Integrated Amp Reviews

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John Marks  |  Oct 28, 2007  | 
Ars-Sonum is a Spanish audio company that, as far as I can tell, makes only one product—but it's a doozy (footnote 1). The Filarmonía SE is a tube integrated amplifier that is, in many ways, an homage to Dynaco's iconic Stereo 70 power amplifier of 1959, but the Filarmonía is by no means a slavish copy. Get down to specifics, and it's actually more of a clean-sheet-of-paper design.
John Marks  |  Feb 24, 2009  | 
I've been chipping away for some time at the task of trying to put together a music lover's stereo system for about half the money of my last such effort: $2500 to $3750 now, vs around $7500 back in 2005. My timing was good: CD and DVD receivers are a hot product category, with several attractive new entries at various prices.
John Marks  |  Aug 24, 2009  | 
When I was a kid, I saw the Marlon Brando remake of Mutiny on the Bounty. I'm sure you know the story—lots of bad-guy/good-guy tension between Captain Bligh and Fletcher Christian. There's also an overlay of class conflict, but with a twist: The up-and-comer is the sadist, while it's the aristocrat who is nature's nobleman.
John Marks  |  Oct 23, 2009  | 
There have been lots of great, and even some fabulous books of music criticism or reportage, and I've recommended several in these pages. So far, however, only one has made me chuckle, chortle, or laugh out loud, time and time again.
John Marks  |  Apr 26, 2010  | 
There's a fantastic new two-SACD/CD set of a demonstration-quality live recording of a rather obscure work you really should get to know, not only for its own merits, but also for what I believe is its underappreciated but major influence on music and on popular culture. The piece is by 20th-century composer Arnold Schoenberg, but trust me—it's more than "listenable." It (or, at least, the music on the first disc) is beyond engaging; it is compelling—a revelation, even. The work is Gurrelieder (Songs of Gurre), Gurre being a castle in medieval Denmark that was the setting of a real-life doomed love triangle, the story of which has since loomed large in the moodily brooding artistic consciousness of Danes. The 19th-century Danish poet Jens Peter Jacobsen wrote a collection of poems based on medieval legends, including this one, and a German translation by Robert Franz Arnold provided Schoenberg's dramatic texts.
John Marks  |  Jun 28, 2010  | 
Leben Hi-Fi Stereo Company is a very small company in Amagasaki City, Japan, that hand-builds an exquisite line of vacuum-tube audio electronics. I find it intriguing that Taku Hyodo, founder and main man of Leben, once worked for the comparatively huge Luxman firm. Years back, Luxman went through various corporate owners and spent some time wandering in the desert, before returning to its high-end audio heritage. Whether, as I suspect, Leben was founded during Luxman's years of ownership by car-stereo maker Alpine, or if Hyodo simply wanted to be the captain of his own destiny, I don't know.
John Marks  |  Feb 14, 2013  | 
A particular audio interest of mine has long been cost-effective systems that work really well together. I think most of the audio sob stories I've heard can be traced to one or both of two things: mismatched equipment, and inadequate attention paid to room acoustics. I've previously written about systems that range in price from $7500 to under $1500. Here's as minimal and classy a high-performance system as you can ask for: one box for the electronics (including USB connectivity), and two stand-mounted, two-way loudspeakers. The total cost is just under $10,000, but I think the price is justified not only by swank looks, but by the sound.
John Atkinson  |  Feb 24, 2013  |  First Published: Oct 01, 1987  | 
Since its founding just over ten years ago, Mission Electronics has grown to become one of the largest "real" hi-fi companies in the UK. Although their product line originally consisted of three relatively conventional loudspeakers, it rapidly grew to encompass high-end pre- and power amplifiers, cartridges, tonearms, and turntables, and, in the mid 1980s, a system concept based on CD replay and relatively inexpensive electronics: the Cyrus amplifiers and tuner.
John Atkinson  |  Nov 29, 2021  | 
Stereophile often subjects products that have been reviewed to further coverage: sometimes because there was an aspect of performance that needed further investigation; other times because there was a controversial finding. Three recent followups concerned the Ayre Acoustics EX-8 2.0 Integrated Hub amplifier that Ken Micallef reviewed in the November 2021 issue; the Accuphase DG-68 Digital Voicing Equalizer that Jason Victor Serinus reviewed in August 2021; and the Zesto Leto Ultra II line preamplifier that Ken Micallef reviewed in February 2021.
Ken Micallef  |  Jun 27, 2024  | 
For 16 years, I bled jazz. Countless hours alone in my practice shed, honing technique, recording myself for brutal self-analysis, dissecting and transcribing master drummers' solos note for note. My dream was to transcend technique, to exist in a state of pure reaction among musicians in perfect communion, where improvisation flows as effortlessly as thought.

The years melted away—George Lawrence Stone's sticking variations, Benjamin Podemski's concert drum solos, dog-eared "Real Book" charts, college big band concerts, smoky jam sessions, a basement practice routine that nearly deafened Mom. Once I was in NYC, there were classes at Drummer's Collective.

With intense application, playing became rote. But in rare moments of surrender, it wasn't me playing the music anymore. The music played me—ideas transmitted effortlessly, without thought, guided by some unseen force: maybe the woman in the third row, maybe the ghost of Tony Williams. In such moments, when fatigue stilled the mind, instrument and music intertwined, a single entity responding not to conscious thought but to some unknown, unknowable force. What ensued was beyond my mental reach.

John Atkinson  |  Oct 12, 2020  | 
Two of the followup reviews that were published in the November 2020 issue of Stereophile have been posted to the magazine's website: Herb Reichert on the Yamaha A-S3200 integrated amplifier and the measurements of the Denafrips Ares II and Terminator D/A processors.
John Atkinson  |  Apr 19, 2021  |  First Published: May 01, 2021  | 
Stereophile has reviewed two somewhat controversial products in recent issues. The Italian Grandinote Shinai integrated amplifier, which Robert Schryer wrote about in November 2020 is a solid-state design but with an output stage that resembles that of a typical push-pull tube amplifier. Falcon's "Gold Badge" edition of the BBC-designed LS3/5a minimonitor, which Herb Reichert reviewed in April 2021, is a re-engineered version of a design that will soon be celebrating its 50th birthday.
Ken Micallef  |  Jun 23, 2016  | 
In 1999, I visited a friend, professor of Italian history Bill Adams, at his castle lair in the mountain village of Panzano, in Chianti, Italy. The 10th-century Castello di Panzano towers over the lush Tuscan hills, offering stupendous views. Each morning we'd walk down the mountain to the town below, where squat old men drank espresso and watched soccer at the all-in-one café/general store/post office. We toured the Roman ruins at Volterra and San Gimignano, gorged ourselves on pasta, and admired the fashionable young women.
Chip Stern  |  Sep 01, 2004  |  First Published: Apr 01, 2000  | 
In Hinduism, an avatar is an incarnation of spirit—a god who descends to earth in bodily form. For Kevin Hayes of the Valve Amplification Company (VAC), the Avatar was meant to be nothing less than his defining statement of the state of the audio designer's art. Drawing on the high-tech refinements and scrupulous attention to individual components that distinguish his flagship high-end amps and preamps, Hayes has filtered it all down into one attractively priced integrated amplifier.
Julie Mullins  |  Mar 25, 2021  | 
All my earliest hi-fi memories involve tube amplification: as a young girl, staring at the tubes' glowing filaments and listening to music with my audiophile father. I was mesmerized by the glow of those tubes, too hot to touch, but even more so by the music, which often was classical or opera. How those tubes worked was a mystery to me, but I knew they played a big part in the magic coming from the speakers.

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