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After 27 years, yesterday was the final day AVTech's webmaster Jon Iverson was responsible for overseeing the company's websites, including this one. Now in his mid-60s, Jon felt it was time for him to retire while he still had the energy to explore his other interests.

At the risk of writing hyperbole, I will state that Audio Video 2023, held October 27–29, 2023, was unlike any other audio show I've attended. At no other audio show have I encountered so many young people, so many women, and so many brands unknown in the United States. Not even in Munich have I encountered crowds as dense as those that mobbed the show's biggest site, the National Stadium of Poland, PGE Narodowy, on Saturday. A press badge counts for nothing when you're 11" short of 6'3", attempting to see far enough into a huge room to spy a seat. Any seat.

Happily, the majority of attendees at the Warsaw Show did not come to yap away about the stock market or the speaker they built three decades ago. People came to listen, and they respected others who came to listen. Even in the largest rooms, with crowds of some 150 people, it was possible to hear music and learn from presenters' unamplified raps.

Japan’s Technical Audio Devices Laboratories, Inc. (TAD) brought several products to CAF, including the US debut of the TAD Grand Evolution One (GE1) floor-standing speakers ($65,000/pair) and new TAD C1000 preamplifier ($24,950).

Voxativ's Ines Adler and Christopher Cunningham brought the full Voxativ experience from Berlin to Rockville, including the new and revised Voxativ Ampeggio back-loaded horn with AC-1.9 full-range driver loudspeaker ($12,900/pair).

Command AV's Jeff Fox was running two rigs at CAF, including a large scale assemblage in the Democracy suite, where the sound matched the beauty of the hi-fi. Jeff's setup included the day-glow red J.Sikora Standard MAX Special Editon turntable ($19,995) and J.Sikora KV MAX 12" Tonearm ($14,500) mounted with an Aidas Mammoth Gold Cartridge ($8650). From thence the signal ran to a Doshi Audio Evolution phono stage ($20,995). Digital front-end duties were handled by an Aurender N30SA server ($25,000), a Berkeley Audio Design Alpha DAC Series 3 ($28,000), and a Berkeley Audio Design Alpha USB Series 2 digital interface ($2495).

Fast-talking, smooth-walking, Brit-expat Robin Wyatt is one of the best setup men in the game. Showcasing unique gear that he operates to perfection, his rooms typically capture best-in-show performance.