John Atkinson

John Atkinson  |  Oct 12, 2022  |  First Published: Jan 01, 1989
Probably best-known in recent years for their best-selling "baby" speaker, the Diamond, Wharfedale is one of the UK's oldest manufacturers of loudspeakers. The company was the subject of a management buyout earlier this year, following a rather unsettled period when it changed hands several times. Now with American distribution as of 1989 by Vector Research (footnote 1), the brand is reinventing itself in the US with two new ranges of loudspeakers, the 507.2 being one of the "audiophile" models. Both drive-units are made in-house; the first generation of Wharfedale loudspeakers to feature this 19mm aluminum-dome tweeter—the 506, 508, and 708—appeared in early 1985.
John Atkinson  |  Sep 28, 2022
My late father-in-law used to say that life is like a roll of toilet paper. The closer you get to the end, the quicker it passes. I was reminded of that when I was asked to review Bel Canto's new e1X DAC/Control Preamplifier ($6800). It didn't seem that long ago that I favorably reviewed the Minnesota company's e.One DAC3, but Google told me that it was 15 years ago! "Other than the jitter performance via its USB input, the Bel Canto e.One DAC3 is the best-measuring digital component I have encountered," I wrote in November 2007 (footnote 1), adding that it "offers some impressive audio engineering in both the digital and analog domains."
John Atkinson  |  Sep 15, 2022
Two high-performance preamplifiers were subjected to further listening in recent issues. Jason Victor Serinus wrote about Rotel's Michi P5 in September 2022; Jim Austin auditioned the Audio Research Reference 6SE in October 2022.
John Atkinson  |  Sep 08, 2022  |  First Published: Jan 01, 1989
In a recent answer to a reader's letter, I somewhat bluntly stated that Stereophile's reviewers use "hi-fi" adjectives to describe loudspeaker sound because even good loudspeakers are too far removed from sounding "real" to be compared directly with live music. Upon reflection, this may have sounded too dismissive, so I will elaborate a little in this short essay.
John Atkinson  |  Sep 07, 2022  |  First Published: Jan 01, 1989
A new name to me, West German company MB Quart GmbH is, in fact, the reincarnation of the Peerless loudspeaker company that until 1983 used to be owned by New York–based Electro Audio Dynamics (EAD). The company has been in existence for over 20 years and under either name has an excellent reputation for its drive-unit technology, MB being one of the first manufacturers to offer an OEM metal-dome tweeter. Their 1" titanium-dome unit, for example, was featured in Dick Olsher's Dahlia-Debra DIY design (footnote 1), and I became quite enamored of the effortlessly clean nature of that speaker's treble.
John Atkinson  |  Aug 24, 2022
Although Danish company Audiovector was founded in 1979, I had very little experience of its loudspeakers, other than at audio shows (footnote 1), until I measured the Audiovector R 8 Arreté that Jim Austin reviewed in May 2021. Jim nominated the R 8 as his "Editor's Choice" for 2021, writing that "The gorgeous-looking Audiovector took me by surprise, doing things with imaging that I've never heard another loudspeaker do (like hearing a bass note directly behind another bass note)." Jim concluded that the R 8 "is a complicated speaker that sounds simple, sweet, and coherent."
John Atkinson  |  Aug 16, 2022
It was September 1962. In the UK, the Beatles were recording their first single, "Love Me Do," at London's Abbey Road Studios. And in the US, a young journalist, J. Gordon Holt, born in North Carolina but raised in Australia from 1935 to 1947, had become dissatisfied with the advertiser-friendly atmosphere at High Fidelity magazine, for which he had been the audio editor. Holt quit High Fidelity and, after a brief stint with phono cartridge manufacturer Weathers, published the first issue of what was then called The Stereophile.
John Atkinson  |  Jul 29, 2022
Given how crowded the loudspeaker manufacturing space has always been, I am always surprised when a new brand not only springs into being but does so with new speakers that sound and measure well. Take the UK's Q Acoustics, for example. The company didn't exist before 2006 and didn't have a presence in the US until 2018.
John Atkinson  |  Jul 22, 2022
Characteristically, the email from Kal Rubinson got straight to the point: "I have a WiiM Mini that I have played with, but I am not the right one to review this as I am not sufficiently interested in or knowledgeable about wireless streaming. It ... can handle uncompressed PCM via its DACs." "I'll review it," I replied, intrigued by a $99 D/A processor that can stream hi-rez audio via Wi-Fi and that also has an analog input so it can act as a preamplifier.
John Atkinson  |  Jun 20, 2022
Three high-performance products were subjected to second opinions and/or measurements in recent issues: Channel D's Lino C 3.3 phono preamplifier, Mola Mola's Tambaqui D/A processor, and Pass Labs' XP-32 line preamplifier.

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