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McIntosh, which is based in my home state of New York, has long been in my audio life. It was the "house sound" where I grew up. My parents' stereo system was powered by a pair of MC75 tubed amplifiers (fed by a Marantz 7B preamp, driving Bozak Concert Grand speakers). In my father's recording studio, McIntosh amplifiers powered the monitors.

Efficient and focused like the brand he represents, Technics business and development manager Bill Voss arrived in Hasbrouck Heights with a full array of Technics offerings including the direct-drive Technics SL-1210GME Master Edition turntable in a world debut ($TBA) and the recently released SL-50C compact turntable ($899).

The System Audio Legend 40.2 Silverback DS ($6414.84/pair including the WiSA Stereo Hub HT) is a floorstanding loudspeaker system of modest size, significant weight, and impressive solidity. Its sides are gently bowed . . . The appearance is cool and calm, with or without the grille.

Walking through any big art museum, even at a brisk pace, it's impossible not to notice how boldly each object wears the unique stamp of its time and place of manufacture. It doesn't matter whether the artist worked in Paris or Polynesia, in the 15th or 20th century. The force of the creator's persona, united with the constraints of the cultural system that supported the making of that type of art, determines the vibe the object emits. That vibe is what I'm hoping to grasp.

On my way to the Revox room in Warsaw's Sobieski Hotel, my mind wandered/wondered: If a voracious reader is a bookworm, is a tape enthusiast a tapeworm?

It may look relatively quiet in the lobby of the Radisson Blu Sobieski, one of the three official sites of the Audio Video Warsaw show. But once the 27th edition of three-day show officially opens on Friday, October 24, at noon, the Radisson's lobby will be so packed that show registrants will snake through it, past soon-to-be-packed restaurants, and out the front door.

Although I have very much appreciated how the best floorstanding loudspeakers have performed in my various listening rooms over the decades, I have always been most comfortable with relatively small two-way standmounts. Back in the early 1980s, I got musically moving sound from a pair of Rogers LS3/5a's, which I still own . . .