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Brian Damkroger listens long and hard to the Primare">http://www.stereophile.com/digitalsourcereviews/604primare">Primare D30.2 CD player noting, "Primare is reluctant to provide much technical detail about their designs, preferring to let their products do the talking." So after a little chatting, BD files his report.
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We begin with a January 1993 article from Robert Harley called The">http://www.stereophile.com/reference/193jitter">The Jitter Game. RH explains, "Clock jitter is a serious and underestimated source of sonic degradation in digital audio. Only recently has jitter begun to get the attention it deserves, both by high-end designers and audio academics."
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Pay $350,000 for an amplifier?!?!! Michael Fremer takes a deep breath and plugs in the Wavac">http://www.stereophile.com/amplificationreviews/704wavac">Wavac SH-833 monoblock power amplifier in order to hear for himself what he might get if he traded in his house. "When tmh's Jim Ricketts asked me if I wanted to review this eight-box assemblage," says MF, "the first thing I did was laugh at the ludicrousness of the situation. Then I said, 'Why the hell not?'"
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Stereophile's John Atkinson teams up with world-renowned recording engineer Tony Faulkner to create a landmark Mozart recording that has just been released simultaneously on hybrid SACD/CD, and LP. In Project">http://www.stereophile.com/musicrecordings/804k622">Project K622, JA recounts the entire process, noting, "The upbeat is the most magic moment in classical music making."
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John Atkinson wires up a pair of Gershman">http://www.stereophile.com/loudspeakerreviews/704gershman">Gershman Acoustics Opera Sauvage loudspeakers, noting, "'Mellow' was the word I used to describe my first impression of the Opera Sauvage's balance, and nothing I experienced throughout my auditioning persuaded me that that impression was mistaken."
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Back in June of 1992, Lewis Lipnick auditioned one of the era's benchmark products, the Cello">http://www.stereophile.com/amplificationreviews/692cello">Cello Palette Preamplifier. LL comments, "The Palette Preamplifier gives the listener a glimpse of what performers experience every day on stage: total immersion in the music."
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From 2000, Brian Damkroger checks out the seductive Oracle">http://www.stereophile.com/digitalsourcereviews/1000oracle">Oracle CD player, commenting, "I couldn't help but wonder if the Oracle's sonic performance would be as unique and spectacular as its looks."
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Paul Bolin notes, "Bankers and doctors bought McIntosh, not 'serious' audiophiles. So ran the conventional wisdom." While reviewing the McIntosh">http://www.stereophile.com/amplificationreviews/804mcintosh">McIntosh MC501 monoblock power amplifier, PB discovers that conventional wisdom can be anything but wise.
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In his report on the MartinLogan">http://www.stereophile.com/loudspeakerreviews/804ml">MartinLogan Depth powered subwoofer, Larry Greenhill laments, "Reviewing subwoofers is a lonely job that brings no respect." But can the Depth upset one of LG's longstanding prejudices to earn his respect?
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In a landmark special feature, Chris Dunn & Malcolm Omar Hawksford thoroughly dissect the vicissitudes of the digital interface and jitter in Bits">http://www.stereophile.com/features/396bits">Bits is Bits? The authors note, "The theoretical performance obtainable from the 16-bit linear PCM format sampled at 44.1kHz is superior to any analog sources available to the consumer."