Herb Reichert

Herb Reichert  |  Nov 05, 2019  |  2 comments
Every time I encounter a system with Triangle speakers, I stop and take serious notice of their refined but lively sound. As I did Sunday in the room sponsored by The Antal Audio Group.
Herb Reichert  |  Nov 04, 2019  |  12 comments
I mentioned earlier how uncolored, detailed, transparent, and image-specific an open baffle loudspeaker can sound. Unfortunately, not all open baffle speakers are created equal, and making a coherent and musically satisfying open-baffle speaker is much more complex than just bolting a few drivers to a sheet of plywood. The question any loudspeaker designer must ask is, how far should I go? When is done right?
Herb Reichert  |  Nov 04, 2019  |  2 comments
My three-day reconnaissance suggests that Mark Schneider and his company, Linear Tube Audio, scored big at CAF, downstairs in the Headphone Lounge and with a room I and many showgoers thought was a candidate for Best Sound at Show.
Herb Reichert  |  Nov 04, 2019  |  1 comments
The other big room with spectacular sound on the Rockville Hilton’s atrium level featured products from Pass Labs, GT Audioworks, and Basis Audio.
Herb Reichert  |  Nov 03, 2019  |  27 comments
Walk through the glass entrance doors, then twenty paces straight ahead, and you find yourself standing at the lip of a dizzying precipice, with a full panoramic view of the Rockville Hilton’s vast LP-filled atrium. To your right is a spectacularly lit glass wall that measures about 25’ high by 75’ wide. Above the glass is a giant banner baring the turquoise Valve Amplification Company’s logo: VAC. Standing in front of the wall are groups of urbane sophisticates: handsome men in suits, beautiful women, bright-eyed children. This envy-inspiring display is assembled by The Audio Company out of Marietta, GA; who describe themselves as “purveyors of hi-end luxury audio.”
Herb Reichert  |  Nov 02, 2019  |  6 comments
Before I knew who she was, I saw Roslyn in the hall handing out chocolate chip cookies that she baked herself. She was vivacious, with a heart-melting smile, and talking to everybody. Each hand-wrapped bag held two cookies and was tied with a ribbon in a bow, with a business card. (As I chatted with her I snuck cookie-bag after cookie-bag into my jacket pockets. I don’t think she noticed.)
Herb Reichert  |  Nov 01, 2019  |  5 comments
The lighting in the Krell-Alta Audio room was bleak, gray, colorless. The only color in the entire room was the blue from the lights on Krell’s never-before-played-in-public K-300p phono preamplifier ($TBD), Krell Illusion line-level preamplifier ($7700), Krell Duo 300 XD amplifier, and Krell CEO Walter Schofield’s shiny blue jacket.
Herb Reichert  |  Nov 01, 2019  |  8 comments
I have been beating the headphone drum at Stereophile since I started in 2014. By 2016, when I reviewed Linear Tube Audio’s inaugural product, the microZOTL2.0 line-stage/headphone amplifier, I was falling asleep with AKG K812s on my head. (Now I’m falling asleep with HiFiMan Susvara and RAAL-requisite SR1a ribbon headphones.) To me, headphone listening is the gateway to audio’s newest wonderland.
Herb Reichert  |  Nov 01, 2019  |  3 comments
It was 77 degrees on October 31 and the weather on the drive down reminded me of an amplifier I once owned: dark, gray, and dry. The weather app on my phone said there were tornado warnings for the Washington, DC, area, but that could not diminish my excitement about going to Capital Audiofest at the Hilton Hotel in Rockville Maryland.

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