Integrated Amp Reviews

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Pathos InPoL Legacy integrated amplifier

Back when gasoline had lead in it and amplifiers came with circuit diagrams in the back of the manual, there was an unspoken understanding that power meant weight. A professional camera was a Graflex Speed Graphic or a Hasselblad 1000F, built like a small battleship and nearly as heavy. Powerful car engines were cast-iron V8s with cylinders you could stick a fist in. And of course, serious amps had transformers that could double as boat anchors.


These days, amplifier design often emphasizes efficiency. Class-D amps in particular have come a long way. Many are terrific, and they're undeniably practical. But there's still something uniquely satisfying about a design that prioritizes timeless expression over economy of electricity or space.


The Pathos InPoL Legacy, a class-A design, is unapologetically massive and so gloriously overbuilt that moving it requires a tactical plan and a chiropractor.

Unison Research S6 Black Edition integrated amplifier

From the 1088 establishment of the University of Bologna, the oldest university in the Western world, to the invention of the radio by Guglielmo Marconi in the mid-1890s, Italy has been at the forefront of innovation and artistic pursuit. Modern Italy stands as a testament to its vibrant past.


"The Italian Renaissance, which began in Florence in the 1380s, marks the first moment when Europeans stepped away from the traditional and medieval pious Christian view of man to embrace values and attitudes they had discovered through studying the culture of the ancient world," wrote William ("Bill") Adams, a former professor of Italian history, in an email. "Those values, belief in the dignity and worth of man, in human development through education which, having spread through Europe, led to the Scientific Revolution and the Enlightenment."


In 1996, Bill and I journeyed to Tuscany, where we stayed in a mountaintop castle nestled within the ancient walls of San Gimignano. Returning to Italy in the summer of 2024, I embarked on a tour with kindred spirits. Our travels took us from savoring perfectly al dente pasta in Rome to indulging in boot-sized portions of tiramisu in Tuscany. We also ventured into the Treviso countryside, where we toured the Unison Research (UR) factory. This is where I had my first exposure to Unison Research's S6 Black Edition Integrated Amplifier ($6999).

Aurorasound HFSA-01 integrated amplifier

Audiophiles are often misunderstood as mere hobbyists; in fact they hold a profound reverence for sound. Japanese jazz kissas, where vintage vinyl, turntables, tube amplifiers, and horn speakers have drawn audiences since the 1950s, exemplify this passion. Western audiophiles share a similar fervor, though our pursuit of sonic perfection often manifests in a more discreet, almost monastic, lifestyle.


Shinobu Karaki, a 65-year-old electronics designer, is the founder and chief designer of Japan's Aurorasound. A music lover first, an audiophile second, and an aspiring jazz and classical guitarist, Karaki crafts phono stages, step-up transformers, preamplifiers, power amplifiers, and integrated amplifiers for his Yokohama-based audio company.

Audia Flight FLS10 integrated amplifier

The dogma of separates has long reigned supreme among audiophiles: If you're serious about sound quality, you're supposed to need a dedicated preamp and power amp. The logic goes that separates reduce interference and offer maximum control over your sound. But there's an argument to be made that integrated amplifiers are more practical ... and potentially better-sounding.


The beauty of an integrated amp lies in its synergy. Audio engineers know exactly how the pre and power sections will interact; the two are literally designed to work together. On paper at least, that means optimized impedance matching, and signal integrity that can rival and perhaps surpass separates. How do you know whether a standalone preamp is a great match for a power amp? For most of us, it's through trial and error. It isn't unusual for restless stereo aficionados to own multiple combos over the years, in search of the ideal one. That gets costly.


Then there's the fact that an integrated amp helps declutter a room, appealing to minimalists and people whose living spaces are less than cavernous. Another plus: no need to shell out for audiophile-grade interconnects.

Gryphon Audio Designs Diablo 333 integrated amplifier

What's in a name? Denmark-based Gryphon Audio Designs laid down a marker when company founder Flemming Rasmussen chose that name in 1985. Browsing through the current Stereophile Recommended Components list, I only found one other manufacturer that utilizes an animal moniker. The imagery summoned by the use of the mythical treasure-guarding Gryphon seems appropriate; a hybrid creature combining features of the eagle and the lion, creatures of strength and speed—this choice underlines some of the aesthetics and performance Gryphon Audio has become known for. The handsome hardcover user's manual for the Diablo 333 simply states in gold "The Gryphon," along with a side-on profile of that winged lion-tailed creature, as a logo.


