LATEST ADDITIONS

First morning of the first day, jet-lagged, don't recognize anybody, forgot every name and, worse still: I broke every rule I made for myself on the way to Newport Beach. Mostly, I have attended these shows as a distributor-exhibitor so I never forget how much it costs in money and psychic energy to do any show—let alone the whole US-World circuit. Many of these exhibitors just finished a big, wallet-crushing, jet-lagging show in Munich, and now they are here in California (how many miles and time zones is that?), still staggering and punch drunk from dancing on that big stage—trying to smile and impress everybody. So my kind and gentle spirit tells me to understand and try to comfort them...

My beat for Stereophile—to attempt to share with you my brief take on equipment and systems that might be described as "Medium Budget"; not too cheap, not too pricey—just right! A daunting task, given the sheer amount of fine gear here that could fit into that budget ballpark. My first stop was late in the afternoon of the Thursday Press Day. I sought out familiar friendly faces in the Positive Feedback Online Hospitality Room. (Here is a photo of Positive Feedback editors David Robinson, right, and Dave Clark, left.) This is fast becoming sort of the audio equivalent of the Grateful Dead's long strange trip.

When longtime TAD/Pioneer speaker designer Andrew Jones moved on to design new speakers for German manufacturer ELAC, we expected big things, though not quite immediately. Speaker design takes time. But Jones and ELAC made a big splash at the Newport show with the new line of Debut speakers. The first model ready for demo was the baby of the Debut family, the B5. It's shown here with proud papa Andrew, with its 5.25" aramid-fiber woofer and 1" cloth-dome tweeter, and is expected to retail for $230/pair in early fall when the entire lineup should be available...

High-end audio is mostly about songs blaring from boxes. Occasionally, you can be sitting near some of these wailing boxes and think: Wow, these songs are sounding pretty darn good! If you’re an audiophile that means you’ve found a home. Today, on my first day in Newport Beach, California I am sitting in the lobby of the Irvine Hotel (home of The Home Entertainment Show Newport) getting myself psyched for room after room of blaring boxes and stacks of brochures, sproutin’ like cotton from every horizontal surface...

Sometimes a good album passes me by, unnoticed (so much music, so little time), but few turn out, upon discovery, to be as very, very good as the Jaki Byard Project's Inch By Inch, Yard Byard (on the GM Recordings label)...

The story's been often told: 30 years ago, British speaker manufacturer KEF was asked to design a small, spherical loudspeaker that could be used in a European project to research room acoustics. The speaker had to have wide, even dispersion, so KEF's solution was to mount the tweeter coaxially, on what would have been the woofer's dustcap. That "point source" drive-unit, called the Uni-Q, began appearing in KEF's commercial speaker models in 1989, starting with the Reference 105/3—but it wasn't until the appearance of KEF's 50th-anniversary loudspeaker, the LS50, which I reviewed in December 2012, that I felt that the Uni-Q drive-unit had fully fulfilled its promise, at least in a speaker I had auditioned in my own room.

To some, the measure of a company has less to do with the amount of money it makes than with the honesty of the things it sells: the assurance that every product in its line is designed not as a marketing exercise but as a straightforward and presumably unique answer to a real consumer need.