Dynaudio Focus 160 loudspeaker
I latched on pretty fast to Dynaudio's Excite X12, but I wasn't the first at Stereophile to discover that loudspeaker. That was Bob Reina.
Drat!
I latched on pretty fast to Dynaudio's Excite X12, but I wasn't the first at Stereophile to discover that loudspeaker. That was Bob Reina.
Drat!
These 2-disc albums are of unusual interest for several reasons. First, although both are of exactly the same program material, there were recorded with completely different microphone techniques. One was done with the usual (for commercial recordings) multi-microphone set-up and mixdown (S-20). The other (S-21) was done with a single stereo mikethe technique preferred by most audio perfectionists. [This is the version on the 1995 CD reissueEd.]
Charlie Haden, one of the great jazz bassists, died this morning, at age 76, after a long illness.
At last we're starting to realize some of the promise of CD from a major record company. This is the best CD recording I've heard yet from Philips. Both of these are virtuoso romantic works requiring a big piano sound and the stamina to produce it for 610 minutes at a stretch, which is probably why few lady pianists will tackle them. Bella Davidovich pulls these off with great aplomb.
To me, the Saint-Saëns is the better of the two, and is one of the truly great performances of this work. I grudgingly rate it as equal to my long-time favorite, the Rubinstein/Reiner performance on a 1958 RCA LP (LSC-2234), although I would have liked a little more TLC from Ms. Davidovich in the first movement. She seems a little rushed where an occasional lingering caress is indicated, but that is quibbling with what is a really rousing performance.