Lonnie Brownell

In some ways, building an inexpensive yet musical two-way loudspeaker is a greater design challenge than creating a cost-no-object reference product. Although the latter is a much more complex endeavor, the venerable two-way box seems to bring out the creativity and resources of the designer. Rather than throw money at the product in the form of more expensive drivers, enclosures, or components, the designer of a low-cost two-way is forced to go back to the basics, rethink closely-held tenets, and rely on ingenuity and sheer talent to squeeze the most music from a given cost. Consequently, the inexpensive two-way is the perfect vehicle for designers to develop their skills. If one has mastered this art form, one is much more likely to achieve success when more ambitious designs are attempted.

Editor's Note: Stereophile writer Richard (Rick) J. Rosen passed away suddenly on Monday August 22, of unknown causes. Rick wrote show reports and the occasional software review for the magazine, but his highest-profile contributions were his "Rick Visits..." series of interviews, where he hung out with music makers, asking them about their systems, of course, but also their relationships with recorded music. The first of these was with famed keyboard player Al Kooper in our October 1995 issue, and I was proud, as an editor, to be able to publish such superbly crafted prose.