-transferred music files, the way (eg) Plangent Processes can. A forceful argument for better preservation of the surviving tapes is that when they're gone, we'll have lost not only the absolute (if also decaying) reference but also vital information that can be essential to applying authentic corrective processes.
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