The Gryphon Diablo 333, a solid state, stereo integrated amplifier ($24,900 without optional DAC and phono stage modules), replaces the Gryphon Diablo 300, which was in production since 2016.

The January 2025 FollowUp Roundup

While there haven't been any follow-up reviews in recent issues of Stereophile, the January 2025 issue features further coverage of two one-box solutions that were reviewed in 2024—the Hegel 400 streaming integrated amplifier and the T+A R 2500 R multi-source receiver. All the user needs to do to create a complete audio system is to couple one of these products with a pair of passive loudspeakers.

Brilliant Corners #21: German kitchens, Japanese amps, and Afropop gems

I have a day job at a museum. One of my favorite things about working there is taking the elevator from my office down to one of the floors open to the public; I walk into the galleries through a discreet panel in the wall. This makes me feel like I'm in one of those horror-movie manors with a tunnel concealed behind a bookshelf. Sometimes I startle people, which I kind of enjoy.


Mostly I like spending time looking at art, especially in the early mornings when the galleries are empty. Lately, I've been watching art handlers hanging a roughly 100'-long tapestry depicting some manner of planetary jetsam—or maybe they are aquatic plants—by Nigerian artist Otobong Nkanga. And I make regular trips to a small theater to watch mesmerizing footage of Orchard Street in working-class lower Manhattan, shot in 1955 by veteran filmmaker Ken Jacobs. Captured on warm, saturated 16mm film, the long-gone people on the screen appear as vividly alive as the museumgoers around me.


My favorite-ever thing at the museum, though, is a life-sized kitchen. Austrian architect Grete Lihotzky designed it for a Frankfurt housing complex in 1927.

Hegel H400 streaming integrated amplifier

The Internet of Things has arrived at the stereo rack. Many hi-fi systems are now connected to the wider world, controlled by phones and tablets. Complex front panels with many switches and buttons have practically vanished; those still around are retro pieces or style statements. Little front-panel touchscreens with complex menu trees have been rendered vestigial or at least redundant. Designers of receivers, integrated amplifiers, and DACs must now at least consider incorporating a streaming module and a device-control app. In certain component categories and certain price brackets, a built-in app-controlled streamer is now a key part of the value proposition, much as a tuner was back in the days of terrestrial radio.


The Hegel H400 combines the functions of an integrated amplifier, DAC, and streamer.

Musical Fidelity A1 integrated amplifier

In 1989, I bought my second pair of Rogers LS3/5a's from a guy on Staten Island who had them hooked up to a Musical Fidelity A1 integrated amplifier. After playing the speakers for me, he began removing his zip-cord speaker cables and paused to show me how, at the amplifier end, his red-plastic Pomona Electronics banana plugs had partially melted from the A1's heat. We both laughed.


After it first appeared in 1985, the A1 quickly became famous for its hot top plate. The top plate got as hot as it did because it was used as a heatsink for the output transistors, which were biased highly into class-A. The A1's hot top made tabloid headlines, but for me it was its bold, sinewy, un-transistory sound and timeless, sharply drawn styling that distinguished it from cooler running Brit-fi competitors such as Audiolab's 8000A, Creek's 4040, A&R Cambridge's A60, and NAD's 3020.


Now it's back, priced at $1779, looking and feeling cooler than before.

PrimaLuna EVO 300 Hybrid integrated amplifier

"Hybrid" technology—specifically, mixing tubed and solid state in the same amplification device—stirs a deep desire for many enthusiasts. It has the potential to embody a perfect blend: the tonal liquidity, presence, and spaciousness of tubes coupled with the power and dependability of solid state. It's potentially an end-game technology.


Still, I have long remained skeptical. I am, I confess, a certain kind of audiophile, a blend of purist and traditionalist. I favor older technologies and simpler circuits. Amplifiers—including integrated amplifiers—should be tubed, input to output. Rectification? Tubes of course. I've even entertained OTL designs—the idea of them at least, though my experiences have been mixed.

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