Integrated Amp Reviews

Sort By: Post Date | Title | Publish Date
Kalman Rubinson  |  Jan 29, 2006  |  0 comments
In September 2005, for the first time, I attended the Expo of the Custom Electronic Design & Installation Association (CEDIA), in Indianapolis. Although I saw many familiar faces and companies, it was apparent that the event was dominated by a spirit very different from the one that pervades this magazine or the high-end exhibitions at the annual Consumer Electronics Show (CES). That spirit, however, does suffuse the rest of CES, and is well represented at Primedia's own Home Entertainment shows. That spirit encompasses video, and a view of audio that differs significantly from that of traditional audiophiles. Multichannel surround sound is taken as read, and novel technologies are prized higher than the proverbial "straight wire with gain."
Kalman Rubinson  |  May 24, 2010  |  0 comments
An audio/video receiver in Stereophile? Heresy!
Kal Rubinson  |  Jan 07, 2012  |  5 comments
In my last column, in November 2011, I mentioned that preamplifier-processors are generally at a price disadvantage in comparison to the same manufacturer's A/V receivers. The economies of scale almost ensure this. Typically, to design a pre-pro, a manufacturer uses one of its AVR models as a platform; the result is most distinguished from its parent AVR by its lack of power amplifiers.
Robert J. Reina  |  Apr 13, 2003  |  0 comments
It was 20 years ago today that Sgt. Michaelson taught the band to play. I was living in London when Antony Michaelson launched Musical Fidelity in an attempt to make a major statement in the area of affordable, high-quality, high-value electronics. Other Brits at the time were doing the same—companies such as Creek, A&R Cambridge (now Arcam), and DNM began to compete for the destitute audiophile's dollar.
Michael Fremer  |  Feb 29, 2004  |  First Published: Feb 01, 2001  |  0 comments
The old advertising jingle "Who put eight great tomatoes in that itty-bitty can?" bubbled through my head as Musical Fidelity's Antony Michaelson proudly unboxed the new $4500 M3 Nu-Vista integrated amplifier. How did they cram it all in there?
Michael Fremer  |  Oct 22, 2015  |  0 comments
Nuvistors—miniature, small-signal, vacuum tubes made of metal and ceramic—were introduced by RCA in 1959, at the dawn of the transistor revolution. RCA used them throughout the 1960s in its New Vista line of television sets, mostly in the tuner section. But by the early 1970s, solid-state devices had all but replaced tubes, nuvistors included (with a few notable exceptions). Ampex based the electronics of its well-regarded, late-'60s MR-70 open-reel tape deck on nuvistors, which were also used in microphone preamplifiers—in both cases for their very low noise and reputation for reliability and long life. For a time, Conrad-Johnson used them as well. While nuvistors may seem exotic today, they're hardly rare. On eBay you can find for sale hundreds if not thousands of used and new-old stock (NOS) nuvistors, as well as nuvistor sockets, without which the tubes are less easy to implement. (But they can be, and often are, hard-wired into a circuit.)
Art Dudley  |  Nov 15, 2007  |  0 comments
Specialization seems to be an inevitable consequence of progress: As the products of man and God become more and more complex, they're called on to do fewer things in more focused ways.
Erick Lichte  |  Mar 18, 2011  |  1 comments
My first trip to a Consumer Electronics Show, in January 2010, was an eye-opener. Not only had I never before seen the phony glories of Las Vegas, it was the first time I'd been to a high-end audio show. Between the offerings on the top floors of the Venetian and T.H.E. Show at the Flamingo, I met some great people and heard some wonderful new products. One of those people was distributor Kevin Deal, and one of those new products was from Mystère. Though I was familiar with the PrimaLuna line that Deal also distributes, Mystère was, well, a mystery. However, after a listen to the Mystère pa21 power amplifier making a pair of MartinLogan speakers sing, and after noting the reasonable prices for some of Mystère's beautifully designed and built amps, I put Mystère in my review queue.
Ken Micallef  |  Sep 27, 2018  |  0 comments
