LATEST ADDITIONS

In scouting the lay of the land for the last day of RMAF, my fellow expedition members told me I must hear the demo Nordost was presenting. Late on Sunday afternoon I finally caught up with the Nordost team in the Humboldt Peak room at the Denver Marriott. This year at RMAF Nordost was showcasing their new, as the Munich Show last May, Supreme Reference Range Odin 2 cabling.

Oh my, what a difference a few feet can make. I am talking, in this case, about the 6'7.8"-tall, 573.2-lb Focal Grande Utopia EM loudspeakers ($195,000/pair), each of which houses a 16" woofer, an 11" midbass driver, two 6.5" midrange drivers, and a 1" pure-beryllium, inverted-dome tweeter. This loudspeaker throws one of the largest and most realistically proportioned soundstages I have ever heard. When playing my SACD of Iván Fischer and the Budapest Festival Orchestra performing Mahler's Symphony 9 (Channel Classics), the Grand Utopia EMs were actually capable of suggesting the huge scale, dynamic extremes, and sheer volume that a full Mahler orchestra can produce. Which is no mean feat.

There are rooms at hi-fi shows, and then there are rooms. Kubotek/Haniwa were hosting the "Harry Pearson Memorial Concert" in Room 1122 of the Denver Marriott. I had seen information in advance, but it took me a moment to realize that I had walked into a unique event. It was a bit like viewing hours at a funeral parlor, but instead of a casket, arranged around the room were a selection of the legendary Harry Pearson's actual 3000-LP collection, which he bequeathed complete to Dr. Tetsuo Kubo, designer and president/CEO of the Kubotek Corporation, based in Osaka, Japan.

When there are over 150 exhibits to cover at an audio show, as there were at RMAF, I usually have no choice but to skip entertainment. But when Joe Reynolds of Nordost told me that I "must" hear Irish songstress and songwriter Eleanor McEvoy, whose initial work as a symphonic violinist segued into work as a session musician for U2 and Sinead O’Connor before she concentrated on songwriting and performing, I vowed to briefly stick my head into the Aspen Amphitheatre, grab a photo, and stay for part of a song.

Then I heard McEvoy, the composer of the title track of A Woman's Heart, the six-artist compilation that became Ireland's all-time best-selling CD, begin to sing her own music. . .

By the time I went to book a room for this year's RMAF there was no room at the Denver Marriott inn. Perhaps the same thing happened to Magico, as we both ended up one long suburban block away at the Hyatt Regency Denver Tech. Which was nice for me, in that it allowed me to get a breath of fresh air between listening bouts.

When I first met Jeffrey Catalano, he used an AR-XA turntable, a Fisher 500C amp, and a pair of AR-1 loudspeakers. Nowadays, he always has a world-class super system. I love listening to records with Jeffrey and I always feel bad that my show reporting only lets me stay a short while in his High Water Sound room at a show.