Music and Recording Features

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InterviewsMusic and Recording Features
Robbie Fulks is Bringing It All Back Home
Tony Scherman  |  Jun 06, 2023  | 
In 2009, Robbie Fulks decided to make a change. For almost 20 years, the singer/songwriter had led a series of hard-hitting country-rock bands across America and beyond, his blistering guitar chops and madcap levity (the latter frequently testing, if not violating, standards of taste) winning him a modest-sized but ardent fan base.

"I was fatigued from what I'd been doing," Fulks told me recently via Zoom, sitting in his kitchen in Atwater Village, a Los Angeles neighborhood between Glendale and Burbank. "Me on acoustic guitar, with electric guitar, bass guitar and drums, that was my sound for something like 13 years. I was so tired of it, I was actually thinking of doing something other than music."

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InterviewsMusic and Recording Features
John Doe: Fables of the Post-Reconstruction
Mike Mettler  |  May 10, 2023  | 
Few people make albums about isolation and loneliness sound as appealing as John Doe does. That's what Doe has achieved with his latest solo release, Fables in a Foreign Land (LP, Fat Possum FP 18001). Set as a song cycle in the 1890s, the album's 13 songs reflect Doe's penchant for dust-and-diesel storytelling, within an acoustic-trio format. It's "telling stories and playing music around the modern campfire," Doe said in an interview.
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Brilliant CornersMusic and Recording Features
Brilliant Corners #4: Something Old, Something New, Something Borrowed, Something Blue
Alex Halberstadt  |  May 03, 2023  | 
It turns out that PVC, or polyvinyl chloride—the stuff used to make Starbucks gift cards, imitation leather wallets, inflatable pool unicorns, the pipes under your sink, and Billy Idol's pants—is also the main ingredient in phonograph records. And today we're living in the silver age of PVC. Not the golden age, since records are no longer the dominant medium for recorded music, but these days we're lucky to again have access to a remarkable amount of music stamped on top-quality hot plastic.

Better still, as listeners have become more knowledgeable and demanding, vinyl releases have become more scrupulously sourced, pressed, annotated, and packaged. Many of today's records show an unprecedented level of care and transparency about their production—and sound terrific to boot.