In 2015, the venerable Canadian audio company NAD introduced its soon-to-be-popular D 3020 integrated amplifier ($499), which combined 30Wpc output, streaming capability, and an onboard DAC in a slick, contoured case. NAD's latest D/A integrated also smartly combines trend with functionality, lifestyle convenience with technological advancement. The C 328 Hybrid Digital amplifier ($549) goes its older, smaller sibling a couple steps better in features, while reverting to NAD's traditional look: an unfancy box finished in a dark shade of matte gray with subtle white lettering and logo.
Jim Austin  |  Oct 22, 2006  |  0 comments
At the extreme high end—Halcro, VTL, Boulder, etc.—reviewers gush about a lack of character. If you're paying $20,000, you want a preamplifier or power amp to disappear. At those price points we also want extreme, unfatiguing resolution, and noise that's well below what most people would consider audible. But at those prices, an absence of character is definitely something most people aspire to.
Chip Stern  |  Jan 04, 2002  |  0 comments
NAD has been out there on the leading edge of entry-level high-end sound long enough that some audiophiles reckon they invented the category. Sure, we should give serious props to the likes of Creek, Rotel, Musical Fidelity, Arcam, Denon, and Parasound, all of which have made significant contributions to the musical aspirations of budget-conscious pilgrims. But I continue to harbor warm feelings about my last extended visit with an NAD component: the inexpensive yet supremely musical L40 CD Receiver, which I reviewed in the June 2000 Stereophile.
Stephen Mejias  |  Apr 10, 2015  |  11 comments
In the mornings, just before I leave for work, I power up the system, turn the volume down low, and set the CD player to Repeat. I like to think that if I play calm, soothing music while Ms. Little and I are away, the cats will feel less alone and more relaxed. It's also nice, on returning home from work, to walk into a room filled with music. One evening a few weeks ago, I stepped into the apartment, dropped my bags to the floor, settled down into the couch with my iPhone, and began scrolling through text messages. I'd been seated for only a moment before I had to turn my attention entirely to the sound of the system, which, even at a very low volume, sounded warm, detailed, and unusually good—unbelievably, almost unbearably engaging.
John Atkinson  |  Mar 15, 2010  |  1 comments
A decade ago, many predicted that amplifiers with switching or class-D output stages would come to dominate high-end audio. In a post–Peak Oil world in which the price of energy would always continue to rise, a class-D amplifier's very high efficiency in converting AC from the wall outlet into speaker-driving power would be a killer benefit. Although a conventional push-pull class-B amplifier has a theoretical efficiency of 78.5%, which would seem usefully high, this efficiency is obtained only at the onset of clipping; the need for the output devices to carry a standing bias current reduces that efficiency considerably, typically to around 50%. Class-A amplifiers are even less efficient, with a maximum of 25%; ie, three times as much power is dissipated by the amplifier as waste heat as is used to drive the loudspeaker (see "Sam's Space" in this issue).
Michael Fremer  |  Jan 21, 2007  |  0 comments
Older audiophiles remember the splash NAD made in the late 1970s with the introduction of their 3020 integrated amplifier ($175). Ridiculously cheap, it looked graceful and sounded warm, inviting, and holographic. Removable jumpers between the 3020's sections permitted enthusiasts to determine whether the magic resided in its preamp, its power amp, or in some synergy of both.
John Atkinson  |  Apr 26, 2018  |  3 comments
When I asked NAD for a sample of their Masters Series M50.2 digital music player, which I reviewed in the December 2017 issue, they also sent me a Masters Series M32 DirectDigital integrated amplifier, which had also been introduced at the 2017 Consumer Electronics Show. Costing $3999, the M32 offers a continuous power output of >150W into 8 or 4 ohms. The M32 is the same size as the M50.2, and its smart-looking combination of matte black and gray-anodized aluminum panels make it look identical to the player, except for the black volume-control knob to the right of the front panel's four-color touchscreen, and the ¼" headphone jack at bottom left. It even has the same eight ventilation grilles inset in the black top panel.

Pages

X