Jason Victor Serinus

The Nonesuch Records CD Steve Reich: Pulse / Quartet arrived with its sonic bonus unheralded. With no MQA designation on the album cover or disc, few would have known of its MQA provenance had not posts appeared on Facebook that, when inserted in a player capable of decoding MQA, it can deliver high-resolution MQA.

The 2018 audio show season is about to start and it's not just Stereophile's coverage of high-end audio shows—which has taken a leap forward with the inclusion of Jana Dagdagan's binaural videos—that's changing. The shows themselves are on the move.

There's good news for owners of Thiel loudspeakers manufactured between 1977 and 2012. Coherent Source Service of Lexington, Kentucky, will provide Thiel warranty and non-warranty service for customers worldwide. The company has been founded by Rob Gillum, who worked with Thiel for over 30 years and eventually became Director of Manufacturing.

Jordi Savall, the gifted viola da gamba player and ensemble founder who, together with his late wife, soprano Montserrat Figueras, infused early music with inestimable life and color, has released his 16th high-resolution musical history book for Alia Vox. As one might expect from an artist dedicated to promoting music as the great unifier, the 37 tracks on the two-hybrid SACD set, Venezia Millenaria 700–1797, along with its copious illustrations and five comprehensive essays in six languages, explore the history of the water-surrounded refuge.

"How natural the sound," wrote Jonathan Scull in March 1994, in his Follow-Up on the original Jadis JA 200 monoblock amplifier, which then cost $18,990/pair. "How easy it was to follow the musical line and fall into the music. How deep, controlled, tight, and satisfying the bass. How magnifique the midrange—the traditional strength of the Jadis presentation. How full and satisfying the lower midrange. How open, airy, how right the highs—not at all hard, but very extended and natural. How involving their presentation. How full, how harmonically correct, how wonderfully compelling. How magical."

Given that David Chesky has just followed the digital release of his Second and Third Piano Concertos with a January 13 performance of his Violin Concerto No.3 by Rachel Barton Pine and the Lancaster Symphony Orchestra, some might say he's on a roll. Others, listening to the pace of two new piano concertos inspired what liner notes writer Harold Lester calls "the chaos of [Chesky's] adopted New York City," might instead think "roller coaster."

The question, "What if they Gave a CES and Nobody Came?," which headlined my As We See It from mid-2016, was echoed by a similar title on Jon Iverson's opening blog for our coverage of CES 2018. Yet hopes and fears that our industry's increasingly limited presence in the Venetian would sound the death knell for "high performance audio" at CES do not reflect the experience of those who this year chose to either exhibit or wander hallways and eateries in search of dealers and distributors.