Herb Reichert

Herb Reichert  |  May 18, 2019  |  10 comments
At AXPONA 2019 and now at High End 2019, Cube Audio demonstrated their beautifully finished complete speakers, like the €16,000 Nenuphar that I would die to hear in my own system.
Herb Reichert  |  May 18, 2019  |  0 comments
Without forethought, at every audio show I attend, I inevitably end up smiling, relaxed, and happy in the Gershman Acoustics room. Especially lately, when the always-cheerful Ofra Gershman is playing the $13k/pair Grand Avant Garde floor-standing loudspeakers.
Herb Reichert  |  May 18, 2019  |  6 comments
I quit smoking before cigarettes hit $5/pack. I sold my last car, a nickel green 1977 Mercedes 300D, for $500. But I have sold a lot of six-figure audio amplifiers, and clearly, the juicy audio good stuff—the super-exotic—blows everybody’s mind. 1893 Chateau Lafite Rothschild gear is out of the reach of the lumpen proletariat. But so what? It is still cool and spectacularly wild and a blast to listen to, which anyone can do at an audio show. Take the all-out Aries Cerat system Joshua Masongsong of Believe High Fidelity was showing at Munich 2019. Have you ever heard anything like this?
Herb Reichert  |  May 09, 2019  |  7 comments
The South Korean company Silbatone manufactures exquisite pure tube and hybrid audio amplification that's specifically engineered to be un-conventional, un-compromised, and un-affordable. About that last characteristic: It's un-affordable because it's not for sale—and everyone knows you have to pay extra for stuff that's not for sale. Right?
Herb Reichert  |  May 09, 2019  |  7 comments
I'm sitting in the Alluxity room next to Joseph Audio's Jeff Joseph and wondering how his new graphene-cone Perspective2 loudspeakers ($14,999/pair) can sound so big and solid and transparent when they're so far apart. I'm looking for the hole in the middle, or at least a fuzzy-creamy center, but I can't find it. All I can "see" are the solid, accurately described voices of singers like Ella and Elvis.
Herb Reichert  |  May 09, 2019  |  21 comments
The show wasn't open yet. The booths weren't finished being built. I was walking alone, and there were no audio people anywhere. But as soon as I saw it, I froze and pulled out my camera. It's not hammertone gray. It's not a grease-bearing. But it was here in front of me.
Herb Reichert  |  May 07, 2019  |  10 comments
Leute, High End München 2019 ist der große Audio-Zirkus . . .
Herb Reichert  |  Apr 19, 2019  |  73 comments
I keep getting older. By the time you read this, I will be genuinely old. When I was genuinely young, I bellyached, "Wires are the worst part of hi-fi—there's gotta be a way to get rid of them." I first made that statement when audio electronics and loudspeakers both still nestled inconspicuously in proper bookcases. Back then, people sitting on the sofa weren't forced to stare at diverse audio boxes and ungainly wires.
Herb Reichert  |  Apr 17, 2019  |  18 comments
By the time I knew they were handing out cots, it was too late: They had already run out. The person at the Help Desk at Chicago's O'Hare International Airport said he'd never seen so many people camping out there. (Thanks to Mike Trei for the above photo.)
Herb Reichert  |  Apr 16, 2019  |  3 comments
Jolida Audio began life a fabricator of vacuum tubes. But since the early 1990s, it has been known for its musical-sounding, modestly priced tube amplification. Jolida was also famous for its association with Jim Fosgate, famous for his Dolby Pro Logic inventions and, more important (to me at least), his battery-powered cartridge-azimuth alignment tool, the Fozgometer. Which I use all the time.

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