Michael Fremer

Michael Fremer  |  Jul 20, 2021  |  13 comments
Held every November in normal times, the annual Warsaw Audio Video Show is among the world's largest. I first attended a decade ago, in 2011, and was amazed by both the number of attendees—more than 10,000 people—and demographics that skewed young and included many families. That show was bigger and better-attended than any I've been to in America.
Michael Fremer  |  Jul 06, 2021  |  First Published: Dec 01, 2018  |  3 comments
Turntable manufacturer VPI Industries is about to celebrate its 40th anniversary. Despite analog playback's ups and downs (pun time), VPI has managed not only to survive but to prosper and grow, thanks to a smart product mix that includes high-value, wet-wash/vacuum-dry record-cleaning machines that perhaps took up the revenue slack when, in the mid-1990s, interest in new turntables dipped—but the vinyl faithful still had millions of dirty records to keep clean.
Michael Fremer  |  Jun 28, 2021  |  3 comments
First, a power update: The generator and transfer switch bypass plan has been solidified, the town permit has arrived, and the work will commence soon. I'm pretty sure what I've learned through this debacle will help other audiophiles improve both their power and their system's sound.

Now, on to this month's column: Revisiting an updated product from a small company can be a rewarding experience. For startups in our competitive, niche marketplace, just remaining in business is a challenge. Many under-capitalized startups founded by well-meaning idealists/hobbyists disappear in just a few years if not faster.

Michael Fremer  |  Jun 24, 2021  |  3 comments
In an April 2020 press release, the McIntosh Group announced that its subsidiary brand Sumiko, which was cofounded by the late Dave Fletcher and distributes Sonus Faber and Pro-Ject among other high-performance brands, had secured distribution rights for Rotel Electronics in the US and Latin America. That press release prompted memories of a Rotel RP-3000 direct drive turntable I once owned, fitted with a Lustre GST arm.
Michael Fremer  |  Jun 08, 2021  |  First Published: Jan 01, 2019  |  2 comments
How do you like your tangential-tracking tonearm: with a captured air bearing? If so, a stationary bearing and moving rail—or a moving bearing and stationary rail? A hovercraft-style air bearing? Trolley-wheel or servo-mechanical bearing? Or pivoted, with some kind of offset at the pivot or the headshell—or both? In today's crowded market of analog playback, you can buy whatever type of tangential tracker you prefer, from Bergmann, Clearaudio, Kuzma, Reed, Schröder, Thales, and others.
Michael Fremer  |  Jun 01, 2021  |  First Published: Feb 01, 2019  |  17 comments
Last May I got a text message from my vinyl-loving electrician: "Hey Michael, I'm listening to WFMU and a young 12 year old analog genius is guest DJ-ing, Malachi Lui. He mentioned you, and talks about mastering and pressings—he's incredible. I imagine he's been in touch with you. Hope all is well, Craig."
Michael Fremer  |  May 25, 2021  |  4 comments
Almost exactly a year ago to the day that I'm writing this—March 11, 2020—the WHO officially declared COVID-19 to be a pandemic. If you weren't paying attention, maybe you didn't see it coming (incredibly, some still deny the pandemic's existence), but I had already canceled a March 14, 2020, flight to Atlanta to speak to the local audiophile society. I'd made the plans for that visit at the Florida Audio Expo a few weeks earlier. Remember hi-fi shows?
Michael Fremer  |  May 04, 2021  |  First Published: Mar 01, 2019  |  5 comments
Lately, there's been too much gear worth covering and not enough space to cover it in. So this time . . . less think-piece filler and more hardware!
Michael Fremer  |  Apr 26, 2021  |  First Published: Apr 01, 2019  |  1 comments
Something's definitely happening at the house of Yoshio Matsudaira. The legendary gentleman, whom I've never met or corresponded with, manufactures cartridges for his own brand, My Sonic Lab, as well as for others, including Air Tight. Over the past few weeks, more than a few readers have asked me to review or at least listen to the latest My Sonic Lab cartridge, the Platinum Signature.
Michael Fremer  |  Apr 23, 2021  |  22 comments
Brand-fan excitement ran high among consumers and reviewers alike when Wilson Audio Specialties announced that it would roll out a nonfunctioning prototype of the Chronosonic XVX at the 2019 Rocky Mountain Audio Fest (RMAF). The Chronosonic XVX was rumored to be a replacement for the $210,000/pair Alexandria XLF, offering performance similar to that of the $850,000 WAMM Master Chronosonic system (including two Master Subsonics and a controller) at a less breathtaking price. (You won't catch me writing "affordable" here.) The static unveiling at RMAF intensified anticipation.

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