Ken Micallef

I scrambled into the room shared by Infigo Audio and Alta Audio where Alta Audio's Michael Levy was introducing his new Titanium Hestia II floorstanders ($37,500/pair). I always dig Hans Looman's Infigo amplifiers; Hans always plays cool and unusual music, and his amps are small beasts of potent power, snap-crackling dynamics, and surprisingly large, super-scaled soundstages.

I have to admit, at past shows, Bache Audio's Greg Belman has urged me to visit his and Alex Choren's shared Alexus Audio room, and I've begged off, "too busy" the usual lame excuse. But this time I didn't and damn! I was glad I made it into this small oasis of good music and excellent high-fidelity reproduction.

The Distinctive Stereo/Genesis Advanced Technologies/Merrill Audio Advanced Technology room celebrated Genesis's 30th anniversary with the debut of the Genesis Tribute Loudspeakers ($125,000/pair), in honor of Genesis founder, the late Arnie Nudell, "advanced with the latest innovations in materials and technology by current designer, Gary Leonard Koh," stated a press release.

When I walked into the Potomac room, a large VAC/Von Schweikert system was playing vintage Steely Dan tunes (Gaucho era) via vinyl into the sprawling space—what's not to love? While one exhibitor poked me in the ribs for criticizing their choice of Michael Jackson's Thriller at last year's event, the Yacht Rock flowing out of the mighty Potomac room suited me perfectly. And it sounded fantastic.

Presenting dozens of new exhibitors, 40 more rooms, and 30 more accessories booths than in 2021, Capital Audiofest 2022 is up and running like a fire-starter. Owner/organizer/promoter Gary Gill is sporting a new, literally letting-his-hair-down cut, and over an aromatic cigar he excitedly regaled me with news.

During my 30-odd years inhabiting New York City's Greenwich Village, I've seen many things come and go. Today's Village buzzes, blasts, and bellows in every direction, change itself the only constant.

As an aspiring teenage illustrator, I was fascinated by the work of outlaw cartoonist Robert Crumb. His beautifully drawn images offered escape from the redneck southern city where I grew up. I was especially enchanted by Crumb's caricatures of blues and jazz musicians, which were assembled in his "Heroes of the Blues" and "Early Jazz Greats" trading-card collections.

Founded in 1926 by Guy R. Fountain in London as the Tulsemere Manufacturing Company, Tannoy—a portmanteau (footnote 1) of "tantalum" and "alloy," after a tantalum-lead alloy used in rectifiers—took on its current commercial identity in 1928. Through the war years and beyond, the company specialized in public-address (PA) systems. Indeed, today, "tannoy" is a widely recognized generic term for a PA system in the UK; there's an entry for "tannoy" in the Oxford English Dictionary.

Reviewing LKV Research's Veros PWR+ power amplifier in the September 2020 issue, Senior Contributing Editor Herbert Reichert enthusiastically opined, "the class-D LKV amp played equally rich and atmosphere-soaked through the entire audio band. It did atmospheric dreamy like class-A does atmospheric dreamy." Herb concluded, "Sound quality and music enjoymentwise, the LKV Research Veros PWR+ amplifier sits on a higher mountain than any other class-D amp I've encountered."

Since 1925, Japan-based Luxman Corporation has manufactured high-quality integrated amplifiers, preamplifiers, power amplifiers, phono stages, turntables, and, more recently, DACs and CD players. But it has been 40 years since Luxman introduced a new phono cartridge; the last one was the LMC-2 in 1982, released just after 1981's LMC-1. That dry period ended with the introduction of the Luxman LMC-5 ($2695).