Integrated Amp Reviews

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Herb Reichert  |  Jul 02, 2015  | 
As an audio scribe, the fiercest demons I wrestle are beliefs—yours and mine; those of my friends, my editors, my fellow reviewers; and those of the engineers and promoters of the products I write about. Sometimes the force of these rabidly held and (mostly) conflicting beliefs paralyzes me with self-doubt: What do I know? What makes me qualified to listen and judge?
Robert J. Reina  |  Aug 01, 2013  | 
It seems I'm always reviewing an integrated amplifier from Creek Audio. It started in the late 1980s, when I fell in love with the capabilities of inexpensive, well-designed audio equipment, sparked by the spectacular sound of a pair of Celestion 5 bookshelf speakers at a Consumer Electronics Show in Chicago. I was reading an issue of Hi Fi Heretic (now defunct), for which my friend Art Dudley wrote, and it included a survey of various inexpensive British integrated amplifiers, some of them made by Creek. I was already familiar with the company, but hadn't listened to affordable British electronics since I'd lived in London, in the early '80s. I got a Creek 4140s2 integrated and was amazed at its neutrality, its lack of etched sound, its natural reproduction of instrumental timbres. I ended up buying it, and used it to review bookshelf loudspeakers.
Art Dudley, Stephen Mejias  |  Sep 27, 2013  | 
The name sounds perfect. It fits neatly next to those of Messrs. Leak, Sugden, Walker, Grant, Lumley, and others of Britain's most rightly revered amplifier builders. In fact, when their distributor called and asked if I'd like to review the latest amplifier from Croft Acoustics, I accepted without actually knowing who they are, simply because they sounded like someone I was supposed to know—someone who's been around for 60 years or so, shellacking bell wire in an old mill with a thatched roof.
Art Dudley  |  May 15, 2005  | 
Living with a brand-new Cyrus amp was a pleasantly nostalgic thing to do, even from the start: It arrived in a clean and downright attractive carton that seemed designed specifically to contain a brand-new Cyrus amplifier. Think of it! And I haven't even mentioned the nice owner's manual or the balance control or the headphone jack. As I said: the good old days.
Wes Phillips  |  Aug 24, 2009  | 
As the 2009 Consumer Electronics Show neared its end, I wandered into Blue Light Audio's room, which was dominated by the innards of darTZeel's new NHB-458 monoblocks—think of a 3D "exploded" diagram and you'll be on target. So impressive was that display of brute engineering that I almost didn't notice the amplifier that was actually making the music: the CTH-8550 integrated ($20,300).
Larry Greenhill  |  Apr 08, 2007  |  First Published: Dec 08, 2000  | 
July came in this year like September: cool, crisp night air and bright, clear days. The humidity and temperature remained low throughout the week I spent setting up the Denon AVR-4800 surround A/V receiver. So, crouched down behind its crowded rear panel, wiring up eight loudspeakers and multiple inputs, I wasn't sweating from the temperature. Launching the new multichannel Denon AVR-4800's surround audio-visual system required hard work, trial and error, and an emergency trip to the UPS terminal in the Bronx. While there were great musical pleasures ahead, the path to music-surround knowledge was rougher than I ever imagined it might be.
John Atkinson  |  Dec 28, 2012  | 
Most reviews are straightforward. One preamplifier or power amplifier replaces another. DACs are swapped out. A new pair of speakers takes up residence in the listening room.

But some products demand a complete revision of a system's architecture. Such was the case with Devialet's D-Premier ($15,995). Not only is this French product an integrated amplifier, with phono and line analog inputs; it has digital inputs and an internal D/A section.

Jim Austin  |  Nov 29, 2019  | 
My in-person introduction to Devialet's products was under auspicious circumstances. I was in Paris for what would be a month-long vacation; my wife was there to give some lectures, but I was free to roam the city, take pictures, practice my bad French, and enjoy the excellent food—the experience of a lifetime except that, a few days in, I was missing music. Still early in my visit, I wandered by the big Devialet retail store near the Paris Opera; it was closed but it gave me an idea. I soon had two Gold Phantom powered loudspeakers in our Paris studio apartment.
Robert J. Reina  |  Jun 26, 2006  | 
Each time I attend Stereophile's annual Home Entertainment Show, I look forward to two things. The first is the opportunity to perform classic and original jazz music with John Atkinson and Immedia's Allen Perkins. The second is to seek out the most exciting new, affordable speakers to review over the following year. Both buttons were pressed for me quite admirably during HE2005 at the New York Hilton, but this time it was not an affordable speaker that most impressed me.
Ken Micallef  |  Dec 02, 2020  | 
The story behind European Audio Team (E.A.T.) is that of one woman, company owner and CEO Jozefína Lichtenegger.

While studying for her MBA at the University of Economics in Bratislava, Slovakia, Lichtenegger (née Krahulkova) sold vacuum tubes for her brother-in-law, Alesa Vaic, then owner of Czech Republic–based tube brand VAIC. After VAIC shuttered in 2003, Lichtenegger founded her own retail business and engaged 100-year-old tube manufacturer Tesla Vršovice to supply 300B and KT88 tubes made to her specifications. When the owner of Tesla retired, she bought the company. She christened her new endeavor E.A.T. (The original Tesla continues as TESLA ElectronTubes, s.r.o.)

Chip Stern  |  Feb 29, 2004  |  First Published: Oct 01, 1999  | 
The women in my family and extended circle of friends are generally captivated by good sound, but are often appalled by the brutish, monolithic packaging that passes for "styling" in high-end gear. "Not in my living room," is the refrain, often played in a minor key.
Peter Breuninger  |  Jul 02, 2006  |  First Published: Jun 02, 2006  | 
If you spotted an EICO HF-81 at the local Goodwill, you'd think nothing of this plain-Jane integrated amplifier in its nondescript gray case. But if you kept on walking, you would have passed up one of the best-kept audio secrets of all time. The HF-81 hails from hi-fi's pioneer days, before chromed chassis and slick Mac transformers. It isn't ultracool-looking, like early Marantz or McIntosh gear. It doesn't have the nostalgia factor of a Fisher. It's not a supercheap eBay steal like a Stromberg-Carlson or a Heathkit. So what's the deal?
Guy Lemcoe  |  Jun 06, 2008  |  First Published: May 06, 1991  | 
Psst! Got a minute? I'd like to bend your ears a bit and tell you about a component that'll lift you from the doldrums of audio angst and transport you to the relaxing calm induced through the enjoyment of music. That's what it's done for me, and I'm so excited about it I can't wait to tell you.
Art Dudley  |  Nov 19, 2005  | 
Yet another of the best systems I've ever heard at a hi-fi show was an exhibit by some former distributors for the English manufacturer Exposure Electronics, at a Chicago Consumer Electronics Show in the late 1980s. The exhibitors seemed to believe it was better to impress with a humble product than to overwhelm with a full-bore assault, because they limited their display to a single amplifier: the then-new Exposure X (as in "10") integrated, mated to a record player comprising a Linn LP12 turntable, Ekos tonearm, and Troika cartridge, and a pair of Linn Kan loudspeakers.
Art Dudley  |  Jun 25, 2008  | 
Three years ago, the idea of a solid-state integrated amplifier that sold for only $1250 yet combined some of the best performance aspects of a Naim Nait and a Dynaco Stereo 70 seemed likely to resonate with consumers and critics alike. And it did: Introduced in early 2005, the British-built Exposure 2010S was an unequivocal hit on both sides of the Atlantic, and remains in Class A of Stereophile's "Recommended Components." Deservedly.

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