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On Thursday April 24, Sony announced a new round of reasonably priced products, all of which are capable of high-resolution audio playback. Sony's unequivocal embrace of high-resolution audio—the acronym HRA seems to have become the mutually accepted, industry-wide term—was the main order of business. Defining HRA as everything greater than Red Book CD (16/44.1k) Jeff Hiatt, the company's Director of Home Audio (above), began by stating, "We have sacrificed quality in order to get convenience. MP3 has been degrading the quality of music, and was a quantum leap backwards. The young generation doesn't even realize that they're not listening to music as the artist intended it be heard."

Many music lovers share a moment in common. On a cloudy evening, you put on a record. Hopefully, it was Rush’s Hemispheres. Most likely, it was Pink Floyd’s Dark Side of the Moon. The LP sleeve rested in your lap. The receiver’s meters bobbed gently, and the lights were dimmed just enough so your eyes could transfix on the junction of prism and light that refracts into a rainbow wrapped in black. As those guitars and synthesizers roared, the artwork and its melding with the music allowed you to transcend conceptual planes by uniting abstract visuals with word, rhythm, and melody. For just a moment, the world wasn’t so bland.

The Gralbum Collective are trying to recapture this enlightening experience with the Gralbum, or graphic album, a packaged release of image, word, and song for iPad and iPhone.

The 2014 AXPONA (Audio Expo North America), scheduled for April 25–27 in Chicago's completely refurbished Westin O'Hare, promises to the biggest and most comprehensive US consumer audio show east of Denver. How about, for starters, at least 56 known product introductions, with many more intentionally unannounced; 75 active exhibits in "standard" hotel rooms, whose dimensions are a far-from-standard 14.9'x19' with 8.5' high ceilings; 35 significantly larger meeting rooms and suites, spread over numerous floors, often filled with more than one active system per room; an Ear Gear Expo with exhibits from 23 headphone and headphone amp/accessory manufacturers; and a lobby level marketplace that promises 70 displays from 30 different vendors?

It's been getting closer and closer the past few days. But this morning, Stereophile's Facebook page got its 20,000th "Like."

Woo hoo!!!!

The May 2014 issue of Stereophile is now on newsstands. With High-Resolution Audio poised to go mainstream, the issue features Sony's $2000 HAP-Z1ES file player on its cover. Kalman Rubinson takes the Sony through its paces summing up that the "audiophile quality" Sony "has the potential to become a gateway product for the mass market of portable-player users."

Meridian Audio's co-founder Bob Stuart (above) journeyed to Audio High in Mountain View, CA on April 8 for the US unveiling of Meridian's new Special Edition DSP Digital Active Loudspeaker. The tantalizing time I spent listening to the top-of-the-line DSP8000SE ($80,000/pair) convinced me that Meridian's slogan, "Redefine the Possible," is anything but hype.

When high-end audio retailer AudioVision San Francisco got hit with an unexpected eviction notice, Antonio Long and Randy Johnson realized they had to either raise funds fast for a move or close up shop. That's when they decided to generate support via what is undoubtedly the first high-end retailer Indiegogo fundraising campaign.

Universal Music Group (UMG) is currently fulfilling its promise to release hundreds of 24/96 High Fidelity Pure Audio Blu-Ray (audio only) titles in 14 countries by the end of 2014. While many of these titles are from its rich back catalog, a few are new. These include, on the pop front, George Michael's Symphonica, and for classical, one of my 2013 R2D4s, Jonas Kaufmann's Wagner.

Plus ça change, plus c'est la même chose. Such is the story of the Montreal Audio Show aka Salon Son et Image (SSI), which takes place this coming weekend, March 28–30. The Chester Group may be sponsoring the show for the first time, and longtime show organizer Michel Plante may have ceded the reins to his partner/wife, Sarah Tremblay, but both the location (the Hilton Bonaventure Hotel) and the show structure are pretty much the same. Tremblay expects about 80 exhibitors—the same as last year—holding forth in 80–100 rooms.

Thumbing their collective nose at pundits who predict the imminent demise of physical media, Universal Music Group has begun reissuing select back catalog and new releases in Pure Audio (audio only) Blu-Ray 24/96 and/or 24/96 download formats. The first of the classical titles appeared in February, with more rolling out all the time. To get the skinny on UMG's plans for Blu-ray and hi-res, I conducted two separate interviews with folks in the UK. The first, with Barry Holden, the extremely committed and highly articulate VP of Classical Catalogue at Universal Music, appears below.