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Music and Recording Features
Molto Molto—a New Stereophile Album from Sasha Matson
John Atkinson  |  May 01, 2023  | 
We started issuing recordings on the Stereophile label at the end of the 1980s, both to make available some of test tracks that we were using in our reviews and to enable readers to have access to recordings where the provenance was fully documented. That way the "Circle of Confusion" that Bob Katz discussed on the Stereophile website in 2017, where the sound quality of an audio component couldn't be judged using a recording with unknown sound quality potential, could be avoided. As Bob wrote, "How can any reviewer make a judgment about a transducer without knowing what a recording is supposed to sound like?"
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InterviewsMusic and Recording Features
The Beatles Reanimated: The Giles Martin Revolver Remix
Ken Micallef  |  Apr 04, 2023  | 
On a warm day in September 2022, alongside 40 or so press colleagues, I was treated to an advance demonstration of the Dolby Atmos mix of The Beatles' Revolver, at Republic Studios on Broadway In New York City's midtown. Producer/mixer Giles Martin—son of original Beatles producer Sir George Martin—was our host. Giles Martin's demeanor was self-deprecating, and he seemed to know all there is to know about the Beatles and their productions. As Martin played songs from Revolver in surround sound, the assembled group seemed amazed by what they heard.
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InterviewsMusic and Recording Features
Rachael and Vilray: Carrying a Torch
Tony Scherman  |  Mar 08, 2023  | 
As Vilray Bolles marched down Manhattan's Second Avenue on a rainy afternoon late in 2014, participating in a demonstration against police brutality, he slipped on the wet pavement, fell hard on his right hand, and broke his pinky. For a guitarist, a broken finger can be a major, if not catastrophic, setback. But the gods were smiling on Bolles. He was, in fact, a lapsed guitarist, having all but abandoned hopes of a musical career, and the universe was giving him a nudge, not just back into music but into a collaboration with Rachael Price, one of contemporary pop's great vocalists, who, when she isn't singing cabaret jazz with Bolles, fronts the headlining rock band Lake Street Dive.
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InterviewsMusic and Recording Features
Dave Alvin
Mike Mettler  |  Feb 08, 2023  | 
Dave Alvin is a fighter. In the 1980s, when Dave and his older brother, Phil Alvin, shared studio and stage as co-founders of Los Angeles punkabilly band The Blasters, they frequently fought each other. They also fought musically, tussling over every note as the four-man band wrangled many great tunes. In that respect, their working relationship may have been similar to the sibling push-pull output of Ray and Dave Davies in the Kinks and Liam and Noel Gallagher in Oasis. Consider "American Music," "Marie Marie," and "Border Radio," all from the band's 1981 sophomore album The Blasters, as examples of how internal conflict can lead to successful collaboration.
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InterviewsMusic and Recording Features
Melissa Aldana
Ken Micallef  |  Jan 11, 2023  | 
Bassist Ron Carter, world-renowned musician and most-recorded jazz bassist of all time, said in an interview for Stereophile's Musicians as Audiophiles that he sees himself not just as a bassist but also as a scientist, forever striving to understand and perfect the sound of his recordings. Chile-born saxophonist Melissa Aldana, a stunningly expressive jazz musician, shows similar dedication to her art, studiously investigating the century-long history of the genre.
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InterviewsMusic and Recording Features
Jeff Tweedy: Wilco's Midwestern Yankee Embraces a Country Court
Mike Mettler  |  Dec 15, 2022  | 
Jeff Tweedy is an artist who transcends time. Wait—let me clarify that. Tweedy, the multi-hyphenate singer, songwriter, guitarist, and co-producer for the midwestern-bred alt-rocking Americana band Wilco, has spent the bulk of his career creating music that crosses the divides between past, present, and future.
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Among the MusicalMusic and Recording Features
Somewhere in a Burst of Glory
Tony Scherman  |  Nov 30, 2022  | 
Tyler Chester was headed south on the I-5 to San Diego, where he would join indie-rock eminence Andrew Bird's road band for a brief tour. Touring is an activity Los Angeles–based Chester pursues with decreasing frequency, he told me in a recent phone chat. After years as a busy sideman and recording-session musician—he is equally proficient on bass, guitar, and keyboards—Chester finds himself spending less and less time as a player and more as a producer.
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Music and Recording Features
On The Road Again: Three European Jazz Festivals
Thomas Conrad  |  Nov 10, 2022  | 
The first European jazz festival I ever attended was in 2006. It was the Umbria Jazz Festival in Perugia, Italy, one of the biggest. Tens of thousands of people overran the cobblestone streets and piazzas of Perugia's old town. The music began before noon and ended long after midnight. At the end of 10 days, I was delirious from joy and sleep deprivation.
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InterviewsMusic and Recording Features
Steve Earle: A hardcore troubadour celebrates Jerry Jeff Walker
Mike Mettler  |  Sep 09, 2022  | 
Steve Earle was born in 1967. Well, that's not exactly true. Earle was in fact born on January 17, 1955, in Fort Monroe, Virginia, but the singer, songwriter, and master interpreter's musical awakening came in 1967, when he was 12 years old, growing up in his acknowledged hometown of San Antonio, Texas.
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InterviewsMusic and Recording Features
Lyle Lovett: Music among great players can be a conversation
Rogier van Bakel  |  Jul 06, 2022  | 
2022 is turning out to be a good year for Lyle Lovett, not least because he is, to use a cowboy metaphor, back in the saddle.

"I've been out of work for two years," he says archly. Normally, Lovett performs more than 100 concerts a year, regardless of whether he's released new work. But the pandemic pinned him down at home in Houston, with his wife and their now–four-year-old twins, in the house his grandfather built in 1911. Domesticity suits Lovett. "There was plenty to do every minute of every day. Absolutely no boredom!" He sounds like he means it; unselfconscious mentions of paternal tenderness bubbled up in our conversation from time to time.

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Music and Recording FeaturesRabbit Holes
New rock music as an odd musical niche
Tom Fine  |  Jul 05, 2022  | 
My tastes coalesced around rock music, particularly the harder and faster kind, by the time I was in middle school. Earlier, they were oriented toward pop: The Beatles are my first and forever musical love.
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InterviewsMusic and Recording Features
Bonnie Raitt, Blues Sister: Her Life And Times In Eight Songs
Tony Scherman  |  Jun 07, 2022  | 
When an icon drops her first album in six years, you sit up and take notice. Bonnie Raitt made her earliest record a half-century and more ago, in August 1971. She was 21 and could easily have been carded; the face on the cover of Bonnie Raitt—that first album—has yet to shed all its baby fat.
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