Robert Schryer

I was doing my press beat for Stereophile in the hallway of Montreal's 2019 Audiofest when I glimpsed something that stopped me in my tracks. It was a marketing slogan, across the room on importer/exhibitor Goerner Audio's floorstanding banner: "Tubes or semiconductors? Magneto-solid technology amplifies emotions."

As per our ritual, Karim and Dan arrived at my door in late afternoon, bearing our ritual's customary offerings: dark beer, wine, cold pork sandwiches, fruit and chocolate tarts, good music on well-recorded CDs, and audio hardware to try out on the host's hi-fi—on this particular Friday, my hi-fi. It's what we did: break bread while gabbing like regular folk about regular things, then bolt for the listening room for an evening of hi-fi fun.

I'll say this, unequivocally: The Toronto Westin Airport Hotel is a fantastic venue for an audio event, better than the Montreal show's near-fabled Bonaventure Hotel, where it counts most: in the exhibitors' rooms. For whatever reason, and this was the consensus among those I spoke with, the rooms at the Westin seem to have acoustic properties that made most systems being demoed sound better than expected by anyone who's ever been at an audio show. It's worth the trip to Toronto just to hear what that's like.

Imagine an audiophile system assembled by the UN and you might end up with something that looks a lot like what I discovered in the Wynn Audio room. Among the countries being represented there were: France, with the Metronome AQWO CD/SACD player ($CAD22,000), with tubed output stage and USB input; Switzerland, with the 215Wpc Goldmund Telos 590 NextGen integrated amp ($CAD33,800); Germany, with the Vimberg Mino speakers ($CAD41,900/pair), built in the same factory as its sister company Tidal Audio (not to be confused with the streaming service); Sweden, with the Entreq Olympus Infinity ground boxes ($CAD5800 each); the Netherlands, with Crystal Cable cabling and rack; and the US, with Critical Mass Systems footers.