Women have undeniably become the most dynamic and vital creative force in music today. Without their good energies and ideas, music, which in the digital age has become more background than art, would be much less interesting and inspiring.

In Robin D.G. Kelley's definitive, 450-page biography of Thelonious Monk, Monk and tenor saxophonist Charlie Rouse first meet on p.100, in 1944. Their next encounter comes 91 pages (11 years) later, when Rouse is working with Monk at the Music Barn concert series in the Berkshires.

Aaron Sherrick of Harrisburg, Pennsylvania’s Now Listen Here is an old hand at making show systems sing. He pulled off his magic trick in Jersey as he has at shows far and wide, as well as inside his Harrisburg storefront.

Atlantis Lab’s Yusuke Yasuda, and Decibel+’s Gabriel Andrés Toro brought one of the most surprising systems of the show, featuring Neoson tubed amplifiers and Atlantis Lab loudspeakers, both brands manufactured in France. Atlantis Labs' concept designer Eric Buy and Neoson concept designer Walter Blondel were also on hand.

Adrian Belew had an itch that needed some serious scratching. The iconoclastist/vocalist had a hankering to perform material from the three King Crimson albums he fronted during the proto-prog band's 1980s revival—October 1981's Discipline, June 1982's Beat, and March 1984's Three of a Perfect Pair.

Norm Steinke, Burmester sales manager for the US, presented two complete Burmester Audio systems at T.H.E. Show in New Jersey. Both systems were composed of components drawn from Burmester’s tiered product lines: Signature Line, Reference Line, Top Line, Classic Line. The two displayed setups featured an assortment of components divided among these categories.

It's been said before, but the essential truth remains as shiny as a new 2A3 tube: A well-made, good-sounding integrated amplifier is a sonic marvel, a triumph of audio engineering.