Thomas Conrad

Thomas Conrad  |  Jul 22, 2021  |  3 comments
Francesco Cafiso: Irene of Boston
Cafiso, alto saxophone; London Symphony Orchestra; four others
EFLAT EF0003 (CD, available as download, LP). 2020. EFLAT, prod.; Riccardo Piparo, Mat Bartram, Francesco Lupi, Roberto Romano, engs.
Performance *****
Sonics ****

The first time I heard Francesco Cafiso, I thought I was hallucinating. It was 2005. I had flown to Australia from Seattle to cover the Melbourne Jazz Festival. Cafiso appeared the first night. He was 15. He played the most outrageous bebop I had ever heard outside of Charlie Parker records. I thought I was delusional from jet lag.

Larry Birnbaum, Thomas Conrad, Kurt Gottschalk  |  Jul 09, 2021  |  1 comments
Punkt.Vrt.Plastik: Somit, Ben Goldberg: Everything Happens to Be, John Patitucci, Vinnie Colaiuta, Bill Cunliffe: Trio, Enrico Morello: Cyclic Signs, Ches Smith and We All Break: Path of Seven Colors and Dan Wilson: Vessels of Wood and Earth.
Thomas Conrad, Fred Kaplan  |  Jun 04, 2021  |  0 comments
Mario Rom's Interzone: Eternal Fiction, Joe Lovano & Dave Douglas' Soundprints: Other Worlds, Jack Brandfield: I'll Never Be the Same and Charles Lloyd & The Marvels: Tone Poem.
Thomas Conrad, Fred Kaplan  |  May 07, 2021  |  2 comments
Sarah Vaughan: Sarah Vaughan, Ocelot: Ocelot and Jim Snidero: Live at the Deer Head Inn.
Thomas Conrad, Kurt Gottschalk  |  Apr 09, 2021  |  0 comments
Archie Shepp, Jason Moran: Let My People Go, Jakob Bro: Uma Elmo and Ethan Iverson: Bud Powell in the 21st Century.
Thomas Conrad, Fred Kaplan  |  Mar 12, 2021  |  2 comments
Michael Feinberg: From Where We Came, J. Peter Schwalm/Arve Henriksen: Neuzeit, Andrew Hill: Passing Ships and Sonny Rollins: Rollins in Holland.
Thomas Conrad  |  Mar 11, 2021  |  5 comments
Full Disclosure: All jazz writers fantasize about owning a jazz label. These fantasies persist even in our post-CD, download era, when the record industry as we knew it has been laid to waste. It is reasonable to speculate that, as a reader of this magazine and therefore a music junkie, you may have had an entrepreneurial record label fantasy or two of your own. For us, it should be interesting to hear from Mark Feldman, because he actually did it. In fact, he did it twice.
Thomas Conrad  |  Mar 02, 2021  |  13 comments
I wrote an article for the March 2017 issue of Stereophile called "The Permanent Jazz Festival: The Rise of Europe and the Future of Jazz." It presented two theses: that much of the energy in jazz now comes out of Europe, and that the best place to feel that energy is in the crowd at a European jazz festival. There are hundreds of them throughout the year.
Thomas Conrad, Fred Kaplan  |  Feb 05, 2021  |  10 comments
Diana Krall: This Dream of You, Ella Fitzgerald: Ella: The Lost Berlin Tapes and Charles Mingus: @ Bremen 1964 & 1975.
Larry Birnbaum, Thomas Conrad, Fred Kaplan  |  Dec 31, 2020  |  2 comments
Fred Hersch: Songs from Home, Horace Silver Quintet: Further Explorations, Juliet Kurtzman/Pete Malinverni: Candlelight: Love in the Time of Cholera and Matthew Shipp Trio: The Unidentifiable.

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