Recommended Components 2021 Edition Signal Processors

Signal Processors

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Dirac Live room correction system full version: $499
Stereo version: $349 ★

Of course, the sound quality is dependent on the hardware in the system, says KR, but the acoustic transformation capabilities of DLRC are well beyond what is built into most processors. (Vol.37 No.5 WWW)

Deletions
MartinLogan Perfect Bass Kit replaced by new version.

COMMENTS
grymiephone's picture

The Linton Heritage is not an audiophile speaker, and I will stop there, it's hard to find music it plays well

Glotz's picture

And it sounded fantastic with 'entry'-level Hegel components.

Everyone is different, and especially when one levels generalist comments.

grymiephone's picture

I had a response with more details but it was deleted.

Glotz's picture

Sorry man. I think the site had some issues a week back as well. Anything that was edited sometimes got deleted.

grymiephone's picture

Oh, well. for what's it's worth:
I tested the Linton with 5 other speakers. When I ordered it, the sales person said: be warned, it's NOT an audiophile speaker. And it didn't compare well. I wanted to love them but my 23 year old Celestions had more image and punch than the Lintons. I am sure they can sound good in a different system

MatthewT's picture

I agree with the "not an audiophile speaker" remark. I wish we could know what Art Dudley thought of them. I love them, FWIW.

Glotz's picture

I appreciate both of your insights here.

It helps me come closer to the truth. Or that's not right- The perceptions of each person lend us insights into how each person feels in their system.

I know a lot of times it's hard to speak to one's system for fear of others being critical.

Nonetheless, it does tell me what possible variances there are. I thought the double Linton's were impressive, if expensive. The dealer had them in a pseudo-d'appolito configuration, with the top speakers upside down and on top of the bottom pair.

liguorid42's picture

I agree everyone's opinion of what he or she likes is valid, and an opinion that you shouldn't like something because it's not an audiophile product is invalid. That being said, if you're a wine connoisseur you wouldn't necessarily make a buying decision on a pricey Cabernet based on the opinion of someone whose beverage of choice is Mountain Dew. And "not an audiophile speaker" can just mean your favorite reviewer has not made the sign of the cross before it, and is pretty useless without some description of what you perceive its sonic flaws to be.

Glotz's picture

I think all stereo products can have a home, but you are right it's all about context.

I was impressed with the Denton's midrange, but perhaps that's not fair given I was listening to the collective output of 2 pairs of speakers working in tandem.

mememe2's picture

PLease put this in the "useless phrases" section of your mag. Can we have good pace but lack timing -no. can we have good rhythm but lack pace - no. Can we have good timing but lack rhythm - no. This description seems to be aimed at audio prats (in the original meaning of the word).

Charles E Flynn's picture

"captures the emotion"

liguorid42's picture

Back when founding father Gordon Holt started Stereophile he tried to develop a lexicon to describe how things actually sounded--things like "liquid", "transparent", "grainy", "warm"--as opposed to how things emotionally affected him personally. Theoretically you could go to a hi fi emporium, listen to KLH Nines driven by Audio Research electronics and hear for yourself what he meant. Though he did open the door with his "goosebump test". These days terms such as you describe have made subjective audio reviewing so subjective as not to be very useful to anyone else.

Charles E Flynn's picture

Thanks for your reply.

I have always wondered how one could determine that a playback chain captured the emotion of the performers when the only evidence we have about their emotions is what is provided by the playback chain.

The reproduced sound may convey or provoke emotion, but whether what it conveys is what the performer felt is something we can never determine on the basis of only the reproduced sound.

liguorid42's picture

..in the Firesign Theater album said, "That's metapheesically absurd, mun, how can I know what you hear?"

Heck, you can't know if what you're feeling is the same as what the performer is feeling even at a live performance. Not even close would be my guess. What I'm feeling when I play the piano in private is very different from when I get conned into playing for someone. What the composer felt when setting the notes to the page, different still. I doubt a loudspeaker, let alone a piece of loudspeaker cable, has anything to do with any of this.

George Tn's picture

the Schiit Sol made it on to the list in such a high spot for its price. I've been rooting for that product and it's finally being seen for how great it is.

PTG's picture

Yup.. So happy to see Sol finally get some recognition. SOL had a very rough launch but they owned up to it and made it right ! I would love to get one but am worried about how much tinkering is needed to make it right.. Still thinking about it.... It LOOKS amazing !!!

georgehifi's picture

Same for the Aegir, a A20w Class-A stereo in Class-A Stereophile. I can only think of one similar that could/would do that, and that's the mighty 20w Mark Levison ML2 monoblocks.
https://i.pinimg.com/736x/d6/6a/cc/d66acc2c1d4fa7ea17f5a9bb9345e912.jpg

Cheers George

Glotz's picture

Yes, these components are great to see classified, but it's one person's ranking for a component. The classes also cut a large swath in performance of any one category- and within each class.

That being said, I do think the Sol is pretty-well-reviewed for the money and if my rig broke suddenly... I'd get this one to tie me over.

PTG's picture

Did I miss it or was Bluesound family of products (Node2i, Vault2i ??) totally dropped off the RC2021 list ? If yes, I wonder why...

Jim Austin's picture

On previous lists, when several Bluesound products were listed together, we put them under "Complete Audio Systems." We dropped most of them simply because they haven't been auditioned in years--indeed, no Stereophile reviewer ever tried a gen-2 version of any of the products except the Node2i, which I bought a few months back and use daily. Dropping products that haven't been auditioned in a long time is longstanding RecComp policy.

With only the Node2i on the list, it no longer makes sense to list it under Complete Audio Systems; it should be moved to Digital Processors. But I overlooked that fact when preparing the 2021 edition.

Jim Austin, Editor
Stereophile

C_Hoefer's picture

I just navigated to this page intending to point out the error in location of the Bluesound Node 2i - glad to see you already caught it! It belongs in digital players.
--CH

prerich45's picture

I'd like to see some of the other offerings tested by Stereophile. The Gustard dacs have measured well by another site. I've actually purchased one to see how it fairs to my ears - as I've already seen its numbers. SMSL,Gustard, and Topping are making some possible world beaters, it would be interesting to see this publication put them on the bench.

Fstein's picture

Lirpasound announces $79 amplifier, states previous price of $159,000 a joke no reasonable person would believe

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